Is it Serif or Sans? Western or Gothic? Double font or not? One thing is certain: This is not a time-travelling alien. Probably.
By request, a decorative font based on playing card suits. This will be used by a certain group of card players.
It is not the most readable design, but these requestors wanted it to be esoteric. It's meant to have a bit of a "secret code" feeling.
Futuristic maze like logotype.
It was designed as part of the renewed visual identity for one of my music labels.This is a clone
I decided to make a design which incorporated the thinnest/lightest weight lines possible in FontStruct. This is the result; I'll add more if people like it.
These 1/32 lines cannot be accurately nudged, so a unique line has to be built for each vertical position where I want a line. These lines also cannot be centered on a place where two curves meet (such as the middle of B or R). This introduces some unintentional asymmetry to the design, but I like it, so I'll keep it.
There is also the problem that forming a diagonal line of the same line weight is nearly impossible. While angled 1/32 lines can be formed, their angles are all close to 0. No method exists for making a line which slants at 45 degrees while also being 1/32 weight. So, I had to make some thicker lines in certain areas. I don't think they detract from the design, but if you scrutinize this enough, you'll notice them.
This is dedicated to everyone who complained that they couldn't read my other fonts!
Mechanical Horse resembles the engravings which might be found on a mechanical horse such as the one from Vampire Hunter D. What qualifies me to say this? Well, I watched Vampire Hunter D a couple of times and have been speculating wildly for decades, which is more than enough time to get good at it.
Please exercise caution when handling Mechanical Horse. Its edges can be pointy.
What would happen if we combined a segmented display with a CACTUS? This. This is what would happen.
I took "Hypnoverse" and applied handwriting techniques to it. These figures are more like those I draw when I write with a pen, though still very distinct from my actual handwriting due to the low resolution.
This looks very natural to me, moreso than any other 4x5 design I've seen. It needs to be 2x original size or larger for the best effect, though, since its forms aren't nearly as open as the others. This may not be a problem for you... maybe I've just been staring at it too long...
At this point, I am confident that none of these glyphs can be improved further. The best they can do is change to suit someone else's preferences. Would you draw a particular glyph differently? If so, please show your ideas. I have gone over every 4x5 glyph several dozen times through as many designs, and think I have found the best solution for each - but maybe I'm wrong! I am especially interested in solutions for m and w; I have tried compressing and truncating them to be 4-wide before, but never successfully got anything that LOOKED like an m or w.This is a clone of Hypnoverse
By request, a small, sporty, polygonal, uppercase serif font. The name is inspired by Hammer from Castlevania: Aria of Sorrow. This is quirky, strong, and from nowhere - just like Hammer.
This design seems best for signage, woodcuts, and the like. It carries a bit of a "sports" look too. The numerals and symbols are sans serif to make them look more modern. The asterisk is a hammer. Is it Hammer's hammer or Hammer's brother (who is a hammered Hammer Brother)'s hammer? No one knows.
Here we have a filled-counter pseudoserif pseudostencil that is also a borderline IVO design at the same time! It also has a bit of a "double font" look going on if you look at the negative space.
1. Internal negative spaces of glyphs will be filled such that a 0.5-brick-wide void exists between the filled space and the glyphs themselves.
2. When a glyph's horizontal line intersects with the filled space created by Rule 1, both the filled space and the line will be broken.
3. Vertical lines will only connect by two tapering curves or by the implied connections created by filled negative space.
4. Filled negative spaces may only join with the outer perimeters of glyphs.
This set of LEDs is typically used on the LOP indicators of Schindler M-Series (NZ-made), 300 P & 5400 AP elevators. Often with this font, there is an arrow that shows when the car is moving. Please let me know if I have gotten something wrong.This is a clone of Schindler D-Series LED (LOP w/o arrow)
This set of LEDs is typically used on the LOP indicators of Schindler M-Series (NZ-made), 300 P & 5400 AP elevators. Often with this font, there isn't an arrow when the car is moving; the arrow only appears once the car chimes and the doors open. Please let me know if I have gotten something wrong.
A quirky Pseudostencil design with a central horizontal slot going through it. The "slot" is 1 brick tall for lowercase and 2 for uppercase, and becomes a vertical slot for numerals and certain symbols.
This is named for the cowboy and lasagna emojis. These were repeatedly added to then removed from several popular chat clients and websites. Changing emoji standardization or government conspiracy? YOU DECIDE.
Guess who made another font with diamonds? This uses both additive and subtractive techniques in a minimalistic way to make a moderately readable design. Best viewed at extremely small or extremely large sizes. At small sizes, it takes on a Western slab serif-esque appearance.
A monospaced version of Barcade Brawl that has been modified to work well as a roguelike font. Not every glyph is centered yet, but all the Basic Latin and More Latin ones are.
A few glyphs (such as #) are modified to break the matrix so that they link together. This is because these glyphs are used to form continuous walls and other structures.
Note also that this design uses a 7x7px matrix which is monospaced at 8px to create 8x7 tiles. I have placed a stray pixel on an unused glyph to make 1px of extra line spacing occur so that the final tiles are 8x8. The preview here onsite adds another px, so it looks slightly out of square. The sample below does too, because it was made before this fix was implemented.
I was working on another spinoff of this that was high-resolution rather than pixel, but since this font has the same LC and UC, I might transplant those glyphs to this font as well to make it as multifunctional as possible. That will more than double the work of making an already big font, though, so it will depend on whether this font gets used by others. A few game developers already use the original "Barcade Brawl" so there is a possibility...
Original size: 5.25pt (use multiples of this size for pixel perfection)This is a clone of Barcade Brawl