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A bit of artistic flying ;) This design would have benefitted from the original 8x8 composite possibility but 5x5 or 4x6 would have worked, too. Done as far as I need it for normal communication in modern English.
The painting in the sampler is from Wikimedia: the "Villa Petraia". I'll add more diacritics when I know which language(s) my friends want to see supported.
This is a cloneAenvidere (the normal weight version) still needs fine-tuning and kerning. That will come, eventually :) At the moment I'm quite busy doing too many things concurrently.
Check the font description for AlexGar-Aenvidere for details.
At a later date I'll publish a squared-off version of this. Aenvidere SQ will have the same glyph style but will be wider than the other versions which might make it less useful as a "tool" to attract attention when added as splash insert in text that uses another Aenvidere version.
Emil has a sympatic character, even if he has his little edges and corners. Nevertheless, Emil is not too eccentric. It' s possible to work with him and maybe Emil will go one step further towards italics...?
Derivative of Whichcraft. Both Whichcraft & TRE45ON are fonts created by and Copyright by Doug Peters (SymbioticDesign).
Copyright 2019 Doug Peters (https://www.Doug-Peters.com or https://Dougs.Work) of Symbiotic Design (https://www.SymbioticDesign.com).
Donations are super-appreciated. Credit for my original work IS also greatly appreciated.
I guess I would classify this one as: Experimental.
Type: Slab Serif Caps with Sans?
Weight: Heavy.
Web font: Yes.
Commercial use: Yes!
Derivatives: No.
Redistribution: No.
P.S.:
Font-Journal (Freeware fonts for designers):
https://www.Font-Journal.com
Hevy Duty Web Hosting (Genuine cloud web hosting solution):
https://HDWebHosting.com
Domain Name registration:
https://www.DomainHostmaster.com (Wild West Domain Registry)
https://www.Domainance.com (Directi's 'Public Domain Registry')
Fonts and graphics blog:
https://Worthful.com
PayPal donations (to encourage my continued freeware font design efforts):
https://paypal.me/sitedesigner
Oh yeah, I design logos, websites, graphics, ads, marketing campaigns, PCs, and just about anything, really. -DP
This is a cloneSierra Duo 2K17 © Sierra Hedgehog. All rights reserved.
The FontStructions that are created and/or made available on this Site are the copyrighted work, of the respective creator.
Tylluan (Welsh) = owl (English)
Having looked at this font to add glyphs for a friend's language I decided to change some of the original glyphs, for the fun of change ;) ....... if you saw, remember and now hope to download the original basic English version: sorry, it's out of circulation unless I decide to remove the asked-for glyphs/shapes in this version so that you can DL the new basic Enlish version with support for my language and some fun dingbats. This particular upgraded version of Tylluan won't be downloadable unless the 'owner' of it allows me to offer it to FS members .
I changed some curves, improved the e-mail symbol, added curved blocks and glyphs for some European languages including Welsh (( RAY if you want to use this DO let me know here via PM !!!)) You'll also see the Eiron := aka. interrobang (en), exclarrogatif (fr), Fragerrufzeichen (de) and some asked-for dingbats
This is a cloneAs I like the glyphs' shapes of midi-trente etc I let myself be inspired by fonts in FS 'op art' set to get an additional style for the "midi" series.
This is a cloneSee more:
https://fontstruct.com/fontstructions/show/264790/paper_clips
https://fontstruct.com/fontstructions/show/754781/anthologic
https://fontstruct.com/fontstructions/show/332122/sentinel_3
https://fontstruct.com/fontstructions/show/1747945/stepforward-1
https://fontstruct.com/fontstructions/show/795996/chibby
https://fontstruct.com/fontstructions/show/1687576/caramba-1
https://fontstruct.com/fontstructions/show/1404093/blopp-1
https://www.fontstruct.com/fontstructions/show/666067/quinquepuncta
https://fontstruct.com/fontstructions/show/92583/frieda
Clone of Tirrel (by Doug Peters). Copyright 2019 Doug Peters.
This version has the 'soft' alternates. These are the lowercase characters in 'Tirrel'. The idea is that if someone is used to using the shift key and only wants the softer style of the font, they can use this version and they will only get all the caps versions of Tirrel whether they use shift or caps lock (or not).
