Dresde Serif displays chiseled uppercase and flared terminals to give extra sturdyness.
This is a clone of Dresde SansCustom bold, beveled and fixed width font for the homemade handheld console MAD×DOG by INSANUS
https://twitter.com/LupusInsanus/status/1145113251027542017
Hello! This is CUBE30, a simple isometric font, inspired by Escher's work and pixel-y stuff. This is still a work in progress, so I'll probably make it available for everyone soon. Hope you like it!
P.S. If some stuff looks weird like some letters or the spacing, just tell me! I could always tweak it. uwu
WIP
Rezkii chotkii shrift.
See more:
https://www.fontstruct.com/fontstructions/show/1537870/amd-revived
https://www.fontstruct.com/fontstructions/show/744986/razorblade_4
https://fontstruct.com/fontstructions/show/252135/shine_10
https://fontstruct.com/fontstructions/show/370890/edge_31
https://fontstruct.com/fontstructions/show/836597/vermin_vibes_dystopia
https://fontstruct.com/fontstructions/show/38623/next_level
https://fontstruct.com/fontstructions/show/19330/e_keet_beans
Pluranon
https://fontstruct.com/fontstructions/show/115164/sharp_progress
Kreased
https://fontstruct.com/fontstructions/show/857936/nt3_01
https://fontstruct.com/fontstructions/show/1179720/yg_rounded_redo
https://fontstruct.com/fontstructions/show/778404/ace_adventure
This is a clone of Femme fataleI wanted to try some 'deformation' of the perspective used for italic glyphs. It was fun to try, the font looks amusing and the slants are irreverent enough. I know that a word processor could change Raysan into an italic style but a word processed Raysan would be too predictable and without creative spark.
Despite the purposeful changing of lines specially the curved sections which don't follow any "perspective rule" this font looks italic. It has a pleasant rythm in longer headlines etc, and gives eye catching 'splash' text when used with the parent font.
It took quite a while to finish, I constantly fought the wish to make composites and stacks to get the correct shape and directions into the curves.
This is a clone of RaysanAenvidere (the normal weight version) still needs fine-tuning and kerning. That will come, eventually :) At the moment I'm quite busy doing too many things concurrently.
Check the font description for AlexGar-Aenvidere for details.
At a later date I'll publish a squared-off version of this. Aenvidere SQ will have the same glyph style but will be wider than the other versions which might make it less useful as a "tool" to attract attention when added as splash insert in text that uses another Aenvidere version.
This typeface was concevied two years ago and later shelved. Thought that it was still worth finishing so here it is. It's another take on the square dot matrix style that I did with the MinSha typeface back in 2010.
I love the traditional French biscuits made on the French west coast where Loire meets Atlantic.
The biscuits are thin, crunchy, light, not too large, not very sweet, melt on the tongue, and biscuits very like the original can be made/baked quite easily.
The traditional version has a limited range of letters, enough to write the name of town, manufacturer and product. I've been unsuccessful in finding an image of the font which contributed just a few letters to decorate these biscuits.
I spent some time looking at other type of the Victorian/Art Nouveau era until I had collected enough information to help me design the missing letters. I added the French diacritics, naturally. I think my additions look successful and the whole font looks quite Art Neauveau and in the style used originally.
The square brackets [ and ] make a biscuit shape when used 'blank'.
Bon appetit, enjoy your "Biscuit de l'Ouest".
This is a clone of Petit BiscuitInitially made for NW & SW European members' languages this typeface has grown over time to include glyphs for most European languages. My friend Ray will be happy to see Welsh and my friend Johneen can write in Maori :)
Thanks to TCWhite I've found the 2E2E point to place my favourite punctuation/symbol correctly.
I've sent this to be rewiewed for Google Fonts. Having done so I'm stuck, I don't know how to proceed there: how can I get people to look at it, comment?!
This is a clone of MasterClass 1See more:
https://fontstruct.com/fontstructions/show/653852/high_rise_2
https://fontstruct.com/fontstructions/show/1749858/rollerball-1-1
https://fontstruct.com/fontstructions/show/172042/burden
Numerous single brick pattern fillers and connectors, ready for you to use/clone/copy/change and put into your own designs or whatever.
All patterns are designed to work as a selection fill. So in other words: the patterns will always look the same regardless of the dimensions of your selected area!
They come in a wide range of styles such as: Retro, Tile, Seemless, Textile, Composite, Glitch, Minimalism
All bricks are stored and saved in the custom brick pallet.
Enjoy!
This font and tm Nibble started off as one. Both were different from what they have now become. The idea was to create a very heavy, minimal curves and angles to give a sense of the glyph.
It started with a plain N and a solid O. Making the E match either the N or the O resulted in deviation from the style just enough that it warranted a spin-off into a font of it's own.
Some letters—such as G and H—proved quite difficult to match in the style of either. A slight angle shift resulted in a glyph that did not go with other glyphs. I kept trying different possibilities...and at some point decided to save the discarded option into another fs, which now contains more than 200 characters.
The teardrop counter in tm Byte forced a complete redraw of all glyphs at about 2× the size.
I am already working on two additional fonts that came out of this exercise...and it might yield more.
Constructed on the bones of fs minimal.
Thank you for this incredible gift that is fontstruct, Rob. Always a joy.
Congratulation on achieving the first ten years today (April 1, 2018).
Best wishes, as ever.
This is a clone of tm Fest