72562
Published: 13th February, 2013
Last edited: 25th February, 2013
Created: 11th February, 2013
A robotic chunky typeface for display.This is a clone
133461
Published: 2nd January, 2013
Last edited: 11th September, 2014
Created: 24th February, 2012
Simple blocky font.
UPDATE: Kerning on the I is improved.
UPDATE: The Q looks better now.
42590
Published: 24th November, 2012
Last edited: 24th November, 2012
Created: 24th November, 2012
A sans-serif capital font.
Sorry if any character looks weird, it isn't that easy for me.
Also,
] = some wiggly thing that goes under a letter
@ = star box
} = "stem" prolonger(?)
ç = star (after/before character)
Ç = star (ONLY before character)
Please help improving this fontstruction!
61980
Published: 14th November, 2012
Last edited: 14th November, 2012
Created: 14th November, 2012
A small monospaced font with some subtly retro-futuristic rounded edges. All letters are in capitals.
211324
Published: 30th October, 2012
Last edited: 10th November, 2012
Created: 29th October, 2012
Conduit is a display font inspired by electricity pylon designs from around the world. Each letter has a sturdy, structured look, featuring latticed crossbeams and a thick angular outline.
Conduit is great for making an impact if used sparingly, but not so good for large bodies of text. It’s also well suited to larger sizes, showing off it’s detailed structure and utilising it’s bold design to the fullest.This is a clone
201417
Published: 28th October, 2012
Last edited: 15th November, 2012
Created: 17th October, 2012
Negative Chaos is the end result of a typography project at Uwe. My theme word was 'chaos' I began exploring the meaning of this word. This led to several experiments exploring how I could use marks or patterns to express chaos. My favourite experiment used the stencil of the letter and then used drops of ink, the negative space of the letter was left once the stencil was removed and surrounding this were random drops of ink. Each letter was therefore unique so there was already an element of chaos in the typeface, but I also felt the effect of ink created an energetic feeling which felt chaotic.
190651
Published: 25th October, 2012
Last edited: 29th October, 2012
Created: 17th October, 2012
When be began the project on designing my own typeface, I had to design and create it relating to a specific theme. I chose to focus my design on the theme of 'Decay'.
From the beginning, I wanted to create typeface which represented a very basic idea of the the theme of Decay. I looked at all possible avenues that I could take into design consideration and ended up coming with some interesting concepts I could use.
I started looking at the idea of Decay throughout technology. I began taking photos as well as researching forms of decay in technology. The one aspect which kept coming up were computer keyboards. I found plenty of images of keyboards with decay, which then acted as a key influence for my work.
The idea for having my typeface created in the style of computer keys was quite unique to me. When in the creation process, I created the key design as well as the letter-forms which I had mapped out using graph paper. I was then to add the appearance of decay to the letter-forms afterwards.
I then started coming up with styles of decay I could incorporate into the letter-forms. I wanted to have a clear representation of the theme, but keep it in the style/representation of computers. i.e Pixels.
I messed around with one of the letter-forms with a basic pixel appearance of decay. When zoomed in, it didn't look like the standard I wanted it to be, but when zoomed out, the pixels came together to present the them in detail. I then went ahead and applied the feature to all of the letter-forms and punctuation symbols. The typeface was finally complete.
113961
Published: 20th August, 2012
Last edited: 10th May, 2015
Created: 13th August, 2012
I've tried to create the impression that the top half of the font has 'slipped', crushing the lower middle portion.
This font looks good on screen at size 15 or 16, but not smaller.
90642
Published: 14th July, 2012
Last edited: 14th July, 2012
Created: 14th July, 2012
An experiment in reducing the number of pixels and pushing the limits of legibility.
50671
Published: 1st April, 2012
Last edited: 1st April, 2012
Created: 1st April, 2012
This font has 67 characters, and the upper and lower characters are identical. This font is intended to be used for titles because it looks better when enlarged, however you may use it how you wish ofcourse. Feel free to vote and comment!
47631614
Published: 11th March, 2012
Last edited: 28th May, 2013
Created: 11th March, 2012
Written by me, D-Sheep, with a 0.4 mm STABILO pen on a regular notebook paper, scanned @ 300 dpi on full contrast and copied to FS.
---And yes, I write all caps.
121622
Published: 17th February, 2012
Last edited: 25th March, 2012
Created: 17th February, 2012
A regular octagon is a closed figure with sides of the same length and internal angles of the same size. It has eight lines of reflective symmetry and rotational symmetry of order 8. The internal angle at each vertex of a regular octagon is 135° and the sum of all the internal angles is 1080° (as for any octagon).
Octagon, medieval?
60721
Published: 16th October, 2011
Last edited: 16th October, 2011
Created: 16th October, 2011
I was bored. This font only contains capitals, numerals, and all symbols. I hope you semi-enjoy/hate with all the strength in your foul soul.
180521
Published: 23rd August, 2011
Last edited: 23rd August, 2011
Created: 23rd August, 2011
a font similar to one used frequently on the cover of racer x magazine. i couldnt find the actual font so i made one very similar to it.
280520
Published: 23rd August, 2011
Last edited: 23rd August, 2011
Created: 23rd August, 2011
i have seen a font very similar to this and i couldn't find it and got sick of looking so i just tried to make one similar.