Fontstructions tagged with “Conceptual”
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f*ck boris
by mollyr8.33
Click on the stars to rate this FontStruction.
Balanced Rating: 8.33
Average Rating: 10.00
Click for more information about this rating. 2 votes You voted ? for this FontStruction. You may change your vote at any time.
Balanced Rating: 8.33
Average Rating: 10.00
Click for more information about this rating. 2 votes You voted ? for this FontStruction. You may change your vote at any time.
100312
Published: 12th November, 2019
Last edited: 1st November, 2019
Created: 24th October, 2019
Last edited: 1st November, 2019
Created: 24th October, 2019
This font is inspired by the people that rebel, protest and defy our political stances. Taken from the word ‘unstable’ this font aims to convey a sense of political instability. Using the imagery and typefaces created from protest banners I created ‘f*ck boris’ whilst encompassing iconic rebellion symbols used throughout our history.
C.A.N.D.Y.
by jonrgrover8.29
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Balanced Rating: 8.29
Average Rating: 9.33
Click for more information about this rating. 3 votes You voted ? for this FontStruction. You may change your vote at any time.
Balanced Rating: 8.29
Average Rating: 9.33
Click for more information about this rating. 3 votes You voted ? for this FontStruction. You may change your vote at any time.
Sound Graphing
by jonrgrover7.85
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Balanced Rating: 7.85
Average Rating: 9.00
Click for more information about this rating. 1 vote You voted ? for this FontStruction. You may change your vote at any time.
Balanced Rating: 7.85
Average Rating: 9.00
Click for more information about this rating. 1 vote You voted ? for this FontStruction. You may change your vote at any time.
Intern Color
from MyFonts
Some fonts you just can’t FontStruct.
Buy & download premium fonts on MyFonts.com
Buy & download premium fonts on MyFonts.com
Terrain Endeme Set
by jonrgrover8.03
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Balanced Rating: 8.03
Average Rating: 10.00
Click for more information about this rating. 1 vote You voted ? for this FontStruction. You may change your vote at any time.
Balanced Rating: 8.03
Average Rating: 10.00
Click for more information about this rating. 1 vote You voted ? for this FontStruction. You may change your vote at any time.
- Game (1459)
- Images (9)
- Pictures (16)
- Endemes (4)
- Map (21)
- Adventure (38)
- Builder (10)
- Terrain (3)
- Modular (218)
- Rpg (76)
- Rpg Maker (8)
- Endeme Set (4)
- Experimental (260)
- Utility (14)
- Conceptual (14)
- Meaning (2)
- Representation (7)
- Constant Height (163)
- Letter (49)
- Layout (7)
- Words (16)
- Creater (7)
- Grover (77)
- Computational Creativity (7)
Latin Reduced
by jonrgrover8.03
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Balanced Rating: 8.03
Average Rating: 9.00
Click for more information about this rating. 2 votes You voted ? for this FontStruction. You may change your vote at any time.
Balanced Rating: 8.03
Average Rating: 9.00
Click for more information about this rating. 2 votes You voted ? for this FontStruction. You may change your vote at any time.
74992
Published: 1st December, 2017
Last edited: 8th February, 2018
Created: 30th November, 2017
Last edited: 8th February, 2018
Created: 30th November, 2017
The Roman alphabet has far too many letters. 9 letters can be represented by combinations of others. This font resoves that problem. Letters replaced: FJKQVWXYZ, Letters used to replace them: BCDEGHIPSU, Other Letters: ALMNORT. Regarding V and B, instead of replacing V with BH, I could replace B with PV (which would be better).
Now that I have the set of letters down to 17, they can be stored in Hexadecimal. So the final alphabet is ABCDE.GHI..LMNOP.RSTU..... Punctuation - 13 symbols: ,-`':()<>!?|. 2 slots left over for other stuff. The space has stuff in it. Do I want that?
There are 32 characters - 17 letters and 12 symbols, a space and two empty slots.
Walls and Doors
by jonrgrover8.02
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Balanced Rating: 8.02
Average Rating: 8.33
Click for more information about this rating. 6 votes You voted ? for this FontStruction. You may change your vote at any time.
Balanced Rating: 8.02
Average Rating: 8.33
Click for more information about this rating. 6 votes You voted ? for this FontStruction. You may change your vote at any time.
