Upgraded version of Aenvidere (which is the original 'normal weight' version) made for one of my grandsons. The glyphs in this version have lines of different thicknesses which seems to make them and any text more interesting to look at, yet it continues to be elegant.
Numerals are taller than other glyphs, I wonder if a larger letter space might 'integrate' them more when used in a line of text?
Kerning has been done where necessary = on very few pairs: T+some LCs and F+some LCs but not yet on T and F with the corresponding diacritics; also done are TJ and LT. The "f" has been moved in the grid, and "f" and "l" have adjusted letter space. I think that the shape of the glyphs (with and without adjusting their positions/letter space) reduces greatly the need for kerning. Having said all that I'll print some text to check and will adjust kerning where necessary ---at a later date.
This is the most advanced version of Aenvidere (due to kerning), the other published versions will be kerned at a later date. I'm showing them nevertheless so that you can compare versions.
This is a clone of AenvidereThicker lines than Aenvidere AGardin. This is quite chunky. Yet it remains rather (good looking and) elegant. Kerning has to be done (check details of this in the font description on Aenvidere AGardin)
This is a clone of Aenvidere StiloAenvidere (the normal weight version) still needs fine-tuning and kerning. That will come, eventually :) At the moment I'm quite busy doing too many things concurrently.
Check the font description for AlexGar-Aenvidere for details.
At a later date I'll publish a squared-off version of this. Aenvidere SQ will have the same glyph style but will be wider than the other versions which might make it less useful as a "tool" to attract attention when added as splash insert in text that uses another Aenvidere version.
Chunky decorative basic set of useful glyphs. It has the same width as the other Changle fonts so it can be used with them for more visual impact. Changle consists of UC letters only, on the LC position are the UC with the thick vertical on the right.
I was looking for some "decorative" glyphs to embellish greeting cards' frames; having come across one of my Greek sets I decided to make the whole Greek alphabet rather than stop at the 7 symbols I liked for my project.
This started elegantly thin with rounded corners and the name 'memoire', but it developed some electric sharpness through parallel angled lines ;) demanding that I remove curved corners. Work in progress, one of these days I'll add Polish or very basic Greek glyphs .
Decorated cups on UC (blanks: left-handed cup on L, right-handed cup on R, bowl on O). LC letters are from my "unstraight" font. To make twin-handled UC and LC cups: type left bracket followed by the chosen UC or LC cup. A blank twin-handled cup is on "." Numbers are on Japanese style tea bowls :)
For the goddess Circe ... Elegant, feminine, joyful, rounded, with a positive swing to it. Working with shapes and 'frames' I made this for the "mix-and-match" set of decorative fonts called CIRCE. The caps can be used as a "majuscle" but might overload visually if used exclusively in a text? The LC are quite legible in smaller sizes. This font is part of a 5-font style set
This font has been made for my grandson who adores anything 'computer' although he is only a little over 1 year old :) I hope he'll like the 'technical/electronic' look of "his" font :) when he is old enough to use his dad's computer for homework (or writing to me?) ...
I was inspired by the recent influx of minimal-grid fonts. I wanted to see if I, too, could manage to get a readable font with very few blocks and a small grid. This is a 3x3 font. I've used full square, indent square and quarter circle bricks. Maybe I can add a few more punctuation marks and symbol glyphs, but I found this size very restrictive. I have not looked through the fonts created since FS started, I suspect that what I have built here has already been done and apologise to any earlier creator but I honestly didn't copy nor clone your work.