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61 Comments
@will.i.ૐ: Thanks for your words. I love the idea of a wire sculpture that could reveal different things depending on your point of view.
@everyone else: thanks again for you support, it means a lot to me!
I have been thinking that this font would really benefit from some open type features. One idea is to create three alternates for each glyph: a fully closed one, one that's closed on the left and one that's closed on the right. It would mean hugely increasing the number of glyphs, but give the possibility to create words that are formed by a continues line. I have included an alternate for l and o under the greater-than and less-than keys, so I could create the sample below.
Maybe this would work better as a three-part font, like CMunk's Dry Heat. You could create a separate font for initial letters, and another for finals.
Of course, options are always nice in a pro package. How about taking initial and terminal forms in yet another direction? You could add snap-on swashes or even decorative arabesques that stylishly spiral off one (or both) of the open terminals of a given letter...
That we are still discussing the open-ended (and open-started!) possibilities proves this one is a winner for all of us.
I´m so in love with this... wonderful work
THE BEST FONTSTRUCTION I'VE EVEN SEEN.
I couldn't do that if I tried.
Man, reminds me of the font loop de loop, except a bit bolder, aand are those accents I see?
Still in love with this one.
Love it!
ava
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