A multiline pattern-fill design that looks like fish scales. It is a very functional multifont, especially at smaller sizes.
The spurs, stems, and line motion add subtle detail to help identify each letter. Additionally, some custom bricks are experimentally combined with the macaroni bricks to preserve the pattern while also forming the curves.
I doodled this intending to make a high-res pixel design that scaled down nicely. Unfortunately this does not work out. Designs such as these only look good at their original size (or multiples thereof) and they do not play well with antialiasing algorithms, nor can they be fixed by most vectorization methods. So, at most sizes the font becomes quite unattractive. Still, it was fun to draw.
Improved version:Celosia 2
A font made so that both rows and columns of letters can run into each other and form a continuous chain.
Version 1.1: Narrowed the numerals and uppercase letters by 1/2 brick.
Font made for the card text in War of the Knockoffs II. Highly legible down to about 7pt.
This is a compromise design in many ways due to the small grid size... it may be iterated more...This is a clone
An alternate take on Eyeball Kids which has more expressive eyes.
Making this has given me an idea for an ASCII Roguelike tileset wherein lowercase letters represent juvenile creatures and uppercase letters represent adult ones.This is a clone of Eyeball Kids
The new Eyeball Kids™ from Pixel Kitchen® are the best way to get your child interested in experimenting with eyeballs. Color 'em! Italicize 'em! Throw 'em into oncoming traffic! Abuse 'em all you want because EYEBALL KIDS ARE ETERNAL.*
! ! ! DO NOT FEED EYEBALL KIDS AFTER MIDNIGHT ! ! !
* - Eternal under normal use conditions. See the enclosed manual for terms.
A design which uses two crosses in the counter shapes of most glyphs.
This started out as a pixel demake of "Refollte", but was then metamorphosed into another high-res design.
INGREDIENTS: Triangles, Distilled Water, Orange Juice, Citric Acid, Powdered Unicorn Horn, Metaphlogiston Clef-21 (to preserve optical clarity), Waifu Tears.
- - SHAKE BEFORE ENJOYING - -
KYOOOOB! The font CANNOT BE HALTED.
When I was in school, there were two things everyone was drawing: the "Cool S" and the 3D Cube.
A condensed, rounded, and modernized Esperhand in a higher resolution.This is a clone of Esperhand
Linestrider's two-lined little brother.
Probably won't update this one again, because it uses a lot of brickswapping and so it is likely to get corrupted by additional editing/saving.This is a clone of Linestrider
I started doodling and ended up with this - a semimodular design that looks like a fusion of Coptic, Elder Futhark, Hebrew, and Latin. Arabic numerals included, of course!
A logo font for Zephtronix, the name used for my music electronics-related projects. This will be printed onto guitar pedals and maybe a synthesizer or two!
Alternate plain version of Funkytown Throwdown. The spacing has been reworked for this one.This is a clone of Funkytown Throwdown
Just doodling with the Connect bricks!
Sometimes the stray particles connect to form new shapes, and sometimes they don't. I rather like the seeming randomness of this property, so maybe I won't standardize it after all.
A font which uses some custom macaroni bricks. This one has the same kind of structural asymmetry as Phenomenologist. Angles and corners on the left are almost always sharper than those on the right, which gives glyphs a structural asymmetry as well as a sense of rightward momentum. This technique also imparts variation to some otherwise very similar letterforms (bdpq, mw, sz).
This is named for a species of android from Doctor Who.
Other design decisions:
- Make the ascender height shorter than the uppercase
- Use squares for dots/diaresis and circles for punctuation, so that they are more quickly distinguished
- Allow the sharp curve and gentle curve to swap positions when it's beneficial to the glyph (BX8&)
- Incorporate angled lines into several glyphs so that none of the glyphs which have them seem out of place (SZsz012569*~$)
- Ignore the other design decisions for glyphs which need a standardized look due to their use in programming and other syntax-based forms of writing (most symbols & punctuation)
The final Laconica?
This idea emerged while making Laconica Skeleton, so I decided to carry it out. The design reminds me of blueprints and floor plans, thus the name.This is a clone of Laconica Skeleton
Remember the Unown from Pokémon? WELL THEY'RE BACK AND THEY'RE PISSEDThis is a clone of Hyperbowl
An attempt to make a design with the pointy bricks. It reminds me of broken LCD displays, but also looks like it's in the middle of transforming into something.
Iteration 4: Basic Latin kerning finished.
DOODLE DOODLE DOODLE!
1. Letters with spurs will have the spur begin at the baseline. This provides the distinctive "high heeled" look.
2. Any letter whose traditional design has a straight vertical line on its left side will keep the line, no matter how the lines of the actual letter travel.
Version 1.1: Improved gy&Ð€.
A greatly condensed Modron March.This is a clone of Modron March
A hollow/unfilled Laconica! :D
This was about five times as work-intensive as the original Laconica, even after accounting for the fact that I didn't add Greek to this one.This is a clone of Laconica
Hello I am Primus and these are my modrons
This font dwells at several borderlines: Effect, Pseudo3D, and at times IVO. It is not really any of these, but with the right presentation, it looks like it is.