- Rooms (4)
- Game (1459)
- Modular (218)
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- Builder (10)
- Overlap (27)
- Map (21)
- Rpg Maker (8)
- Rpg (76)
- Dungeon (14)
- Tile (25)
- Grid (237)
- maker (5)
- non alphabetic (3)
- Experimental (260)
- Utility (14)
- Conceptual (14)
- Tool (23)
- Mask (9)
- Representation (7)
- Walls (5)
- 100% Constant Height (42)
- Layout (7)
- Creater (7)
- Grover (77)
- Computational Creativity (7)
Behind Blinds
by ruth_h7.85
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Balanced Rating: 7.85
Average Rating: 9.00
Click for more information about this rating. 1 vote You voted ? for this FontStruction. You may change your vote at any time.
Balanced Rating: 7.85
Average Rating: 9.00
Click for more information about this rating. 1 vote You voted ? for this FontStruction. You may change your vote at any time.
170680
Published: 26th October, 2014
Last edited: 24th October, 2014
Created: 23rd October, 2014
I looked into the definition of introverted as a word, which simply breaks down as ‘to turn into one’s self’ so leading off of this I went about recording and observing objects that I felt had this characteristic in common. The most successful and clearest representation of this I felt was blinds, as they turn into themselves and also act as deliberate screen mechanism. This then became the foundation of my type design, mimicking the lines of the blinds within my typeface. I also wanted to play with the idea of reducing the letterform as much as possible without losing legibility, as I felt that this helped to further portray introverts because it is as if the letters are becoming hidden with the background. This is a clone
Last edited: 24th October, 2014
Created: 23rd October, 2014
I looked into the definition of introverted as a word, which simply breaks down as ‘to turn into one’s self’ so leading off of this I went about recording and observing objects that I felt had this characteristic in common. The most successful and clearest representation of this I felt was blinds, as they turn into themselves and also act as deliberate screen mechanism. This then became the foundation of my type design, mimicking the lines of the blinds within my typeface. I also wanted to play with the idea of reducing the letterform as much as possible without losing legibility, as I felt that this helped to further portray introverts because it is as if the letters are becoming hidden with the background. This is a clone
MS Micro~Ish
by Isaiah Garcia8.03
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Balanced Rating: 8.03
Average Rating: 10.00
Click for more information about this rating. 1 vote You voted ? for this FontStruction. You may change your vote at any time.
Balanced Rating: 8.03
Average Rating: 10.00
Click for more information about this rating. 1 vote You voted ? for this FontStruction. You may change your vote at any time.
Resolution 3x3
by tomchatter6.56
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Balanced Rating: 6.56
Average Rating: 5.00
Click for more information about this rating. 3 votes You voted ? for this FontStruction. You may change your vote at any time.
Balanced Rating: 6.56
Average Rating: 5.00
Click for more information about this rating. 3 votes You voted ? for this FontStruction. You may change your vote at any time.
162863
Published: 26th October, 2011
Last edited: 19th September, 2011
Created: 19th September, 2011
The Resolution font is designed as a conceptual piece of work, complementing my research in the cognitive and graphic aspects of type. I began working with this form in the summer of 2011 by creating the symbols which would fit into a certain matrix and consist of as little square pixels as possible, thus approaching the conceptual and peceptual boundaries of legibility. After Resolution 3x4 I went further and designed Resolution 3x3, which is even more closer to the limit of legibility than 3x4. There is an important aspect in such minimalistic and conceptual approach–-it is the similarity of these types with the weaving patterns, which can be traced back to many archaic European cultures. The Resolution font makes a tribute to these original, pre-alphabetic systems of information encoding through weaving patterns. At the same time Resolution font is made to emphasize the importance of square pixel as a structural and conceptual limit of digital reality, which comes to an end when a certain resolution is reached. It applies both to visual encoding of information (with pixel as a graphic building block) and the structure of information proper (the true-false logic). Instead of creating the illusion of continuity, Resolution font is about being aware of the media and digital (and thus quantized) nature of an image which is falsely perceived as continuous.
Last edited: 19th September, 2011
Created: 19th September, 2011
The Resolution font is designed as a conceptual piece of work, complementing my research in the cognitive and graphic aspects of type. I began working with this form in the summer of 2011 by creating the symbols which would fit into a certain matrix and consist of as little square pixels as possible, thus approaching the conceptual and peceptual boundaries of legibility. After Resolution 3x4 I went further and designed Resolution 3x3, which is even more closer to the limit of legibility than 3x4. There is an important aspect in such minimalistic and conceptual approach–-it is the similarity of these types with the weaving patterns, which can be traced back to many archaic European cultures. The Resolution font makes a tribute to these original, pre-alphabetic systems of information encoding through weaving patterns. At the same time Resolution font is made to emphasize the importance of square pixel as a structural and conceptual limit of digital reality, which comes to an end when a certain resolution is reached. It applies both to visual encoding of information (with pixel as a graphic building block) and the structure of information proper (the true-false logic). Instead of creating the illusion of continuity, Resolution font is about being aware of the media and digital (and thus quantized) nature of an image which is falsely perceived as continuous.
