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10 Comments
The clean shapes of the letters are actually the work of Mr. Kominek; I have not changed them at all. :-)
As for diagonal lines looking thinner in FontStruct; you are quite right. I've never been happy with that either, and in my early FontStructions I mostly avoided using diagonals. I'll have to think about how to make fine optical adjustments, as you suggest.
Update: Frodo, I tried doing this on the White Highlight version I am currently working on. However, as you can see from the screenshot below, I ran into some trouble! I would need a brick shaped like the red shape in the image to optically adjust the drop shadows. Thanks for the suggestion, though! It was worth trying.
Looking good, though :-)
a bit wider than their vertical or horizontal counterparts. This is especially true for modern grotesque, neo-grotesque or humanist sans serif type faces (e.g. Akzidenz Grotesk; Helvetica,
Univers; Frutiger, Meta, respectively). There are exceptions, as always (e.g. Gill Sans, Metro, ITC Kabel). The rule to follow is what LexKominek have already concluded: what is "looking good" is good, regardless of exact point numbers.
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