Each letter is made of 7 possible lines (a rhombus with 3 horisontal lines, forming hexagons). Sentances form bands, as if cut into a wooden stick or pole. Feel free to use for your conlags (just don't forget to mention me)! It has both English and Russian scripts (matched by sound). Used math to create: this script used minimum amount of lines per letter while making all have equal amount in total, so letters have 5 lines and numbers have 3, punctuation has 2. You can create your own efficient script by using a combination of "5 out of 7" letter parts. Similar to my "Square Seven - Girder" script.
this is a pixelated version of a font I previously handwrote that you can find here along all my other fonts
@This is an extended version of Ostara Aria and more elaborate than the "Kerbe" designs. I changed the look of the LC and adjusted some of the UC.
Now the UC lace is better structured and distributed; glyphs A,N,M,U,V,X,Yand their LC, and @,7 and quotation marks have changed shape slightly; missing glyphs on the More Latin set (and the entire ExtendedLatin1 for my family, friends and aquaintances across Europe) needed quite some work due to the ornate sections - I hadn't planned on making this many glyphs, the ornate look was just intended for display UC of English, German and French and not for any other glyphs. Getting diacritics to look good with the decorated UC glyphs was a challenge but I think the ones I've decided to use don't overdo the ornateness nor distract from the glyph's shape.
Due to the new glyphs and diacritics I should have added 1 pixel height to accommodate the decorative lace element more obviously. Instead I changed some shape-rules ever so slightly to have an easier time adding the lace brick.
The LC is now solid black; diacritics have some added lace to integrate better in the design. The LC gives a separate font which might be of interest for headlines, advertising, on signs, cut to sew on fabric etc.
Note that there are still some adjustments/spacing needed; the kerning isn't finished yet either. I'm publishing this to get constructive comments -- and praise ;)
[youmoor]I plead for an algorythm that allows one strange/incomplete comment or (psychosocial) pinaillage for every 1 or 2 sincere (++explained) praises :D Applicable not every minute of the year you understand, only from GMT 0:001h Mondays to GMT 23:599h Sundays [/yoomoor].
The font's name is Malagache.
Friendly Geek is the regular version of Friendly Geek Light. Its widths are all 6/6 block rather than 4/6 block. The outlines of the glyphs have generally been left the same, with the insides being filled with 2/6 extra width.This is a clone of Friendly Geek Light
Just to show that I have finished the UC as mentioned in the 'Biscuit de l'Ouest' description. The UC are on biscuits.
Diacritics of more Latin are done as well as a few more symbols and punctuation. A crumb-free "+" is on the "%", a biscuit with surface dips is on the "(" and one with a flat surface is on the ")". The square brackets, when used without a space or letters, will make into a narrower biscuit, and are also used like round brackets.
Guess what movie I just watched again? A mostly accurate font inspired by the movie "Total Recall" (1990). Consider it an experiment in using the 2x vertical filter.
**2017 08-13 Update** Taking advantage of the expanded brick-stacking minimums, I have modified the following glyphs: A a R r S s Z z 2 7 ? _ +
The diagonal leg of the R is still not quite correct; further attempts might be made in the future.
I have also removed the 2x vertical filtering. We are back to good old 1x filtering now.
Stylising 19th-century grotesque.
See more: Differentura, Steinbeck (Roman Gornitskyi)
LilienthalGrotesk (Vera Evstafeva)
To read: http://letters.temporarystate.net/entry/1/This is a clone of Table-glass Sans