702094
Published: 21st May, 2013
Last edited: 26th May, 2013
Created: 21st May, 2013
Criada no âmbito da disciplina de Tipografia do curso de Design da Universidade de Aveiro, esta fonte tipográfica tem como princípio o desdobrar de formas, rompendo a ligação entre curva e recta.
Catarina Cardoso
Cátia Batista
Juliano Mourão
Marta Rebelo
Raquel Santos
Rui Moura
1421791
Published: 14th May, 2013
Last edited: 23rd July, 2014
Created: 8th May, 2013
Tipo desenvolvido por Angélica Santos, Carlos Da Silva, Cristiana Gramata, Francisca Pimenta, Nuno Almeida e Olexey Chumachenko.
Universidade de Aveiro.
82138824
Published: 14th January, 2013
Last edited: 14th January, 2013
Created: 16th December, 2012
Estudo de "gotica" + "uncial" a simular influência Árabe. Matriz média de 6x6 blocos nas minusculas. Tem acentuação portuguesa.
Study of "Black letter" + "uncial" with some Arab flavour. Matrix 6x6 pixel (average in lowercase) with Portuguese accent.This is a clone
1981617189
Published: 16th June, 2011
Last edited: 2nd March, 2012
Created: 7th May, 2011
|||||Português|||||Tipografia que simula escrita gótica, com uma caneta de corte largo. A altura das letras maiúsculas é sete vezes a largura da ponta da caneta. A altura das minúsculas é 5 vezes a largura da ponta da caneta. A inclinação da caneta é de 45 graus em todas as formas, à excepção das linhas verticais com fim ornamental, que têm a espessura da caneta. Esta é uma fonte para grande quantidade de texto, com alguma preocupação pela legibilidade e leiturabilidade, mesmo para quem não está familiarizado com letra gótica. Não é adequada a nomes ou títulos, completamente escritos em caixa alta.
|||||English|||||Script typeface wich simulates gothic script with a fountain pen. The Upper case letters are seven times high the pen nib. The Lower case letters are five times high the pen nib. The tilt of the pen is 45 degrees in all forms, except for vertical lines with decorative porpose, which have the thickness of the pen. This is a typeface for great quantity of text, with some concern for the legibility and readability, even for those unfamiliar with Gothic script. It should not work well with upper case names or titles.
45141799
Published: 20th May, 2011
Last edited: 12th July, 2011
Created: 17th May, 2011
Ana Ramalho 61494, Emanuel Oliveira 60817, Iury Marques 60973, Junli Wang 61544, Nicole Rodrigues 60884
Links úteis:
http://www.flickr.com/photos/54332932@N05/5808789627/ -> Cartaz
http://www.flickr.com/photos/54332932@N05/5809352564/ -> Exemplo da grelha
http://www.flickr.com/photos/54332932@N05/5808787951/ -> 1ª versão, antes de formar o grupo, do "shoplifter"
http://www.flickr.com/photos/54332932@N05/5808788669/ -> 2ª versão do "shoplifter"
http://www.flickr.com/photos/54332932@N05/5808788837/ ->3ª e última versão do "shoplifter"
106136554
Published: 22nd June, 2010
Last edited: 9th July, 2010
Created: 16th May, 2010
Legere. Latin root of the word 'legible.' An attempt at an original legible serif typeface. No single reference used, but I did keep the Serif section of the FontBook always open. After finishing the letters, it guess it resembles Melior or Renault.
Somewhat inspired after caliopigio released Formal Roman. Maximization of composite angles were used to hammer out smooth curves in a smaller grid space. Cap height=42. I know I can make it smoother by working at twice the size, but at this point, fuggeddaboutit.
062110
862415262
Published: 9th June, 2010
Last edited: 4th July, 2010
Created: 6th June, 2010
I was a little bit bored, and this is what happened.
The name is because I have no idea what the origin is, and it's a little ugly.
105107281
Published: 26th May, 2010
Last edited: 11th December, 2014
Created: 25th May, 2010
052610. Another quick experiment with thin bricks. 1920's Broadway feel.
121114. Revisited the curves and smoothed out everything using subtle nudges.
8168139
Published: 24th May, 2010
Last edited: 31st December, 2018
Created: 12th May, 2010
Renovare S2. Solution 2 or Serif 2. Clone of Renovare S1.
In contrast to Renovare S1, a thickening of the serif makes way for efficient curved brick usage leading to a smoother and more natural slabtastic appearance.
Revamped from a corrupted version of Renovare S1 and may suffer from the same instability. Handle with care. Downloaded normally for me. Please let me know if there are any problems. Thx.
052410
Edit 011915. Cap S and lc s smoothed out using nudged bricksThis is a clone
1711982
Published: 15th May, 2010
Last edited: 4th June, 2010
Created: 14th May, 2010
This font was created by a group of students from Universidade de Aveiro for the Typography course. We had to use both the font Gill Sans MT and the SCAMPER combine, so our idea was to insert lowercase details in uppercase letters, which resulted in Gill Combo.
1881332
Published: 14th May, 2010
Last edited: 6th June, 2010
Created: 11th May, 2010
Combinamond surge da junção do termo combinar com a fonte tipográfica Garamond. Propusemo-nos a conjuga-la com características do túmulo da Santa Joana Princesa o qual se encontra no museu dedicado à mesma em Aveiro. O túmulo tem formas bastante boleadas e é recheado de pormenores, bastante ornamentado.
33121602
Published: 14th May, 2010
Last edited: 3rd June, 2010
Created: 12th May, 2010
(EN)"Adapt Bodoni" were the starting key words. developed in a typography workshop lectured by teachers Olinda Martins e Pedro Amado in Universidade de Aveiro, Portugal.
(PT) resultado de um workshop de tipografia orientado pelos prodfessores Olinda Martins e Pedro Amado, na Universidade de Aveiro, onde tinhamos que adaptar a font 'Bodoni'
8829729
Published: 25th December, 2009
Last edited: 25th December, 2009
Created: 8th August, 2009
The LOWERCASE characters are the real strength of this font.
71654171177
Published: 1st September, 2009
Last edited: 9th September, 2009
Created: 13th July, 2009
Hunstrüct is my first attempt at designing a contemporary blackletter typeface within Fontstruct. The typeface draws inspiration from the long tradition of German Fraktur styled blackletters. The name Hunstrück is taken from a mountain range in Germany called the Hunsrück. Primarily I was aiming to build a face that would work well as a display type for gig posters and larger headlines but as I reworked the typeface I tried to strike a balance between text and display.
Big thanks goes to djnippa for his hard work in spacing this font properly.
496696
Published: 11th August, 2009
Last edited: 11th August, 2009
Created: 11th August, 2009
resubmission of the original fontstruction. added capitals and tweaked the overall readability.This is a clone
8574413
Published: 4th June, 2009
Last edited: 1st July, 2009
Created: 25th May, 2009
type originally used to sign Aveiro's street names, in particularly, "Largo da Estação" - the train station square. It's part of a Typography project of the Design class from Aveiro's University.
515996
Published: 25th June, 2008
Last edited: 20th May, 2010
Created: 25th June, 2008
Two bricks, no tricks. This font is two bricks high. Based on what I use to make my "signature" on each font.