For this one I wanted to make a customized alphabet using letters… and once I got to the Z, I knew I was finished.

Another mazed typeface.

Enjoy!

CONTAINS THE CYRILLIC, GREEK, AND LATIN ALPHABETS.

G1 Recoil. It's like a vibrating pixel font. It's got like one strand most of the time. 

Very stressful assembly of bricks, I thought I would not finish it on time. Uff! Some glyphs are still expecting to be included in the font. WIP, and kerning.

Half ink cost here, but I like this big contrast.

A funky idea that started with the A and expanded from there. Most letters are drawn by a single line winding around, although some are just not willing to follow this mantra. I found this half-finished while scrolling through my private FontStructions, looking for ideas for the CounterComp, and decided it was already an interesting entry :-)

There's an alternate, narrow set of numbers that can be reached with Shift+number (on a QWERTY, Dvorak, etc. layout); not sure which set fits the style better. Suggestions and critiques welcome for anything, and feel free to clone and poke around with it. Thanks and enjoy!

This might be called a "negative counter" design. Alternative 'Y' is on 'y'. Countercomp entry 2.

Work in progress : )

Happy 10th Anniversary! A highly conceptual and modular work with integration of "X", a technique that is yet to be developed...

Etcheverry, a font from GEOS.  Named after Etcheverry Hall, UC Berkeley College of Engineering.

The upper case characters look like Glaser Stencil, but that was produced by URW++ in 1994.  Etcheverry was produced and included in GEOS' FontPack PLUS in 1987-88.  I wonder if they're both based on an older font?  I created this copy of Etcheverry because I wanted lower case characters, which Glaster Stencil doesn't have.

Ten years ago, a StumbleUpon Fontstruct on April 8, 2008 has been one of the highlights of my life. Few things have provided so much joy and fewer things have kept my interest for so long. Type design has always been a fascination for me and the simplicity of the UI/UX of fontstruct has allowed me to explore all that I can imagine without getting in the way while letting me do as I please for the most part. In times of creativity, fontstruct was there to let it flow, and in times of personal lows, fontstruct was there to allow me to ignore that which was beyond my control. Furthermore, the overall civility and helpful nature of the fontstruct community is still one of the best on the internet. I have been using the fontstruct website almost daily for 10 years now and rarely do I not see something new that is amazing and awe inspiring. The creativity of the designers past and present is incredible.

I wish to thank FontShop for sponsoring fontstruct for so long allowing it to grow. Most importantly, I wish to thank Mr. Meek for creating and constantly enhancing this incredible gift of creativity and a calming haven for over-active minds.

Thank you.

My attempt at a font which uses only one grid square per glyph. I guess this is the Fontstruct equivalent of pixel art...?

As an extra challenge I decided to use no curved bricks. (This rule was since broken to add © and ®).

Even better letterforms could be created by compositing the entire thing. However, the goal here was to do what I could with the existing bricks. As such, only #?![]{}¹²³ make use of composites.

Based on a low-res western font from an old computer programme.

Warioware Blocky. Imperfect replication of the ingame font for Warioware: Smooth Moves.

i think someone else has already done this but i'm doing it in ma wae

I'll do more if you guys want me to finish this

do you guys want lowwer case? 

I got some difficultity on designing lowwer case, cuz it's 9x9, which if i make lowwer case 7x9, it's going to be fat, but 7x7 is going to be too small XDD

help me

WORKING ON MORE LATIN :) [upper&lowwer completed]

I'm not going to mke Cyrillic so tell me if u need cyrillic :)

An alphabet of my own creation for the writing of a fictional language, also of my own creation. Despite its origin, it can be used for writing English with no problems.

It's a real pleasure to work now in FontStruct! And here we are a lot of new challenges too. PS for the beginners: Just only let the basic square and try the other bricks... It's amazing, believe me!

Inspired by the starting point 'elegant' , this font was developed looking at the structure of constellations, and how a number of different points can be interpreted into images. The fine, interconnected lines of the typeface reflect the delicate and subtle connotations of the word 'elegant', and it is designed to be used as a display face. the name 'Cassiopeia' is taken from an existing constellation, initially listed in the 2nd century.

My first entry for the competition.

Very obvious serifs because of the smaller dots. 

My second entry for the Serifcomp. I hope you like it and if you do please favorite/vote/comment or something

My sister wanted letters and numbers to embroider monograms and a date on towels, kerchiefs, gift purses and memory sachets and she asked me to make her a font. Here it is. It was a total success with all of the over 180 people receiving their gifts. I love large festivities :) I shall add French accented letters if my other friends who also downloaded this design don't want to use these  simple plain capitals but insist on accented letters.

Ask if you want to download this to use on your own project and thank me by posting a photo of the work you did that carries this font.  Thanks.

Gerobak means "cart" or "wagon".