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Future Retro is a geometric typeface that has an implied roundness. The shape and contrast within each letter invokes a retro and a futuristic feeling at the same time. Future Retro is a sans serif display typeface with clear readability. Future Retro is great for large scale type in posters, signage, merchandise, headlines, titles, etc.
rounded sans version of Heavy Vintage
This is a clone of Heavy VintageA recap of the lettering by Dutch graphic designer "Jurriaan Schrofer" that he designed for the "gemeentereiniging" (translated: municipal cleaning services).
It's not very clear which eventually became the definitive alphabet that went into use, so I combined the two most important sketches into one typeface.
Enjoy!
※ Because I can not use English well, I use Google translation.
This font is called "Hanazaki _ font [IRONY]".
This is the image of the school uniform of Japan.
Hanasaki is the name of a person.
Also called Sasagu Hanataba.
Please use this because it can be used for free.
I am very happy if you give us your impressions.
Also, please let me know because I do not know which tag to use.
An experimental font "antipode". The opposition lies in the fact that in one font there are rounded strokes and pixels. Some letters and characters are completely rounded, some are pixelated, and some have both rounded and pixel elements
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52 characters for the basic Latin set, 10 numerals, 36 punctuation characters, 66 characters for the Russian language set
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Please let me know what do you think :)
Designed as part of my university course, this font is based around the word 'squishy', taking inspiration from body forms, shapes and the creases which are created from these body types. The emphasis is not so much around the shape itself, but the negative space between them. Designed as part of my university course, this font is based around the word 'squishy', taking inspiration from body forms, shapes and the creases which are created from these body types. The emphasis is not so much around the shape itself, but the negative space between them.
A font in the "Compass" group which I started a few years ago and not finished yet. Living in Western Europe I wanted a swingy-light-rounded looking font for "West" on the compass to celebrate the gentle hills and open spaces around my home in France.
This font was created from experimentation with fur and inspired by how it can flow so freely. It took many different routes and ended up evoking an oriental theme based on spectacular treasures discovered in the Han royal tombs in China. These treasures are displayed in an exhibition named 'The Search for Immortality' and holds free flowing dragon forms that are made from solid jade stone. I chose to reflect the way thick hair flows into my design that creates distinguishable letterforms, both unique and complimentary of one another.