WIP
All caps geometric gothic sans-serif project. Its a semi bold display design that looks a little like those early grotesque types.
The uppercase O has a distinctive circular shape and has a unusual 3x3 grid square dimension. A number of glyphs still need modifications to achieve better solutions. Also is the character set far from complete yet.
I hope you like it so far
STF_Teknolog1k - Contemporary tech looking sans-serif typeface.
Once more a pretty thin design.
Brick filter @ 1x1
grid scale @ 0,85x0,85(to restore unwanted vertical spacing caused by nudging)
0.5 grid square unit weight.
Enjoy!
Granenyi Stakan!
Stylising 19th-century grotesque.
See more: Differentura, Steinbeck (Roman Gornitskyi)
https://www.myfonts.com/fonts/blackletra/noka/
http://www.myfonts.com/fonts/type-type/tt-firs/
LilienthalGrotesk (Vera Evstafeva)
(http://vdnh.ru/en/
https://daily.afisha.ru/archive/gorod/changes/oni-teplye-i-nezlye-dizaynery-masterskoy-barbanelya-o-novyh-simvolah-vdnh/)
http://vllg.com/klim/founders-grotesk#panel=poster
Helvetica World
http://www.dafont.com/k22-spotty-face.font
To read: http://letters.temporarystate.net/entry/1/
This is a clone of Antidot Sans====[ EDUCATIVE INTRO ]====
At a time when making books was a very time-consuming and labor-intensive process, an increasingly literate 12th-century Europe required more and more books. To keep up with the increasing demand for the spread of literature was a ongoing struggle. Writing materials such as inks, dyes and parchment were very expensive. And it wasn't until the 15th century, when parchment was largely replaced by paper, along with the arrival of the printing press, for it to gradually became cheaper, faster and less labor-intensive.
So it made perfect sense to find other ways to help with this process.
Simplifying a script and cutting back on the decorative calligraphy was the most effective way of doing this.
This led to the development of simplified variations to pre-existing bookhand scripts. One of such forms is littera textualis, categorizing within the Textualis/Textura or simply Gothic bookhand scripts group.
Littera textualis is the simplest and least calligraphic form of textualis. It was developed with just two main goals in mind, to save time and costs. The simplified letterforms could be written much quicker than the more calligraphic and luxurious variations. It offered a more cost effective and faster version to the script. It was often used for less important literary works and academic papers.
It functioned as the standard bookhand script in the Netherlands during the 14th & 15th centuries.
====[ ABOUT THIS FONT ]====
TEXTUALIS BATAVICUM - A calligraphic inspired Blackletter/Gothic bookhand script. Essentially a Textualis/Textura inspired work.
The design mainly follows the concept for a traditional form of littera textualis bookhand script as was described in the intro written above.
It remains a work in progress and I will add update info for this font in the comment section bellow.
Some character still need slight adjustments, but so far I am very pleased with the result. As you can probably notice, the uppercase characters have slight more weight than the lowercase has.
More characters follow soon.
I hope y'all like it
Isometric 3D outline style typeface.
The glyph have a exact copy slighly elevated and to the right of its original which I then connected with eachother to create the box-like three-dimensional idea.
Because of some serious design difficulties it remains far from complete, but I am kind of done with it for now due to this. For now only support for uppercase, no numerals and very limited punctuations. I think I fully kerned it, or at least everything that is important. On last thing I need to mention, the smallest open spaces doesn't allow this font to work in very small size. These will look filled at smaller point size.
I'm not sure if I will ever try another attempt to finish it at a later stage. (who will tell..) ;)
But I think what I've got so far is too cool for not publishing it. So for now it would do just fine as a logotype or for a decorative usage but not much else.
Enjoy!
This is a cloneCaps only font. You can use the glyphs placed at the lowercase to add a different second letter in pairs like EE, FF, LL, NN, OO, SS, TT, ZZ, etc. and to avoid graphic repetitions in a single word or phrase. Extra "c" at the "¢" glyph. (NB: To create this one I have greatly exaggerated the method used by my admired Beate -sorry, Maestra- in her font db Whisper, which successfully simulated hand-drawn letters.)
About 30 years ago, when I was in highschool, I used to draw words in my notebooks, with lettering that looked like this using the pre-printed squares in my notebook. It was infinately cruder, and had no shading... So for my first font ever, and since the work sheet very much resembles that squared notebook from way back when, I figured I would recreate it!
This time as a soft, kind of bubble-block font. Capital letters only.
Recreation of the pixel font from Nintendo's "Super Mario Land" (1989) on the Game Boy. The same font was reused in other games like "Tetris" (1989), "Dr. Mario" (1990) and "Wario Land: Super Mario Land 3" (1994). Only the characters present in the game ROM have been included.
Update: removed a stray extra pixel in the "9".
Recreation of the small pixel font from Arcade Zone's "Legend" (1994) on the SNES.
This recreation uses the special TTF+SVG format, which currently has limited support.
Only the characters present in the game's tile set have been included.
This is a clone of Legend (SNES)