Categories: Monospaced Sans/Stencil.
Types: White Space, Striped, Display Caps, Logotype, & Novelty.
Weight: Bold.
Web font: Yeah, sure.
Commercial use: Yes.
Derivatives: No.
Redistribution: No.
https://www.Doug-Peters.com
https://Dougs.Work
https://SymbioticDesign.com
https://Worthful.com
https://Font-Journal.com
My best Domain Name registration service:
https://www.DomainHostmaster.com
My best web hosting solution:
https://HDWebHosting.com
PayPal donations (to encourage my continued design efforts):
https://paypal.me/sitedesigner
Tirrel font is Copyright 2019 Doug Peters.
This is the original version of Tirrel. Although a display caps font, the uppercase has a hard, bold, brash version of capitals while the lowercase holds the 'softer' alternates with more defined characters. If you only want one or the other and have the habit of using shift (or caps lock), there should be two other versions of this font accompanying it, one "Tirrel Hard" and the other Tirrel Soft" to relieve frustration of those who type well.
Categories: Monospaced Sans/Stencil.
Types: White Space, Striped, Display Caps, Logotype, & Novelty.
Weight: Heavy Bold.
Web font: Yeah, sure.
Commercial use: Yes.
Derivatives: No.
Redistribution: No.
https://www.Doug-Peters.com
https://Dougs.Work
https://SymbioticDesign.com
https://Worthful.com
https://Font-Journal.com
My best Domain Name registration service:
https://www.DomainHostmaster.com
My best web hosting solution:
https://HDWebHosting.com
PayPal donations (to encourage my continued design efforts):
https://paypal.me/sitedesigner
A typeface inspired by zeeglo eYe/FS and done with 2x2 filters.
Alt Y in asterisk (*).
Suggestions and improvements are always welcome!
Also may do cyrillic somewhere in the future (hopefully) (probably) (not really sure)
011616. Oops. This one was supposed to be released when it was created. Somehow it got lost. Anyway, it was an experiment with smoothed out diagonals, which was difficult before the brick nudging feature. Now it its easy. So more improvments added. Here was my original text in 2010. Old links were broken, I can't add links anymore...?
-----
Created from scratch, but inspired by will.i.ૐ's WPA Go Thin, which was inspired by Stewf's WPA Gothic. Not as much an in depth character study as William's, but delving deeper into the concept of smoothing out all hard edged corners, especially the transitional connections between all diagonal lines to their horizontal or vertical counterparts. This direction forced me to dig deep to figure out if it was possible to create a smoothly ramped curve. After chiseling out multitudinous variations of composite combinations, I came up with this solution. Then I pat myself of the back and gave myself a cookie. The technique is also employed on my Escapade, and Streamlyne fonts. As usual, I like to leave these techniques as Easter eggs for everyone to discover for themselves using their own creativity. Sometimes its inspiring just to know such a thing is possible. But let me know if you can't figure it out. Press Shift+PXL on the preview to zoom in and check it out.
This is a cloneThicker lines than Aenvidere AGardin. This is quite chunky. Yet it remains rather (good looking and) elegant. Kerning has to be done (check details of this in the font description on Aenvidere AGardin)
This is a clone of Aenvidere StiloUpgraded version of Aenvidere (which is the original 'normal weight' version) made for one of my grandsons. The glyphs in this version have lines of different thicknesses which seems to make them and any text more interesting to look at, yet it continues to be elegant.
Numerals are taller than other glyphs, I wonder if a larger letter space might 'integrate' them more when used in a line of text?
Kerning has been done where necessary = on very few pairs: T+some LCs and F+some LCs but not yet on T and F with the corresponding diacritics; also done are TJ and LT. The "f" has been moved in the grid, and "f" and "l" have adjusted letter space. I think that the shape of the glyphs (with and without adjusting their positions/letter space) reduces greatly the need for kerning. Having said all that I'll print some text to check and will adjust kerning where necessary ---at a later date.
This is the most advanced version of Aenvidere (due to kerning), the other published versions will be kerned at a later date. I'm showing them nevertheless so that you can compare versions.
This is a clone of Aenvidere