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THERE YOU GO, @bluemon . I DID THE BEST THAT I COULD WITH THE CYRILLIC (THE ONLY THING THAT I TOUCHED). I’M REALLY PROUD OF THE CAPITALS. MOST OF THE LOWER CASE IS OKAY, BUT A LOT OF LOWER-CASE CYRILLIC LETTERS HAVE THEIR OWN “SUB-X-HEIGHT” IF YOU KNOW WHAT I MEAN, SO THEY’RE BASICALLY JUST THE CAPITALS BUT SMALLER. THAT WAS QUITE HARD TO WORK AROUND, SINCE THAT FEATURE IS COMPLETELY NONEXISTANT IN THIS FONT (SEE YOUR LETTER: “s”). SO I’M NOT VERY HAPPY ABOUT “э”, AND KIND OF RESORTED TO THE HANDWRITTEN FORMS FOR: “в”, “д”, “з”, “и”, “й”, “у”, “ц”, “ш”, and “щ”. I DON’T KNOW, MAYBE @Dmitriy Sychiov (Sychoff) CAN POLISH IT OFF!
OH, AND I DIDN’T KERN ANYTHING, THERE’S A LITTLE PRESENT FOR YOU :D
6 Comments
Pretty cool cyrillic, @"Th3_C0n_Man
Also, How did @bluemon get the 4x4 filters anyways?
Also, This could inspire @Meek to increase the max to 4x4. It can potentially unlock new ideas and curves that would've been impossible…
@BWM I used hax
nice! i like it
@BWM @bluemon
Hey, yeah, I realised that you were using four-by-four filters, but I thought that maybe that was something that they added while I wasn’t using FontStruct.
I have a few more ideas of features that could be added to FontStruct, which I’ll describe in the description of my next font. If I don’t have it ready by tomorrow, it’ll be a while until it’s released because I’m going on holiday.
Anyway, working with your style was quite challenging, bluemon. It’s certainly different from mine. I lost a little bit of respect for the font when I found that letters like “O” aren’t actually perfect circles and stuff. But that’s not your fault; In my fonts, I have to get the geometry perfect — even if you can’t notice it. It’s pretty annoying actually.
All the best with your future projects.
@"Th3_C0n-Man" If I have a font that uses a 3x3 curve, and 2x2 filters, I try to get it as close as possible to perfect as possible…
Rename "Я не знаю, кто я больше." Into the title called "Greenfield Stylish".
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