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As I like the glyphs' shapes of midi-trente etc I let myself be inspired by fonts in FS 'op art' set to get an additional style for the "midi" series.
This is a cloneEmil has a sympatic character, even if he has his little edges and corners. Nevertheless, Emil is not too eccentric. It' s possible to work with him and maybe Emil will go one step further towards italics...?
Astrok Rounded font Copyright 2020 Doug Peters of Symbiotic Design, all rights reserved worldwide, including artistic & creative rights. Version 1.0
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Aenvidere (the normal weight version) still needs fine-tuning and kerning. That will come, eventually :) At the moment I'm quite busy doing too many things concurrently.
Check the font description for AlexGar-Aenvidere for details.
At a later date I'll publish a squared-off version of this. Aenvidere SQ will have the same glyph style but will be wider than the other versions which might make it less useful as a "tool" to attract attention when added as splash insert in text that uses another Aenvidere version.
Clone of Tirrel (by Doug Peters). Copyright 2019 Doug Peters.
This version has the 'soft' alternates. These are the lowercase characters in 'Tirrel'. The idea is that if someone is used to using the shift key and only wants the softer style of the font, they can use this version and they will only get all the caps versions of Tirrel whether they use shift or caps lock (or not).
Categories: Monospaced Sans/Stencil.
Types: White Space, Striped, Display Caps, Logotype, & Novelty.
Weight: Bold.
Web font: Yeah, sure.
Commercial use: Yes.
Derivatives: No.
Redistribution: No.
https://www.Doug-Peters.com
https://Dougs.Work
https://SymbioticDesign.com
https://Worthful.com
https://Font-Journal.com
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A 7x7 outline design which is made to form solid-looking masses from the glyphs while still allowing the outer perimeters of words to take on some unique shapes.
Original size: 5.25pt (use multiples of this value for pixel perfection)
A more usable black version of the screwed zoyuz.
This is a clone of zoyuz eYe/FSTirrel font is Copyright 2019 Doug Peters.
This is the original version of Tirrel. Although a display caps font, the uppercase has a hard, bold, brash version of capitals while the lowercase holds the 'softer' alternates with more defined characters. If you only want one or the other and have the habit of using shift (or caps lock), there should be two other versions of this font accompanying it, one "Tirrel Hard" and the other Tirrel Soft" to relieve frustration of those who type well.
Categories: Monospaced Sans/Stencil.
Types: White Space, Striped, Display Caps, Logotype, & Novelty.
Weight: Heavy Bold.
Web font: Yeah, sure.
Commercial use: Yes.
Derivatives: No.
Redistribution: No.
https://www.Doug-Peters.com
https://Dougs.Work
https://SymbioticDesign.com
https://Worthful.com
https://Font-Journal.com
My best Domain Name registration service:
https://www.DomainHostmaster.com
My best web hosting solution:
https://HDWebHosting.com
PayPal donations (to encourage my continued design efforts):
https://paypal.me/sitedesigner
Clone of Tirrel (by Doug Peters). Copyright 2019 Doug Peters.
This version has the 'hard' alternates. These are the caps in 'Tirrel'. The idea is that if someone is used to using the shift key and only wants the harder style of the font, they can use this version and they will get all the caps versions of Tirrel whether they use shift or caps lock (or not).
Categories: Monospaced Sans/Stencil.
Types: White Space, Striped, Display Caps, Logotype, & Novelty.
Weight: Heavy Bold.
Web font: Yeah, sure.
Commercial use: Yes.
Derivatives: No.
Redistribution: No.
https://www.Doug-Peters.com
https://Dougs.Work
https://SymbioticDesign.com
https://Worthful.com
https://Font-Journal.com
My best Domain Name registration service:
https://www.DomainHostmaster.com
My best web hosting solution:
https://HDWebHosting.com
PayPal donations (to encourage my continued design efforts):
https://paypal.me/sitedesigner
WIP
This is a clone of fs regulateSee more:
https://www.fontstruct.com/fontstructions/show/1631404/mushy-bitdust-love-1-1-1
https://www.fontstruct.com/fontstructions/show/1634372/transom-doyer
https://www.fontstruct.com/fontstructions/show/1545773/stf-hal-2018
old Razer font
https://fontstruct.com/fontstructions/show/1036365/proudly_australian
https://www.fontstruct.com/fontstructions/show/1547161/lightened-son
https://www.fontstruct.com/fontstructions/show/1527169/alcmi
https://www.fontstruct.com/fontstructions/show/137527/beatboy_rounded
https://www.fontstruct.com/fontstructions/show/1554824/inkflow
https://www.fontstruct.com/fontstructions/show/1584818/alba-5x5-1-1
https://www.fontstruct.com/fontstructions/show/1503667/rainbow-stars-font
This is a clone of Foo SkaureThicker lines than Aenvidere AGardin. This is quite chunky. Yet it remains rather (good looking and) elegant. Kerning has to be done (check details of this in the font description on Aenvidere AGardin)
This is a clone of Aenvidere StiloUpgraded version of Aenvidere (which is the original 'normal weight' version) made for one of my grandsons. The glyphs in this version have lines of different thicknesses which seems to make them and any text more interesting to look at, yet it continues to be elegant.
Numerals are taller than other glyphs, I wonder if a larger letter space might 'integrate' them more when used in a line of text?
Kerning has been done where necessary = on very few pairs: T+some LCs and F+some LCs but not yet on T and F with the corresponding diacritics; also done are TJ and LT. The "f" has been moved in the grid, and "f" and "l" have adjusted letter space. I think that the shape of the glyphs (with and without adjusting their positions/letter space) reduces greatly the need for kerning. Having said all that I'll print some text to check and will adjust kerning where necessary ---at a later date.
This is the most advanced version of Aenvidere (due to kerning), the other published versions will be kerned at a later date. I'm showing them nevertheless so that you can compare versions.
This is a clone of AenvidereExperimental brush/pen thing. Has a slightly spooky look. Because of their tapering curves, many glyphs can render with a "split" or "stencil" look about them. This is due to software-imposed limitations on vector rendering. Designs which share this property can be considered Pseudostencils.
This design is not informed or inspired by any existing typographical traditions. I set out to make the "claw" bricks (as I call them) into a font and this is the result.
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Where are the caps? Who cares? A bold, minimal-grid font so named because it looks sort of jellybeany. Kind of. I'm still not sure I like how dark the 'k' seems, but any fix looks worse. If there's demand, I'll add an accented set, perhaps.
«Update 2017-03-29» – I've reworked the aforementioned K. I've changed the lowercase to be a thinner version, along with much of the punctuation. I've even filled out the Latin-1 Supplement, though I loosen up considerably on the basic design elements to get things to work within the established grid.
A bold, rounded, mono spaced typeface; useful at various scales, I think. Designed primarily for use in English, also useful in French and Spanish. It's functionality in Greek is limitted, only really useful in a display context, or where only Demotic usage is required; not useful in Katharevousa, Koine, Classical, etc. Open Font Liscence, hope it is enjoyable and of use.
This is a clone