I produced this typeface as a part of a UWE project.This font was created around the theme of Malnourished and involved drinking many cups of tea! I took inspiration from it being the Autumn season and started looking closely at leaves and their structure. I then moved on to show the progression of the season throughout; how as time passes the leaves fall off the trees and the trees are left bare. The type would be better suited to a title or headline font rather than a body text and I've found works best on a large scale.
My first fonstruction is based around the theme of malnutrition, but focuses on lesser acknowledged end of the spectrum, over-nutrition. I took inspiration from nature of skin and fat on overweight or obese bodies, putting emphasis on the folds and bulges you might typically see on the skin of a larger frame.
This blocky and industrial font was inspired by architechtural features on a large multistory car park near where I live. I took pictures of multiple elements from the building and rearranged and rotated the shapes to create letter forms, and used shading to create a 3 dimensional effect to mimic the structures depth when seen in person.
Cheap fantasy is a type face inspired by Lurid lighting and hallucinations. Taken from hand drawn letter forms to online use, Cheap Fantasy captures a bright dazzling effect with broken letters.
This display type face has horror feel, with disintegrating blurred letters would suit any horror comic/book title.
This typeface was designed from using the word 'Squishy' as a starting point. Which i then went on to pinpointing it down to fat in particular looking at animal fat. I feel this font can be used in a large poster or sign, advertising or for promoting against animal cruelty.This is a clone
My theme was continuous i started to try and create letters using string making a one line letter, then many doodles and sketches later i started to looped the lines back around becoming more and more looped and decorative until i scoured through them all taking the best bits to combine them into 'Continuous'. Continuous is smooth flowing font thats designed to be a continuous line that loops back on its self to create the letter using a mixture of negative space and the shapes created by the line.
Desk bound is inspired by the shape of paperclips. The theme for this idea is ‘systematic’, my initial interpretation of this was something heavy and solid, to represent machinery/construction, based on industrial systems. The idea behind the paperclips comes from the notion that every ‘system’, in a broader sense of the word, requires careful planning and organisation. The physical form of the letters is intended to appear both soft and geometric, making use of the rounded rectangular shape of the paperclips to communicate this and remain consistent, reflecting back on the original ‘systematic’ theme whilst looking lighthearted and playful.
This font is based around the theme of 'Filth' and took direct inspiration from a piece of dirty netting. The convex effect the grid pattern has on the letters reminds me of 3D digital drawing software, could be used for something within that field. Intended to be used for display text.
do-oh is a display typeface inspired by the word 'squishy'.
I looked at squishing and the movement of squishing something hard and soft and the different forms it would take; I became interested in how an object changes form when squished but how it retains sections of the previous form too but slightly distorted.
I was also interested in the different ways of squishing something and how that changed the outcome.
The typeface is focused on shapes made when I created letters from squashing dough together.This is a clone