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ORIENTFAHRTEN - A semi connected script style font design.
It is losely based in the lettering seen on a poster design by German designer/painter Ottomar Carl Joseph Anton. (original shown in comments)
When completing the full alphabet I tried to incorporate the features from the provided letters the best I could while creating the remaining missing characters.
SInce its a semi connected style lettering, certain characters were deliboratly disconnect and some weren't. For example the Uppercase string is almost completelty disconnected, whereas most of the lowercase characters connect.
This can also be seen in the original Ottomar poster.
For the connected lowercase characters there has been made a alternative glyph that disconnects to make more pleasing looking breaks, and are located in the Unicode Block “Halfwidth and Fullwidth Forms”.
It contains both proportional oldstyle (default) & lining numerals, with the lining located in the Unicode Block “Halfwidth and Fullwidth Forms” as well.
I hope you like it!
cheers
OVUNUQUE NOI SAREMO - BIANCONERI!
A Tribute to Internazionale Milano FC Font from the late 2010s and mixed with the Modern Germanic Blackletters around the 1950s. Here's the first blackletter font I made in my spare time...
This whole font is free to use, cause it's my first font to use for this site. Feel free to modify, share, or fix it. But CREDIT THE AUTHOR, PLEASE! Thank You!
'Sacred Textura', by Studio Sampersand, blends medieval Textura blackletter with contemporary design. Crafted with precision, it balances tradition and innovation. Its structured forms and intricate details convey strength and authority. The font follows a precise wide pen stroke-width that follows the hexagonal grid lines; creating a consistent neo-traditional textura font design.
Inspired by Dry Heat Medials and English cursive, named Atlantico because it's similar to Pacifico.
Capitals - Low connectors
Lowercase - High connectors
!"#$%&'()*+,-./0123456789: - Initials
;<=>?@[\]^_`{|}~¤¥¦§¨©ª«¬ - Low Finals
®¯°±²³´µ¶·¸¹º»¼½¾¿ÀÁÂÃÄÅÆÇ - High Finals
ÔÕÖ×ØÙÚÛÜÝÞßàáâãäåæçèéêëìí - Capitals
Low low space: [No-Break Space]
Low High space: ¡
High Low space: ¢
High High space: £
Low final z at the soft hyphen glyph ()
ÈÉÊËÌÍÎÏÐÑ - Numbers
ÒÓ - Period and Comma
Ô4LANTIC} ìÖ Ùæ
à!D? "Æ á!THA| ×/uGLA¦
For this font I was inspired by elegant and decorative type. I looked at old English style and modern cursive fonts to inform my design. My font would be described as script, pixelated, and formal, using thick and thin strokes, ligatures, and fluid strokes to simulate handwriting.
A script (cypher?) I made which separates letters into groups in an unusual way. It's also monospaced, visually at least.
Translator: https://lingojam.com/TexttoOnno
Translator specifically for this font: https://lingojam.com/LegibleOnno
What are those weird no-width characters!? The rectangular vowels of Onno - ⊐◻⊔⊏⊓ꘌ॥ᒧᒣᒪᒥ, corresponding to AEIOUYÜÅÄÖÉ - are actually supposed to go around the non-vowels to their right. Ex: for the word "⊐ⴲ╱", it should be written so "⊐" is big, and contains "ⴲ╱". For multi-vowel words like "◻⊐ꕕⴱ", "◻" contains "⊐", which in turn contains "ꕕⴱ". In order to construct these large vowels that can contain other characters, and even other large vowels, the no-width characters exist.
Special no-width glyphs
(lyr = layer)
Left line: lyr1 ʰ, lyr2 ʱ, lyr3 ʲ
Right line: lyr1 ʰ, lyr2 ʳ, lyr3 ʴ
Top line: lyr1 ʵ, lyr2 ʶ, lyr3 ʷ
Bottom line: lyr1 ʸ, lyr2 ˠ, lyr3 ˡ
Top and bottom line: lyr1 ˢ, lyr2 ˣ, lyr3 ˤ
Quote extensions: yr2 ˄, lyr3 ˅
Linebreak: (space)
Other technical glyphs
Vowel continuation mark: ˀ
Space glyph: _
GOSPEL ANGLOS
A insular half-uncial or insular majuscule script style typeface project that is inspired by ancient celtic bookhand & manuscripts.
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The project is aiming at solidifying a number of different insular script styles. The main goal is to create a single typeface that includes about everything required to replicate the decorative writing style seen in ancient celtic manuscripts.(except for the ornamental decoratives)
The font, though essentially a bi-linear or majuscule insular half-incial script, in reality is a combination of different styles and complementary lettersets. Each carefully designed for specific purpose.
For example, it includes a more decorative Anglo-Saxon-script capital letter, perfect for headline text or book bindings. These actually include a small number of short ascending / descending letters, but it remains mainly a majuscule. Then there is a complete insular style lowercase set, but which resembles a more traditional style lowercase letterform. And instead of being proportional sized, these reflect the cap-height, remaining faithful to the bi-linear nature of the script.
Besides all that, there is a set of glyph-alternates for most of the Anglo-Saxon capitals, as well as numerous random stylistic glyph alternates scattered througout some other various unicode blocks. Providing more than enough options to make variations.
To top it all off, I started making a set of more decorative lombardic initial letters, perfect for decorating paragraphs.
(This remains a WIP for now, as I am still experimenting aound with different styles and bits to narrow down the right one that suits this total package)
I like how some of these characters turned out, but many are jiust ideas and not yet reached their definitive forms. But this set proved a lot more difficult than I had anticipated. So,
Any suggestions helping me to complete the full set are very much welcome..
The major recources and guidelines for the creation of this project mainly evolved around the two medieval celtic manuscripts:
"Book of kells" and "Liɴdisfarne Gospels"
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It has grown quite a bit already so far, but remains a WIP.
So beware of very little overall polishing or kerning.
The overall design has quite some rough character, even more so with the insular lowercase set, that obviously was not aimed at smooth edges. Actually the oposite, sort of trying to replicate that rough look seen with many scribes from that era.
But I would love to hear your opinions (or suggestions for that matter) on the work so far. I can really use a little refreshing vibes for this at this point.
;)
Cheers.
A cursive pixel font.
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Series title: Essentia
Type: Cursive Script
Properties: Bold & Italic, 5.7pt
Currently Available in:English and Dutch, Welsh, Irish, Scots Gaelic, Italian, French, Albanian, Spanish, Portuguese, German, Hungarian, Swedish, Danish and Norwegian, Faroese, Icelandic, Greek, Belarussian (Latin and Cyrillic), Bosnian (Latin and Cyrillic), and Russian.
Soon to be available in:Polish, Czech, Slovak, Croatian, Finnish, Estonian, Latvian, Lithuanian, Esperanto (potentially), Turkish, Vietnamese (Latin).
Possible future additions: Hebrew, Arabic, Persian (Farsi), Hindi.
Any Suggestions?