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An experiment which attempts to harmonize soft curves and straight lines while eschewing angles. The result is this "inkflow" design. What is the opposite of an inktrap? I don't know, so I'm calling it inkflow.
This could also be viewed as a hybridization of neon-style lettering and normal sans serif... it is not quite made to be either one, but could act as a decent companion font to them. Most neon fonts need a larger size and are thus more suited to headers, while this design is well suited to body text.
This could also ALSO be considered a Hybrid because it works as both a pixel font and a high-res one.
Another of my many doodles. Fun to make!
Finally, a design where all the diacritics blend in and look natural!
Another rounded sans-serif. Gives me a slight "noir" feeling.
The shapes and spacings were fine-tuned to look good at every legible size, with every letter having a constant width (except "I") and standing distinct from its neighbors.
Though it was made from scratch without references, this one combines shapes and filter techniques similar to those of "AB Neurosis" and "Gamma Strike".
"X" makes four undesired bends, "V" is too sharp for my liking, and "Y" is a bit too short. But I have tinkered with composite pieces trying to fix them for hours now. Maybe someone else has the patience to continue on...
Neon-style lettering in 5x5. I tried to keep the considerations of neon tubes in mind. Most forms are simple and several of them get repurposed for other glyphs. Further, the bends which would occur in actual neon tubing were taken into account while routing each glyph.
A closer look will find some advanced glyphs which would have to be produced by a master glassblower in order to work as neon fixtures (such as DHJKXOQ08*#+).
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This is spaced like a pixel font so that it can be used as one. Fonts which work especially well in both pixel and high-res mediums can be considered Hybrids.
"Lightened Son" is an anagram for "Neon Delights".
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Idea for Improvement: A wiring solution - some system designed to be on a layer behind the letters so that they look convincingly wired up.
See also:Technokratz family
A 7x7 outline design which is made to form solid-looking masses from the glyphs while still allowing the outer perimeters of words to take on some unique shapes.
Original size: 5.25pt (use multiples of this value for pixel perfection)
A rounded version of Pixelcruiser Flagship. I think rounding it off both made it better-looking and more readable! This now looks like something I'd use in pixel comics.
This is a clone of Pixelcruiser FlagshipVersion 1.4
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A variant of Kitchen Sink Rounded with filter sizes altered so that most letters are enclosed within golden rectangles. This is a squatter and friendlier take on the design - good for header text.
UC cloned to LC to make this easier to use...
This is a clone of Kitchen Sink RoundedKitchen Sink, sans the rounded counters. This font really is plain-looking when all its embellishments are removed, but sometimes that is what people want.
This is a clone of Kitchen SinkThe original Kitchen Sink - a design with rounded counters.
This design is intentionally fairly plain. Check out the Kitchen Sink family to see the others :^)
This is a clone of Kitchen Sink RoundedA rounded sans-serif with rounded counters. That's DOUBLE the roundedness FOR FREE!!!
This family is made to have a high impact. Did it work? :^)
A rounded square design made for headlines as an alternative/companion font to Empty Magazine.
See also: Bonds of Force, This Machine Destroys Everything!
Design rules:
Use 'gentle' curves.
All ends are rounded caps.
Never allow paths to cross or to touch.
Define letters & symbols in as few lines as possible.
Copyright Doug Peters (https://www.Doug-Peters.com & https://Dougs.Work) 2018 & 2019. Released as an SIL Open Font Licensed freeware font (& web font).
I wound-up with sort of a neon light font. Use, study, modify, create derivatives (use a different reserved font name & update docs) and/or redistribute this rounded line font. I hope you enjoy it.
Some of my business websites:
https://Worthful.com
https://Worthful.net
https://www.Font-Journal.com
Encourage my continued freeware font design work with a donation:
https://paypal.me/sitedesigner
For this font I decided to do several things I almost never do with other pixel fonts.
First is the use of an 8*8 grid. I consider this size tough to work with so I tend to stay away from it, preferring X*7 or X*9.
Second is the rounding or softening of all 90° angles. 3- and 4- way intersections are exempt from this rule. However, some other acute angles were rounded as well.
Third is kerning, which helps ease this font back into microfont territory a bit by reducing excess space. I usually design pixel fonts so they don't need this, but not this time!
Fourth is the embrace of asymmetry throughout most letterforms, which is almost a natural consequence of making a font on the 8*8 grid.
Fifth is extending MmWw. I usually try to truncate these letters to fit my grid. Sometimes I make a symmetrical design for them, but this time I just let 'em sprawl.
Despite all these differences in methodology, I think this font looks rather like a hybrid of "Marengi" and "AMFA". Very pleased with the result!
Experimental monospaced font.
https://fontstruct.com/fontstructions/show/1634372/transom-doyer
See more: https://www.behance.net/gallery/275408/BD-Jupiter-Font
https://www.fontstruct.com/fontstructions/show/1734556/astrok-outline
https://www.instagram.com/p/BPUrRhTA02W/
BC Mikser
Desima
K141
http://omtype.com/ru/type/default.html
Yota (logo)
https://fontstruct.com/fontstructions/show/637760/buttercream_typewriter
http://www.fountaintype.com/typefaces/monolith
https://fontstruct.com/fontstructions/show/1497857/opal-25
https://fontstruct.com/fontstructions/show/592874/zenoid_eye_fs
https://fontstruct.com/fontstructions/show/159982/punchmebi_tch
This is a clone of dm Eiros/ typicalsInspired by the works of regular_one. Unlike most fonts I've released recently, many of the glyphs had to be modified or even redone from scratch.
- M, W, m, w, @, #, %, <, >, ~, and the circumflex above accented letters were all too wide and had to be condensed;
- I, f, i, j, l, r, and t were all too narrow and were expanded a bit, mostly through the careful application of serifs;
- K, M, W, X, Y, v, w, y, 7, /, and \ all had ugly mixes of angles that needed to be redesigned;
- N, *, (, and ) were completely redesigned, and many more touched up, to fit better with the rest of the font.
Most of the edits made were not possible before nudging. It's still not perfect, but it's much better than it was before, and I'm proud of how much it has "grown up". Of course, suggestions and critiques are encouraged. Thanks and enjoy!