W.i.P.
Clone of Sketchy [the font here was previously named Zmoothed Zketchy, & 'Zketchy Zmoothed Caps (Preview)' was spawned from it, but I decided I liked 'Sketchy Ink' to make it a sort of family name].
Sketchy Ink font is Copyright Doug Peters (https://www.Doug-Peters.com or https://Dougs.Work) of Symbiotic Design (https://www.SymbioticDesign.com). Released under the Creative Commons Attribution Required Share-alike license allowing you to use it for personal or commercial use as long as you credit me with an attribution for my work on this font (on your website, in your blog, or even on social media). I do prefer crediting me using a link to one of my websites (your choice).
Credit for my contribution to this work IS greatly appreciated. Donations are super-appreciated and even more encouraging.
Type: Hand/mouse drawn/sketched.
I guess I would classify this one as: Casual or Cartoon style Novelty font.
Weight: Regular.
Web font: Yes.
Commercial use: Yes!
Derivatives: Yup. Go for it.
Redistribution: Anywhere.
All my websites:
==========
Font-Journal (Freeware fonts for designers):
https://www.Font-Journal.com
Heavy Duty Web Hosting (Genuine cloud web hosting solution):
https://HDWebHosting.com
Domain Name registration:
https://www.DomainHostmaster.com (Wild West Domain Registry)
https://www.Domainance.com (Directi's 'Public Domain Registry')
Fonts and graphics blog:
https://Worthful.com
PayPal donations (to encourage my continued freeware font design efforts):
https://paypal.me/sitedesigner
Oh yeah, I design logos, websites, graphics, ads, marketing campaigns, PCs, and just about anything, really. Let me know what you need. -DP
This is a clone of Sketchy *FSfont was created by; and is Copyright 2017 by; Doug Peters of Symbiotic Design.
-Logos, graphics, web design, brand marketing, media, tech & consulting.
https://www.Doug-Peters.com/
https://Dougs.Work/
https://Domainers.Name/
http://www.DomainHostmaster.com/
http://www.Font-Journal.com/
My Font Groups:
https://W3N.US/fonts
https://W3N.US/f0nts
Denial is a pixel based monospace bitmap outline font with a missing baseline outline and is created by, and Copyright 2018, Doug Peters of Symbiotic Design.
-Logos, graphics, web design, brand marketing, media, tech & consulting.
https://www.Doug-Peters.com/
https://Dougs.Work/
https://Domainers.Name/
https://DomainHostmaster.com/
https://Domainance.com/
https://HDWebHosting.com/
https://ServerDN.com/
https://SiteDN.com/
https://SiteHostPros.com/
https://www.Font-Journal.com/
https://Worthful.com/
anything goes in this book-style pixel font. it is for secret project.
maximum of 11 pixels tall (plus 3 px descender below)
====================================
[1.7d] Still working on CJK and Hangul. Still not even halfway there!!!
[beta 1.7c] More CJK, Aboriginal Canadian Syllabics, Bengali
[beta 1.7b] More CJK but still not nearly enough
[beta 1.7a] I found a stray pixel which stretched the font two pixels too high. It's gone now.
[beta 1.7] ??? stuff? korean jamo, like 0.3% more of the CJK, Greek Extended, and one of the East Asian scripts (the name I forgot :<)
[beta 1.6d] assorted CJK and symbols
[beta 1.6c] devanagari (hindi script), thai
[beta 1.6b] thai and other junks. some characters improved
"Do not use big fancy words around these here parts. We done believe in speaking plain and clear. You all might have the city learnin' we all don't've 'round 'ere, but we got plenty of buckshot for your ass when you use big lawyer talk'n to steal our land."
-Just kidding.
Xwept Plain Spoken for Common Folk font Copyright 2018 Doug Peters of Symbiotic Design.
-Logos, graphics, web design, brand marketing, media, tech & consulting.
https://www.Doug-Peters.com/
https://Dougs.Work/
https://HDWebHosting.com/
http://www.Font-Journal.com/
http://www.PremiumBrand.Name/
My Font Groups:
https://W3N.US/fonts
https://W3N.US/f0nts
Xwept Common font Copyright 2018 Doug Peters of Symbiotic Design.
-Logos, graphics, web design, brand marketing & consulting.
https://www.Doug-Peters.com/
https://Dougs.Work/
https://HDWebHosting.com/
http://www.Font-Journal.com/
http://www.HyperlinkDirectory.com/
My Font Groups:
https://W3N.US/fonts
https://W3N.US/f0nts
Xwept Plain font Copyright 2018 Doug Peters of Symbiotic Design.
-Logos, graphics, web design, brand marketing & consulting.
https://www.Doug-Peters.com/
https://Dougs.Work/
https://HDWebHosting.com/
http://www.Font-Journal.com/
http://www.HyperlinkDirectory.com/
My Font Groups:
https://W3N.US/fonts
https://W3N.US/f0nts
Rules of Aximen font design project:
1. All letter characters and numerals must incorporate a section of the staff (any part of it, the staff is fully represented by the I).
2. Norse Futhark usually used a vertical line at the top and bottom of each rune to show it's flow across a stone or woodworking, that would follow the contour of the media. This means that no character can share the base line, nor can it share a part of the top line (as it's complete design, if sharing a guideline, would effectively disappear, like an L with an underline at the baseline would look more like an I). These are immaginary lines in uppercase, but the same glyphs will be used in lowercase which will offer a lowline directly below and sharing the base line at the top edge, as well as a top line at maximum character height where the bottom edge will share the top line (top of character boundry).
3. Accented characters will show accents below the low line or above the top line and the appropriate top or bottom edge of these lines will act like character boundry. In the uppercase register, these accents must mirror the placement of the lowercase, even though the low/top lines are immaginary.
4. Extra points for incorporating more of the staff into the actual character design. The staff line itself (again, represented in the I) represents the line used between characters in some Futharc runes.
5. Alphanumeric characters should represent modern letters and numbers, but not look modern. But, they do not have to look like runes, either. Yet, they should still be readable, though not necessarily well adapted to speed reading scanning of normal letter shapes. No character need to comply with Summer Institute for Linguistics standards, guidelines or rules, and the characters that bend such rules the farthest are considered the best.
6. Each character should be taken indivually as if the only design problem. Individuality and uniqueness of each character is prized well above unity as a typeface. Diversity, even of style througho0ut the same character set, is encouraged and applauded.