Fontstructions in the “Pattern Fill” set

A collection of FontStruct fonts characterised by a patterned fill, often repeating, inside the letter forms.

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46 46912 Published: 17th February, 2020
Last edited: 24th February, 2020
Created: 26th January, 2020
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Pattern Fill

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25 14697 Published: 29th June, 2017
Last edited: 30th June, 2017
Created: 29th June, 2017

Based on a font that I made years back, this “Reverse” contest has been a good excuse to revisit that project and fine tune the letters heavily. Here the challange has been using a single brick, in the case the arrow pointing back, and making the shapes bold and (ok, you have to squeez your eyes a little) legible.

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Pattern Fill

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68 3635 Published: 12th June, 2017
Last edited: 12th June, 2017
Created: 8th May, 2017

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Pattern Fill

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119 117316 Published: 29th December, 2016
Last edited: 29th December, 2016
Created: 31st July, 2016
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Pattern Fill

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77 513716 Published: 1st March, 2016
Last edited: 2nd March, 2016
Created: 28th February, 2016

I have made a font with International Maritime Signal Flags before, but this time they are coloured correctly (in grey scale). White is blank ( ), yellow is little dots (::), red is 33% diagonals (\\), blue is 50% diagonals (//), black is filled. Lower case letters are the patterns with no colouring, for those who want to colour in the fields themselves.

I have now added numbers. The regular numerals (0-9) are the square NATO flags, and the subscript numerals (₀₋₉) are the templates of the NATO number flags. The roman numerals (I-X, X representing 0) are the longer ICS flags, and the lower case roman numerals (i-x) are the uncoloured ICS flags.

On top of that there are four substitute flags, which can be found in the superscript numbers (¹⁻⁴) and the fifth fractions (⅕-⅘).

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Pattern Fill

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60 67511 Published: 14th February, 2016
Last edited: 13th February, 2016
Created: 3rd February, 2016

Inpired by tm Bulba by thalamic

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Pattern Fill

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59 78114 Published: 13th January, 2016
Last edited: 13th January, 2016
Created: 29th November, 2014

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1 5799 Published: 12th January, 2016
Last edited: 12th January, 2016
Created: 3rd July, 2009
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Pattern Fill

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1 2666 Published: 4th January, 2016
Last edited: 4th January, 2016
Created: 17th August, 2008
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Pattern Fill

Cubiquele (1)

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296 1815947 Published: 11th October, 2015
Last edited: 11th October, 2015
Created: 9th October, 2015
An homage to 80s style chrome text.

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146 86812 Published: 5th August, 2015
Last edited: 3rd August, 2015
Created: 28th July, 2015
An all-caps texture font made of dots.

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107 74622 Published: 2nd June, 2015
Last edited: 3rd June, 2015
Created: 17th January, 2012
This fs was started in January 2012. I didn't remember that of course, I just checked the created date. Similarly, who-the-fun can remember what the inspiration was for it. All I know is that it has gone through many iterations to reach this state. It only uses the one square brick but oh so many of them. Even though all it contains are straight lines, still a pain to build brick by square brick. I am so glad it is over. I will not be doing much more than this on it. Bye bye, Build. Pester someone else.This is a clone

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Pattern Fill

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71 2857 Published: 27th April, 2015
Last edited: 27th April, 2015
Created: 27th April, 2015
Clone of Masthead Regular.This is a clone

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Pattern Fill

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57 101017 Published: 10th March, 2015
Last edited: 11th March, 2015
Created: 12th November, 2014

Inspired in the work of the fontstructor Jessie Tracer/Electric Keet, specially in his font Racer. This is my little homage to all the great creators of fonts for games.

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Pattern Fill

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3 86624 Published: 12th February, 2015
Last edited: 30th August, 2020
Created: 28th November, 2014
Really excited to be able to share this fontstruction, as it was developed as the display font for a group exhibition in Dublin's Temple Bar Gallery + Studios. A kerned version (slightly tweaked using Glyphs) can be downloaded for free through the gallery website.

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Pattern Fill

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171 19815 Published: 10th June, 2014
Last edited: 10th June, 2014
Created: 26th May, 2014
A display typeface that shows the characteristic of Tongkonan, the traditional house of Toraja. Stiiff but attractive, dark but fancy.

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Pattern Fill

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223 107441 Published: 4th June, 2014
Last edited: 14th February, 2021
Created: 20th May, 2014

My largest font yet, made in the likeness of cards, as always please enjoy. I would love some input on designing some of the symbols. Please enjoy

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Pattern Fill

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4 4783125 Published: 10th May, 2014
Last edited: 15th May, 2014
Created: 10th May, 2014
Three dimensional letters look as if carved out of blocks of diagonally layered black and white material.This is a clone

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39 107312 Published: 1st May, 2014
Last edited: 1st May, 2014
Created: 26th April, 2014
bakelite

Pattern Fill

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656 854730 Published: 24th April, 2014
Last edited: 24th December, 2020
Created: 19th April, 2014

Inspired by sound graphic interfaces and speakers. Full latin support

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290 129815 Published: 23rd April, 2014
Last edited: 2nd November, 2014
Created: 10th October, 2013
Canos is a font designed with circles and ellipses, resulting in a relief illusion. Just like some of the nice crazy fonts of the 70's.

