Here is the second version of the Unlu script font.
This one has been called Unlu Light as it is significantly smaller than the original with cleaner lines and angles.
In addition to the Unlu v.1 letters and usage this version includes more punctuation and the numbers 0-9.
Evikræyl is the product of a sudden flash of inspiration combined with a love for calligraphy and the aggressive illumination look.
All the basic latin letters are available along with the numbers and a few punctuation marks.
Evikræyl means 'words that stay' in Kallin'Erillian the conlang this script will be used for.
Glyphr is a combination of shapes, design and ideas which I have seen and love. The combination of then creates a very linear chicken scratch script.
Generally you should start every word with an uppercase in order to get the preparatory line, however, the script is equally effective without this.
Vykra is a conlang script based on the concept of a syllabic alphabet and inspired by plants.
The upper case is the plant body, while the lowercase is the root. As such it is necessary to write this script in alternating case (AlTeRnAtInG CaSe) so as to place an upper and lower case letter together.
The full stop symbol is used for words consisting of one letter to provide a root.
This, as the name suggests, is a cubic version of the script helix. This variation removes all curved lines and approached the script with a box look rather than the traditional helix twist effect.
This has the same letter/punctuation as other helix variations.
This is a revision of the original Imrian script (my first fontstruct).
This revision has had some significant tweaks based on what I have learnt from my other designs.
The original script was laced with a strong botanical theme and draw from the Ogham language. All sentences should begin with a ( [open bracket] to create the root symbol. Words are then typed as in english using a - [hyphen] instead of a space. For example:
(The-quick-brown-fox-jumps-over-the-lazy-dog.
Enjoy!
This is a recent experiment on linear design. This includes all 26 letters in both upper and lower case a a small number of punctuation marks.
I wanted to try and create a stark linear script that would be easy and quick to write out in contrast with some of my more ornamental scripts.
Heptal is an alternative alphabet for English created by Katie Molnar. The original can be found here: http://www.omniglot.com/conscripts/heptal.htm
The original script uses overlines to identify vowels which join together when next to each other. The extended vowels á (acute) begins the join the à (grave) ends the join and the ä (diaresis) is the middle of a join - each vowel has an equivalent.
The original script also has 3 varieties of s. Use the S for the capital, the s for an s in the middle of the word and a $ for a final s.
Finally, all sentences should be started with an _ (underscore).
This is a cloneMatriarc is a linear script of flowing lines orditing central circles. This is used as a standard alphabet with the upper and lowercase vowels having a different distance to the main line to allow aesthetic placement.
Eshaa, the talon language, is conlang formed of sharp points and flowing lines.
This contsins captial, lower case, comma and full stop only.
Each word in the sentence should begin with a capital letter to get the full aesthetic effect.
Ehada is a constructed script containing the basic letters and punctuation. It came out of some practice designs for another script which is still in progress using serifs and stubbed serrifs with vowel accents.
Another 5x5 pixel design. This one splits one line or intersection per letter for most letters, leading to a tech/sci-fi look.
Only the comma is allowed to go below the line; all other glyphs fit onto the 5x5 grid. Because this font is quantized to the grid, diacritic accents won't be possible. Feel free to move the comma above the line to suit your global matrix.
Original size: 3.75pt (use multiples of this value for pixel perfection)
*
See also: Byzantine Exasperation
- Okay, this requires a little bit of heads-on info first, to prevent any misunderstanding.
It's a attempt to struct the (I think) pretty well known typeface
"Cyber Monkey"
by none other than Fontspring founder & Fonthead Design Inc.'s:
- Ethan Dunham.
The original typeface by Ethan has been around quite some time and has been used a lot over the years in various of my design projects.
The original Cyber Monkey digital typeface by Dunham was commercially published back in 1998 by Fonthead Design and can still be purchased online via multiple font shops.
My fontstruction, despite its notable clear resemblances is by no means meant to commercially violate or abuse the original intellectual property of Dunham.
About Cyber Wolf (my fontstruction)
Actually it came into existance when I was fooling around in the editor and was building some ideas on chord-like letters. (And since I dont know a lot of typefaces in this style) I soon realized that through most of the time I kept on structing letters that I could sort of remember from Ethan's typeface. so I tried working from that point out to guide, but absolutely did not lead anywhere. lol
So I decided to quit the whole idea and turned the project into a fontstruction that heavily copied Ethan's Cyber Monker typeface to begin with!
It's not a real recap or accurate copy of the original, but does show striking similarities.
Enjoy none the less!
This is a clone