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See more:
https://fontstruct.com/fontstructions/show/417416/technosexual
https://fontstruct.com/fontstructions/show/1713078/solid-snake
https://fontstruct.com/fontstructions/show/2419088/unnamed-66
https://fontstruct.com/fontstructions/show/865676/de_stijl_8
This is a clone of E-Keet BeansLast weekend I was feeling a little nostalgic and decided to review my first ❤️ FontStruction (I made it in 2009, over 14 years ago). Time and fonts have passed since then, but I still like the overall look of it, so I decided to give it a facelift: I changed some important things about the diagonals and the building of quite a few glyphs, as well as restructuring the overall design, homogenizing it a little (taking into account my inexperience then), adding kerning... Now I present it to you again, hoping that you like its current appearance and that someone sees in it the value that I see. Thanks in advance.
This is a clone of zamzibar eYe/FSSee more:
https://fontstruct.com/fontstructions/show/1883183/nc-hexane
https://fontstruct.com/fontstructions/show/1727445/hexagon-24
https://fontstruct.com/fontstructions/show/1466312/atomic-6
This is a clone of HexagoniaSee more:
https://fontstruct.com/fontstructions/show/2211685/kachok-blade
This is a clone of Cyber Ninja CA sans serif display unpretencious font with a slightly futuristic touch. Readable even at pixel size, although its legibility decreases somewhat when used for long stretches of continuous text. "ff" and "tt" ligatures available.
PS: My huge thanks to Sed4tives for his much appreciated help.
FAKOS VARYTITAS - Futuristic Sci-Fi stencil design
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A Stencil letter with a rather unorthodox form.
The main concept is that of the Sci-Fi / Tech aesthetic. But the asymmetrics in its geometry, various custom build curves and incisions somewhat tune down the mechanical geometric tone of the letterforms, and introducing a slight more humanized touch to its rhythm. These non-traditional attributes making this more of a novel stencil typeface with a strong personality.
The typeface was inspired by space age tech. Its a display style font that is perfect for when your project has to have that typical techy or futuristic aesthetic look. Its best used at large size, but it does work in smaller size format as well.
The font includes:
• uppercase, lowercase & numerals
• accented latin
•diactritics
• symbols & punctuation marks
• ligatures
• some glyph alternatives
• ornamental decorative elements
All "lingual" characters are functional stencils, the only exceptions that aren't stenciled are the ornamental decorative symbols and dingbats.
Cheers
This is a cloneFill-font for zeropixel, which can also work on its own. Special edition at the suggestion of Bryndan W. Meyerholt (BWM).
This is a clone of zeropixel eYe/FSSee more:
https://fontstruct.com/fontstructions/show/2038810/ztoneyard-eye-fs-1
This is a clone of zulu eYe/FSEPOCH - Modern light-weight geometric display sans
───── 「 MEASURES 」
(in grid units)
X-Height: 1
Cap-Height: 2
Descent: 1
Optical Corrections: None
Stroke: 1/8 th
4-Em / 0.125 : 1-Stroke (0.125 ≍ 1/8 th)
― No filters used.
───── 「 SUMMARY 」
This is yet another deep dive into the very small and tiny quantum realm of FontStruct's small grid and light-weight stokes.
Unlike some of my previous endeavours into this dark corner of the FS-editor, which could have dizzying complexity in forms, this project for once didn't stress the sh....*t out of me by stretching the limits for my capabilities beyond what is still comfortable this time. Nor did it drain every last frigging bit of my knowledge or clever creative insight to pull it off.
On the contrary,
For once it remained largely a pretty straight forward and easy project in terms of forms and geometry. The absence for most of the 'bar-raising' features such as diagonal forms, rounded, transitions or stroke modulation made this 'FontStruction' that much more easy.
And when metaphorically breaking it down to the bare naked form and necessities, this design mainly consist of FS's (default)-brick set, resized modifications of those, combined with a set of stacked composites.
There a still a number of things I'd rather seen differently, and will see later attempts at making improvement, but taken in a broad perspective most of the included material so far look pretty fine to me already. And to point out one of the things that is still bugging actually are the 'accented' letters.
Some glyphs have odd values for their 'character'-width, and this makes it impossible to achieve 'grid to em-square'-bounding box allignement in FS's editor. So accents in these asymmetrical values look slightly ofset.
― "Changing character widths to nearest even value is simply far too destructive to the stylish characteristics of the fonts appearance"
───── 「 ABOUT THE FONT 」
In the end it became a pretty cool looking light-weight geometric modernist sans-serif style that at the same time has strong hints of Art-Deco-style lettering as well.
And apart from the minor things it fell short with, I think there is a lot about its overall character-set design and forms that is looking pretty darn rad actually if you ask me.
Content-wise the font is a single case design in a 'all-caps' or Majuscule style. The (Lc)-string was kept empty for deliberately for the technical reason of preserving all the (default)-blank metrics data for any further design updates.
───── 「 WHATS INSIDE 」
A little bit of everything...
■ Body text formatting:
□ Basic-Latin based character set with accented letters & numerals
□ Most punctuation marks
□ Numerous symbols
■ Decorative formatting
□ Pictorial attributes
□ Repeating patterns
───── 「 THE END 」
Let me know what you think so far,
Cheers
ALIEN WORMHOLE (BOLD) - Monolinear Sci-Fi-inspired 'worm' typeface.
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This is a 'Bold' style version to the "ALIEN WORMHOLE" type family.
This version has a ton of extra character compared to the 'Light' version.
For now only the two 'Basic Latin' sets, some symbols and a small number of puctuation marks match. And it remains to be seen if I can translate back to the Light version all those extra's that were put into this Bold version.
I mentioned 'type family' earlier, but in reality there isn't a whole lot of family just yet. Since the two for now hardly correlate truly.
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Here is a link to the 'Light' version
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Stay tuned for future updates.
Cheers
See more:
https://fontstruct.com/fontstructions/show/1270088/kirpich-1
https://fontstruct.com/fontstructions/show/2104517/zabbatek-eye-fs-1
This is a clone of zelonabar eYe/FSInspired by the Logo of The band Scorpions first created back in 1975.
All other letters were built based on the letters in the original logo by me.
I found the original font of the logo, called "Lady Starlight" (you can check it out here:https://www.dafont.com/lady-starlight.font?text=SCORPIONS) quite boring and thus made this like a recreation. Hope you find it much more interesting.
HeavyComp entry number 1
Enjoy!
Open to comments and suggestions
Сaps more Rock, lovercase more futuristic. Lc letters O and Q connect with other letters, uc O Q is slightly larger and does not.
See more:
https://fontstruct.com/fontstructions/show/628973/sorrier_statements
https://fontstruct.com/fontstructions/show/1694938/cryostasis-vempire-1
https://fontstruct.com/fontstructions/show/1702409/voron-2
https://fontstruct.com/fontstructions/show/1922854/moroz-4
https://fontstruct.com/fontstructions/show/480702/en_zelo
https://fontstruct.com/fontstructions/show/178543/bevelicious
https://fontstruct.com/fontstructions/show/48054/rosslyn_metal
https://fontstruct.com/fontstructions/show/332122/sentinel_3
Grulla's letters –built on a 2x3 square grid– have (tri)angular counters & square terminals. Counterspace=letterspace, letter /f/ is kerned onto "rounded" letters (fc,fd,fe,fo,fs). Diacritics support spanish (hello from Argentina!)