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23 Comments
10/10, even in advance of caps!
It may not be fixable, of course, but it will be fun finding out.
And then you based this almost exclusively on an asymmetrical pentagon! This has the makings of a true classic, intaglio. meek is so right about this one being special.
I'll sleep on it. Tomorrow the obvious outsiders will be staring me in the face.
Not to say your are at all typographically naive, quite the opposite. Yet you have given yourself rules that compel you to do “the wrong thing”. Keep doing it then, it’s working!
And that Q is totally bad ASS! I suggest you don’t change a brick of it.
Really hard for me to say what to change when I personally love all the inconsistencies. You may need a more objective analysis, but such an analysis is antithetical to the spirit of this font. I would say: all the most amazing fontstructions take flight with their flaws, and this one among them!
@will.i.ૐ: I think you're probably right, rationalising it would wreck it. Besides, where to start?!
I don't mind being naive, by the way. I haven't had any training in typography. I'll always be grateful that one of my first bosses in the industry alerted me to the world of typography. That would be 1971. Phew.
If there is one change to make, it’s further differentiating (just a bit, if possible) the C and G.
@will.i.ૐ: just for you... exception 13b:
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