This font is inspired by retro, old school tech and has a nostalgic feel to it. Its pixellated feel and angular letters really highlight this, and Ziggy is simple yet effective. Its simplicity is its biggest strength as it makes this font versatile, and easy to read. 

my font is inspired by a circuit board with breakers in the designs. I also drew inspiration from nordic runes and egyptian hieroglyphs because I liked how they're unreadable to us but they were once the main form of communication that was used. I wanted to play into that but still makeit legible

I took inspiration from retro futurism and digital clocks, a staple in both functional and decorative interfaces. 

I designed this typeface with the theme 'Analogue' and 'Lo-fi' given in my UWE Graphic Design course. I decided on a simple design that takes from a blend of sharp and flowy sewing tools such as threads, ribbons, tape measures and needles, scissors, seam rippers. I liked the juxtaposition of the sharp & flowy products, and the way they blend together so well despite being so opposing.

I made this typeface with the set theme 'Analogue' and 'Lo-fi' given in my graphics design course. I decided on a huamn vs computer style in reference to the analogue theme (as if a computer had attempted to make a hand-drawn font) and its imperfections in reference to the Lo-fi theme (where a computer would fall short of being about to recreate natural human touch). Only the upper case letters have this effect, I made a simple sans serif font to pair with the main upper case letters.

After choosing Lo-Fi as a project theme on my graphic design course, I wanted to explore the idea of 'bad handwriting' and how it's perceived as messy, informal, and even sometimes stupid. Each letter has its own quirks and individuality, and gives the idea of authenticity. Perfect for projects that need a personal, raw, and expressive feel.

This typeface I created after being told my original one looked like how a baby robot would write. I created a little robot and can imagine this is how he would have typed when learning how to write.

I created this font as a response to a brief that I was set in Graphic Design, the theme that I had chosen was analogue and I decided to look at retro game consoles as well as sci-fi films from the 70s, which inspired this font.

This typeface was for a project based of off the theme 'Analogue'. For this theme I decided to create my font by using different elements of a clock.  

Second font variation of endpeices

A pixel font designed with another adaptation to act as a link to the internet with pixels of data being uploaded through each font. 

This font was inspired by roughly 12th and 13th century manuscripts. Prior to the invention of the printing press in the second half of the 15th century, hand-made copies of texts and books (manuscripts) were the only system for preserving and transmitting knowledge, and complemented learning by heart, which played a much more important role then than it does today. I took a more digitalised approach, but still not straying away from its calligraphic character.

This font bubble was inspired by a cartoon/robotic theme. During this process I researched into tv shows like the The Powerpuff Girls, by taking inspiration from the font they used and the design of their typeface into creating my own.  I was edging into creating a font that is bold and blocky, by experimenting with creating blocks and designs with rounded angles.

This typeface was designed in response to a brief set by my Graphic Design course at UWE with the theme of Analogue. I took it in the direction of clock hands as I thought it would be an interesting way to portray time. I played around with different thicknesses and arrow placements before settling on this final design.

This typeface - 'Ghost In The Shell' is based on a science fiction/futuristic theme and genre. More specifically the cyberpunk subgenre of science fiction and the futurism movement. I aimed for this typeface to look like something you will see in an aspect of a science fiction movie like Blade Runner or Alien or Akira. Often, sci fi typography will have elements added to it in order to make it look more 'alien' and out of this world. For example, parts missing from characters so they are incomplete but still legible. I have attempted to emulate this design concept in my typeface.

after research around the theme 'analogue' i was interested in the true defintion of the word being similar and i wanted to look more into ideas of repated shapes and patterns. i also wanted to include inspiration from my own ideas of 'analogue' which to me means a regimented and set process. i have designed this font to reflect analogous structures in nature meaning forms that are similar or seen as repeated. i drew inspiration from autumnal and wintery natural forms such as leaves, twigs, snowflakes and wildlife to add details to my lettering. i chose this theme for my imagery as i wanted to also demonstrate the seasons being an 'analogue' cycle as it is a process that always repeats itself and never changes. the name of the font is also inspired by the autumn equinox which again is a natural event that always takes place. i wanted to achieve a universal look to the whole alphabet which i feel i have done by using the curved fontsruct pixels to give the natural forms a slightly abstract look.

This typeface was initally inspired by the design of 1970's & 80s Atari consoles. As it developed, it gained a nice handmade feel, like it could have been crafted from wire or stitched into fabric.

Inspired by the analogue method of creating that is Hama Beads, I wanted to take the idea of something so simple from my childhood, and make it into a font, that uses the imperfections to make it all the more interesting.