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I really like the way this one turned out. It uses minimal grid blocks to achieve the desired effect (although at ~2x2 and the slivers and the pinhole dots, there are a surprisingly large number of actual bricks used per glyph than evident at a quick glance, although not a single overlapping brick is used without express purpose). I think this is my favorite of all the ones I've done so far. It is with nervous anticipation that I let it free. Go forth and propagate, young font; it's You v World!
19 Comments
A perfect 10 :D
A REAL monospace!
The F is great!
The K is lovely!
The X is extraordinary!
The Q is brillant!
Each Glyph is a "augenweide" (can't
explain it in english ... and it means: goood!)
@guentersen: augenweide=eye candy. Sweet!
@intaglio: I did this a couple of weeks ago. It took me this long to get the nerve to share it. Ah! the muse, so fleeting her visits.
@inti: How nice you are. Many thanks.
@Axel: This font started out as all black. The pin holes were an accident of brick placement which I liked so much I went and poked holes in all the other glyphs as well. I'm happy to let this font be sans siblings.
@Stewf: Thanks for, as intaglio calls it, the pink dot. Appreciate it. :)
I appreciate you taking the time to review each character and offer advice. It is one of the reasons I keep coming back to this place. Thank you.
There are plenty of famous fonts that have one or two quirky "wrong" characters. We don't see them as wrong any more because we don't see the wrongness anymore. I love that.
Sorry saberrider I reckon thalamic was visited by the muse one night and everything about this font is perfect.
I do believe that one of the reasons this font works is because although there are strong design limitations in this font, they are not so strict that they cannot be violated here and there. It makes the flow of characters less monotonous...I think.
I also share your attitude of releasing a font by "letting it free." :-)
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