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60 9626 Published: 4th April, 2014
Last edited: 4th April, 2014
Created: 4th April, 2014
Smth experimental.

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Pattern Fill

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5 106813 Published: 26th February, 2014
Last edited: 26th February, 2014
Created: 22nd December, 2013
Sleepless

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Pattern Fill

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73 51826 Published: 9th February, 2014
Last edited: 9th February, 2014
Created: 7th February, 2014
Zoom to pixel size for full effect. :)

Pattern Fill

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203 126331 Published: 6th February, 2014
Last edited: 7th February, 2014
Created: 8th April, 2013
This one is a little older. It became interesting again for the inline competition, even if its not a "real" inliner

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239 166441 Published: 4th February, 2014
Last edited: 3rd February, 2014
Created: 17th January, 2014
Only lowercase and minimal punctuation for now...not enough time for a complete set. The lowercase characters can be layered on the uppercase to get different colored outlines and slashes. The uppercase contains the characters as the outlines and the internal slashes. The lowercase contains the characters as just the outlines. The punctuation has the outline only version on the it's key and the slashed version on the SHIFT + key. For example, 2 contains the outline version of @ and SHIFT + 2 contains the slashed version of the @.

Pattern Fill

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111 1613312 Published: 4th February, 2014
Last edited: 5th February, 2014
Created: 30th January, 2014
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Inlinecomp (49)

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70 128618 Published: 20th January, 2014
Last edited: 21st January, 2014
Created: 19th January, 2014
2nd inline font competition entry. Be careful, this might damage your eyes :) Thanks and enjoy!

Pattern Fill

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178 67232 Published: 8th December, 2013
Last edited: 8th December, 2013
Created: 27th October, 2013
A gingerbread style font.

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Conneqt

Some fonts you just can’t FontStruct.
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62 87313 Published: 6th December, 2013
Last edited: 6th December, 2013
Created: 15th March, 2013

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74 137316 Published: 6th October, 2013
Last edited: 13th October, 2013
Created: 5th October, 2013
As usual, this is not what I set out to do. But it had merit of its own, so, as usual, what the heck principle was internally said and employed.

Uses only the square brick.

With only 45° cuts, this fs was not as clear-cut as evident. Much -fun- pains were staked to get things to line-up and combine and gel and connect and whatnot.

There are two types of connectors: internal and external. These can be used to connect letters together at the second rhombus level for external connectors and third rhombus level for internal connectors. Furthermore, each connector comes in horizontal and vertical variants. All connectors have a zero width, meaning typing any does not advance the character. This allows for connectors to be placed betwixt letters without manual adjustment. Further-furthermore, the horizontal and vertical connectors can be stacked one-on-top-of-another for a heavier connector action. Further-further-furthermore, there are larger connectors available for tricky letters with extra gaps, such as the T. Each of the larger connectors have the same properties as the smaller connectors. Further-further-further-furthermore, the larger connectors have 1×2 and 2×2 options. There's a little bit of system to this madness. Once you start typing, it starts to become second-nature quite quickly.

{ = Small Horizontal External Connector
[ = Small Vertical External Connector

} = Small Horizontal Internal Connector
] = Small Vertical Internal Connector

* = Large 2×2 Horizontal External Connector Left
( = Large 2×2 Vertical External Connector Left

) = Large 2×2 Vertical External Connector Right
_ = Large 2×2 Horizontal External Connector Right

~ = Large 1×2 Horizontal External Connector Left
` = Large 1×2 Vertical External Connector Left

< = Large 1×2 Horizontal External Connector Right
> = Large 1×2 Vertical External Connector Right

Then there are the heavier grills that come in 1, 2, 3 or 4 column varieties. All grills are negative widths, meaning typing any stacks the grill over the previous letters, without advancing the character forward. Furthermore, a four column half grill is available which makes a faux 3D effect.

@ = 1 Column Grill
# = 2 Column Grill
$ = 3 Column Grill
% = 4 Column Grill
^ = 4 Column 3D Grill

A randomness of vertical clear columns is also provided to separate or segregate or isolate or something any single or multiple glyphs.

| = Clear Column Forward
\ = Clear Column Backward

Got that? Now go have fun.

</verbose_mode>

Pattern Fill

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37 49811 Published: 7th June, 2013
Last edited: 10th June, 2013
Created: 7th June, 2013
this typeface is adapted from one of the culture in Indonesia (PAPUA), especially the shield. papua is a wonderful place it's still close to nature, that's why I'm choosing it as my inspiration of this typeface.

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