Based on the Ferengi character chart for the LCARS 47 Project. Tried to keep it phonetic where possible (compare with original chart on www.lcars47.com to see where the more counterintuitive mapping comes in, such as l- sounds mapped to z- dakuon, etc.). Clones encouraged!
This is the writing of the maþla (mathla) language I created. It is spoken by gods and contains magic.
The phonetics and lexems are based on a mixture of Proto-Germanic, Old Norse and my fantasy. It has 26 vowels and doesn't have any b, d or g sounds.
Ehada is a constructed script containing the basic letters and punctuation. It came out of some practice designs for another script which is still in progress using serifs and stubbed serrifs with vowel accents.
Orkash is a conlang of simple lines with elegant ornaments. It was designed with a softened gothic style to give a clean but ornamental script.
Eshaa, the talon language, is conlang formed of sharp points and flowing lines.
This contsins captial, lower case, comma and full stop only.
Each word in the sentence should begin with a capital letter to get the full aesthetic effect.
Matriarc is a linear script of flowing lines orditing central circles. This is used as a standard alphabet with the upper and lowercase vowels having a different distance to the main line to allow aesthetic placement.
A neat language of combining letters to create even more unique characters. Based on some languages like Armenian. Work in progress.
WORK IN PROGRESS.
Anatoli Font for use in Anatoli
The Namak script was originally derived from a logographic script and used for the language of Namariehak around 5000 years ago, but has since then spread and has become the most widely used script on Notasami. It is a bicameral, alphabetic script that uses a base-10 number system. This is a serifed version of the script resembling the original, traditional way of writing it, and includes the four Santieng diacritics.
The Namak script was originally derived from a logographic script and used for the language of Namariehak around 5000 years ago, but has since then spread and has become the most widely used script on Notasami. It is a bicameral, alphabetic script that uses a base-10 number system. This is a sans-serif, simple font along with the four Santieng diacritics.
A font for my friend's conlang called Anachek. Anachek uses a syllabary of 23 consonants and 5 vowels called porodowixme (/pɔrɔdɔʍiχmɜ/) for a total of 93 characters and 22 diacritics. This font also includes the number system, which is base 12. This should be the most complete font including all punctuation and numbers, and some math operations.
punctuation system might undergo changes because we are still working on the conworldThis is a clone
This is a recent experiment on linear design. This includes all 26 letters in both upper and lower case a a small number of punctuation marks.
I wanted to try and create a stark linear script that would be easy and quick to write out in contrast with some of my more ornamental scripts.
This is a revision of the original Imrian script (my first fontstruct).
This revision has had some significant tweaks based on what I have learnt from my other designs.
The original script was laced with a strong botanical theme and draw from the Ogham language. All sentences should begin with a ( [open bracket] to create the root symbol. Words are then typed as in english using a - [hyphen] instead of a space. For example:
Here is the third version of the Unlu script font.
This one has been called Unlu Italic as it is the italicised version of the original with cleaner lines and angles.
An experimental script with the idea of emulating the shape of solar systems and using them as glyphs.
Vykra is a conlang script based on the concept of a syllabic alphabet and inspired by plants.
The upper case is the plant body, while the lowercase is the root. As such it is necessary to write this script in alternating case (AlTeRnAtInG CaSe) so as to place an upper and lower case letter together.
The full stop symbol is used for words consisting of one letter to provide a root.
Glyphr is a combination of shapes, design and ideas which I have seen and love. The combination of then creates a very linear chicken scratch script.
Generally you should start every word with an uppercase in order to get the preparatory line, however, the script is equally effective without this.
Evikræyl is the product of a sudden flash of inspiration combined with a love for calligraphy and the aggressive illumination look.
All the basic latin letters are available along with the numbers and a few punctuation marks.
Evikræyl means 'words that stay' in Kallin'Erillian the conlang this script will be used for.
Here is the second version of the Unlu script font.
This one has been called Unlu Light as it is significantly smaller than the original with cleaner lines and angles.
In addition to the Unlu v.1 letters and usage this version includes more punctuation and the numbers 0-9.
Klanara is the script generated for the conlang of the same name. The inspiration for this comes from a script called Oxidilogi available from Omniglot. The language is made up of consonant vowel pairs throughout and is structured to accommodate this pairing. There are some special characters. the ae and oe pair form a single vowel symbol in Klanara. Also the capital H and L are used to form the consonant pairs sh, ch, wh, th and kl. The lower case h and l are letters in their own right.
This is a conlang font based on the SIGIL panel script which can be found on the Omniglot Website. Unlike the inspiration this font is alphabetical.
Note on the script: The script is formed from consonant-vowel pairs. If a pair cannot be made in the order consonant-vowel then an underscore [_] should be used for the consonant or a hyphen [-] for a vowel.