Published: 16th April, 2015
Last edited: 23rd April, 2015
Created: 26th February, 2015
The vertical nature of '2602' refers to the work of Yamasaki Minoru, one of the most influential architects of the New Formalism in the 20th century.
For optimal use it's advised to use line spacing which is 0,65666667 times the font size.
There's a slightly small difference in width between the strokes and the open spaces in between them. This is a clone
Published: 15th July, 2014
Last edited: 15th July, 2014
Created: 15th July, 2014
A vertical version of my Rodjah font. More for the fun of it, really (it's just the graphic designer in me). Makes for some interesting ideas, though...This is a clone of Rodjah
Published: 18th October, 2013
Last edited: 18th October, 2013
Created: 27th March, 2013
A dot at every corner, end of line, and intersection. A dotted line, never a diagonal one, everywhere else. Congratulations, you have Hard Edges.
Published: 30th October, 2012
Last edited: 27th November, 2012
Created: 26th October, 2012
This is a typeface based on the word dynamic, I looked into electricity, and thought that circuit boards would be a great sector to look at. Using parallel lines and consideration of the way the type flows.
Published: 17th October, 2012
Last edited: 17th October, 2012
Created: 15th October, 2012
HOLOGRAM is a solid revolutions alphabet created by Dr Jason Betts (http://www.emeraldalchemy.com) for use as a solid or light-projection 3D alphabet that can be read from any 360 degree angle of perspective, unlike normal lettering which can only be properly viewed from one angle (straight-on).
Only the capital letters are designed as solid revolution letters but a complete font set is provided using only 4-pixel construction for simplicity and unique design.
Published: 3rd June, 2012
Last edited: 3rd June, 2012
Created: 3rd June, 2012
Stry is my first attempt to design a typeface on a modular and monospaced constraints.
This typeface was just a warm up, nothing fancy, the objective was to see if i still remembered the proportions of each letter.
Overlap different versions of Stry to get other results!
Anyway, enjoy it!(Still Under Construction)This is a clone of Stry V-Stripes
Published: 29th January, 2012
Last edited: 14th December, 2012
Created: 28th January, 2012
Part of my studies. Hochschule der Bildenden Künste Braunschweig / Braunschweig University of ArtThis is a clone
Published: 25th January, 2011
Last edited: 29th January, 2011
Created: 16th January, 2011
Condensed typeface based on a sort of rhombic pattern counterbalanced by a strong emphasis on the vertical.
As computed by fontstruct, letter-size is roughly 3/4 of common definitions, which means that you have to set Sycamore to e.g. 24pt if you want to achieve a 18pt impression.
Also available in Light style.This is a clone of Sycamo Light
Published: 3rd June, 2010
Last edited: 3rd June, 2010
Created: 3rd June, 2010
I don't know what to write in this one. Its' based off a font i was making but scrapped it after figuring out this would look better.
Published: 17th January, 2010
Last edited: 18th January, 2010
Created: 16th January, 2010
inspired by an airport exit sign, this font is more than what it seems on the surface. At first, it might seem like a regular typeface, but when you look at the angles, they are sharp, and when you look at the curves, they are vertical. As a matter a fact, this font uses 2x vertical filtering to achieve these effects. It was very hard to make this font, and I think it looks beautiful.
Published: 8th November, 2008
Last edited: 8th November, 2008
Created: 8th November, 2008
This is like the fontstruct logo thing. B,E,N,Q,S,e,g,z,3,5,6 and 8 are all a bit dodgy but otherwise O.K.