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A 7x7 outline design which is made to form solid-looking masses from the glyphs while still allowing the outer perimeters of words to take on some unique shapes.
Original size: 5.25pt (use multiples of this value for pixel perfection)
Version 1.4
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A variant of Kitchen Sink Rounded with filter sizes altered so that most letters are enclosed within golden rectangles. This is a squatter and friendlier take on the design - good for header text.
UC cloned to LC to make this easier to use...
This is a clone of Kitchen Sink RoundedVersion 1.6
An attempt to make a "classroom" font. It reminds me of a font style which was once commonly used on magnetic letters.
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See also: Hydrangea Unicase
Experimental brush/pen thing. Has a slightly spooky look. Because of their tapering curves, many glyphs can render with a "split" or "stencil" look about them. This is due to software-imposed limitations on vector rendering. Designs which share this property can be considered Pseudostencils.
This design is not informed or inspired by any existing typographical traditions. I set out to make the "claw" bricks (as I call them) into a font and this is the result.
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I went and mangled Spelunker by Zephram. I am messing with the shapes of the spaces between the letters. The name of the font indicates that most of the letters are wearing bell bottoms.
This is a clone of SpelunkerI wondered what a plain version of Candylander would look like, so I made this. :D
I think a fully half-arc version could look even more stylish than this! Hope to find time to create one soon. (EDIT: Done, see Migrator)
This is a clone of CandylanderFor this font I decided to do several things I almost never do with other pixel fonts.
First is the use of an 8*8 grid. I consider this size tough to work with so I tend to stay away from it, preferring X*7 or X*9.
Second is the rounding or softening of all 90° angles. 3- and 4- way intersections are exempt from this rule. However, some other acute angles were rounded as well.
Third is kerning, which helps ease this font back into microfont territory a bit by reducing excess space. I usually design pixel fonts so they don't need this, but not this time!
Fourth is the embrace of asymmetry throughout most letterforms, which is almost a natural consequence of making a font on the 8*8 grid.
Fifth is extending MmWw. I usually try to truncate these letters to fit my grid. Sometimes I make a symmetrical design for them, but this time I just let 'em sprawl.
Despite all these differences in methodology, I think this font looks rather like a hybrid of "Marengi" and "AMFA". Very pleased with the result!
The original Kitchen Sink - a design with rounded counters.
This design is intentionally fairly plain. Check out the Kitchen Sink family to see the others :^)
This is a clone of Kitchen Sink RoundedKitchen Sink, sans the rounded counters. This font really is plain-looking when all its embellishments are removed, but sometimes that is what people want.
This is a clone of Kitchen SinkAnother of my many doodles. Fun to make!
Finally, a design where all the diacritics blend in and look natural!
An experiment which attempts to harmonize soft curves and straight lines while eschewing angles. The result is this "inkflow" design. What is the opposite of an inktrap? I don't know, so I'm calling it inkflow.
This could also be viewed as a hybridization of neon-style lettering and normal sans serif... it is not quite made to be either one, but could act as a decent companion font to them. Most neon fonts need a larger size and are thus more suited to headers, while this design is well suited to body text.
This could also ALSO be considered a Hybrid because it works as both a pixel font and a high-res one.
Neon-style lettering in 5x5. I tried to keep the considerations of neon tubes in mind. Most forms are simple and several of them get repurposed for other glyphs. Further, the bends which would occur in actual neon tubing were taken into account while routing each glyph.
A closer look will find some advanced glyphs which would have to be produced by a master glassblower in order to work as neon fixtures (such as DHJKXOQ08*#+).
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This is spaced like a pixel font so that it can be used as one. Fonts which work especially well in both pixel and high-res mediums can be considered Hybrids.
"Lightened Son" is an anagram for "Neon Delights".
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Idea for Improvement: A wiring solution - some system designed to be on a layer behind the letters so that they look convincingly wired up.
See also:Technokratz family