Resolution 3x4
by tomchatter6.69
Click on the stars to rate this FontStruction.
Balanced Rating: 6.69
Average Rating: 5.33
Click for more information about this rating. 3 votes You voted ? for this FontStruction. You may change your vote at any time.
Balanced Rating: 6.69
Average Rating: 5.33
Click for more information about this rating. 3 votes You voted ? for this FontStruction. You may change your vote at any time.
3721060
Published: 26th October, 2011
Last edited: 12th November, 2011
Created: 19th September, 2011
The Resolution font is designed as a conceptual piece of work, complementing my research in the cognitive and graphic aspects of type. I began working with this form in the summer of 2011 by creating the symbols which would fit into a certain matrix and consist of as little square pixels as possible, thus approaching the conceptual and peceptual boundaries of legibility. After Resolution 3x4 I went further and designed Resolution 3x3, which is even more closer to the limit of legibility than 3x4. There is an important aspect in such minimalistic and conceptual approach–-it is the similarity of these types with the weaving patterns, which can be traced back to many archaic European cultures. The Resolution font makes a tribute to these original, pre-alphabetic systems of information encoding through weaving patterns. At the same time Resolution font is made to emphasize the importance of square pixel as a structural and conceptual limit of digital reality, which comes to an end when a certain resolution is reached. It applies both to visual encoding of information (with pixel as a graphic building block) and the structure of information proper (the true-false logic). Instead of creating the illusion of continuity, Resolution font is about being aware of the media and digital (and thus quantized) nature of an image which is falsely perceived as continuous.
Last edited: 12th November, 2011
Created: 19th September, 2011
The Resolution font is designed as a conceptual piece of work, complementing my research in the cognitive and graphic aspects of type. I began working with this form in the summer of 2011 by creating the symbols which would fit into a certain matrix and consist of as little square pixels as possible, thus approaching the conceptual and peceptual boundaries of legibility. After Resolution 3x4 I went further and designed Resolution 3x3, which is even more closer to the limit of legibility than 3x4. There is an important aspect in such minimalistic and conceptual approach–-it is the similarity of these types with the weaving patterns, which can be traced back to many archaic European cultures. The Resolution font makes a tribute to these original, pre-alphabetic systems of information encoding through weaving patterns. At the same time Resolution font is made to emphasize the importance of square pixel as a structural and conceptual limit of digital reality, which comes to an end when a certain resolution is reached. It applies both to visual encoding of information (with pixel as a graphic building block) and the structure of information proper (the true-false logic). Instead of creating the illusion of continuity, Resolution font is about being aware of the media and digital (and thus quantized) nature of an image which is falsely perceived as continuous.
Px Sans
by woutery6.56
Click on the stars to rate this FontStruction.
Balanced Rating: 6.56
Average Rating: 5.00
Click for more information about this rating. 3 votes You voted ? for this FontStruction. You may change your vote at any time.
Balanced Rating: 6.56
Average Rating: 5.00
Click for more information about this rating. 3 votes You voted ? for this FontStruction. You may change your vote at any time.
Izack
by nemoorange7.56
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Balanced Rating: 7.56
Average Rating: 7.55
Click for more information about this rating. 11 votes You voted ? for this FontStruction. You may change your vote at any time.
Balanced Rating: 7.56
Average Rating: 7.55
Click for more information about this rating. 11 votes You voted ? for this FontStruction. You may change your vote at any time.
Halliday
by nemoorange6.11
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Balanced Rating: 6.11
Average Rating: 5.00
Click for more information about this rating. 6 votes You voted ? for this FontStruction. You may change your vote at any time.
Balanced Rating: 6.11
Average Rating: 5.00
Click for more information about this rating. 6 votes You voted ? for this FontStruction. You may change your vote at any time.
Ben Day
by nemoorange7.28
Click on the stars to rate this FontStruction.
Balanced Rating: 7.28
Average Rating: 7.19
Click for more information about this rating. 16 votes You voted ? for this FontStruction. You may change your vote at any time.
Balanced Rating: 7.28
Average Rating: 7.19
Click for more information about this rating. 16 votes You voted ? for this FontStruction. You may change your vote at any time.