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Based on the font 'Kettler' (Eric Olson, 2002), which in turn is a tribute to the great 'Courier' (1955) by Howard "Bud" Kettler. As often happens to me, this recreation was born from the attempt to improve some characteristics of the original glyphs that I considered appropiated, in addition to being able to have a personal modern typewriter font. The monospace of this kind of letters has been a bit relaxed on this occasion. PS: Thanks for the helpful hand from @Sed4tives!
This is a cloneSee more:
https://fontstruct.com/fontstructions/show/547889/fs_xenon
https://fontstruct.com/fontstructions/show/2094902/elemental-26
https://fontstruct.com/fontstructions/show/1566301/obtuse-c
https://fontstruct.com/fontstructions/show/1776179/insider-4-1-2
https://www.myfonts.com/fonts/viktor-konovalov/xclv-neon/
https://vllg.com/typesupply/ohm
This is a clone of Fluorescent~Type an uppercase letter and type the corresponding (or some other) lowercase letter to fill in the shape.
You can use the uppercase letters to form one word and type the lowercase fill letters to form the same or another word, or fill with a blanking glyph to complete the letter with no center letter. So, two types of letters are possible with this one font.
The letters had to be designed such that the uppercase could read as a letter without a center fill on it's own, or filled with blank glyph, or with a center letter. In doing so, the font turned auto-stencil and auto-monospaced. Also, since the unfilled uppercase read as the correct letter with the hole in it, this fs can be said to have three fonts in it.
The gaps are 1/8 brick; the thickness of the inner letter strokes is 2/8 brick. Therefore, this limitation meant that the glyphs with a stroke in the horizontal center can either be lined up with the left side blocks or the right side one. Therefore, 3/8 brick thickness I and T are provided on { and }.
Letter couples are as follows: Aa Bb Cc Dd Ee Ff Gg Hh Ii or I{ Jj Kk Ll Mm Nn Oo Pp Qq Rr Ss Tt or T} Uu Vv Ww Xx Yy Zz
Number couples are: !1 @2 #3 $4 %5 ^6 &7 *8 (9 )0
Blanks: ~, space
Center blank: `
Pipe: = (which will offset the monospacing)
Others; ? is at ?/ ! is at |\
Punctuations are where they are supposed to be: . , ; : ' " ’ ” ‘ “ -
Sample: Type the following in User Input to see the font as it is supposed to be: A`AaB`BbC`CcD`DdE`EeF`FfG`GgH`HhI`IiI{J`JjK`KkL`LlM`MmN`NnO`OoP`PpQ`QqR`RrS`SsT`TtT}U`UuV`VvW`WwX`XxY`YyZ`Zz!`!1@`@2#`#3$`$4%`%5^`^6&`&7*`*8(`(9)`)0?`?/|`|\)-)+~_<>=
6 bricks tall.
The sample is a font pun: TWO in ONE.
PS: Not sure how future it is.
I built this to have the least possible padding at the top of a button.
This is a clone of Friendly GeekThe 8/6 block thick version
This is a clone of Friendly Geek SemiboldThis is the 7/6 block version. I've been liking this weight for programming at size 8.
Friendly Geek:
Good for...
- Labels
- Upper case
- Code
- Table cells
- Outlines
- Display
- Printing
- Informality
Not Good for...
- Normal Text
- Sentences
- Formality
Sometimes Good, Sometimes not...
- For each display screen size, one or two weights work well
I have changed the 'h' and the '+' to work better for programming. Changed the 'F' to make it more clearly different from the 'f'. Before it was looking a little bit like lower case somehow.
This is a clone of Friendly GeekFriendly Geek is the regular version of Friendly Geek Light. Its widths are all 6/6 block rather than 4/6 block. The outlines of the glyphs have generally been left the same, with the insides being filled with 2/6 extra width.
This is a clone of Friendly Geek Light