American frontier and western inspired display type.
Still needs a little bit of tweaking here and there. Also for some reason leading is not what it supose to be, it runs short a bit. But this is far from problematic.
Enjoy!
Updated pro version for my previous font STOUTE VRIEDJES.
* Full support for both upper & lowercase characters.
* Optimized for more legible display at small point size.
* Overall ballance now much more consistent.
* Lowered the font's weight to make it look slightly less bold.
* Stroke width for all horizontals decreased by a small amount. In addition to this I also slightly increased the size of all the counters. This way giving the font a more open feel.
* As last in a attempt to overall make it look more aesthetically appealing various small changes have been made to the letterform approach & other specific small details as well.
Enjoy!
This is a cloneA pretty simple looking variable sans-serif design.
The font allows you to modify the width of nearly every glyph. The one exception that can not be changed is the exclamation mark. I tried to simplify it the best I could, but it remains a little tricky to use, sorry.
HOW TO USE:
To type any sensible text you should start with the uppercase of a certain letter (this will create the left side of it). Followed by the corresponding extender to widen the glyph (repeat this step for a even wider result), and to complete the full letter you close the string with the lowercase glyph for this specific letter (this will create the right side).
There are a couple of glyphs that work slightly different.
These are I,M,T,W,Y, numerals and some punctuations.
To widen "I and T" the extenders are typed before and after the actual letter combination instead of in between.
M,W and Y are split in three (center stem is isolated) in order to allow one to make changes on both sides. To correctly type one of these you start with the uppercase for this specific letter, followed by the corresponding extender, followed by the corresponding center stem, followed with the extender once more, and as last to complete the full letter close the string with the lowercase glyph for this specific letter.
To extend the colon and semi-colon you complete the string for either period or comma first, followed by ;(semi-colon). This will place a dot above it.
And as last, to make a underscore simply use the string for period but with extra extenders.
The numerals work as listed bellow:
• 1:|_
• 2z
• #3
• 4-|-
• 5s
• 6s
• 7*
• 8b
• 9$
• 0o
The extenders are located in the following locations:
` - _ # = :
The isolated stems are located in the following locations:
| }
Diamundi is a very simple but funny patterned decorative typeface design that mimics facets(flat faces on a geometric shape).
And for that everyone that is checking this, please make sure you zoom in max. to see whats really going on, Even beter, make sure you've seen the sample image bellow, because the Fontstruct preview is total garbage due to my use of composite bricks at this grids tiny size.
Enjoy!
STF_V0N BRAUN - Simple geometric sans-serif typeface.
I tried to recreate the Braun GmbH logo type from 1952 and work it out into a full font, I used only the five letters in the logo as a reference. Since there are a bunch of revivals out there already. I just did my own interpretation of it.
Enjoy!
Argh, this was horrible to make .. well, getting it slightly balanced was a nightmare. The missing segments of the glyphs constantly caused my brain to correct what I was looking at by means of general logic and my knowledge about the way in which letter spacing usually works. This effect was worst with the letters T, U, Y. And I am convinced that it still contains the necessary disproportionate irregularities with regard to the metrics. I tried kerning it as best as I could. It has only uppercase letters, no numerals and very limited punctuations. I am not sure if I will ever complete this.
enjoy!
This is a cloneA sans-serif typeface design that was inspired by Tessellation. I choose to do it on a pretty small grid similar to small bitmap fonts. This had me running into a couple of small difficulties with structing some of the glyphs (a,e,s,x and #) untill I finaly was satisfied with them. This since I don't have a great deal of knowledge about small grid bitmap fonts. Also I did quite a bit of tweaking back and forth with spacing, width and kerning before it really felt ballanced to me! Overall I tried to keep it very simple from a design technical point of view.
Enjoy
This is a cloneA display typeface that revisits the classic Randstad alphabet originally designed by Ben Bos in 1969 working at Total Design. Some changes have been made to a number of characters and letter spacing in order to improve the overal ballance and legibility. In other words, more a semi-recap rahter than a exact replica.
Recap of a retro computer type lettering that appeared throughout the 70's and 80's as the word "data" on various brochures, envelopes and memo's by Dutch multinational human resource consulting firm Randstad. Most of which I guess were designed by Ben Bos.
Outline version for STF_SUPER MA(RE-)O BROS. family.
This is a clone of STF_SUPER MA(RE-)O BROS.Drop shadow version for the STF_SUPER MA(RE-)O BROS. family.
This is a clone of STF_SUPER MA(RE-)O BROS.OTTO FONT SCHIRACH - Art Deco tile mosaic lettering design.
It's designed to craft layers of typographic mosaics. It can create very subtle clear display text combinations when only layering text with just one or two backgrounds max. This will result in nice retro-ish mosaic typography. But beware, combining two or more background patters with for example different blending modes on each layer, this seemingly peaceful boy becomes capable of recreating the big bang!
All patterns are located in the Unicode block for Block Elements!
You know what, lets make this one clonable for everyone.
Enjoy!
It's finally done, it took me nearly 2 days to get the kerning done and balance this baby, but here she is!
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SCRIPTORIUM - A Gothic script/Blackletter typeface design with drop shadow.