A monospaced 3x5 font used in Vidora15 and later programmable electronic displays made by AMFA Cybernetics (formerly "ATMA Robotronics").
This font is made with AMFA encoding in mind. As such, the character set is very limited and there are no glyphs which require NKRO>1 or buckybits (Alt, Ctrl, Fn, Shift, Strg, option keys, etc). The glyphs normally present at these codepoints have been reverted so that any text displayed in this font is also effectively displayed in AMFA encoding. The encoding has 48 possible glyphs (including one which doubles as both "null" and "new line") so there are 96 glyphs in this font overall.
Hope this saves you some work, Feng! :^)
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Since this exact font and encoding scheme were used in other devices and software, some of which were (or had) games, I'm also tagging this with Game Recreations.
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Original size: 4pt (use multiples of this size for pixel perfection)
MIV: h6.24 @ 1x / m8.35 @ 1x
Version 1.1: KRX were modified to be more readable at small size, MQW14'"@ were edited for style, Basic Latin band completed, More Latin band underway.
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A font made by request for an author of custom Warhammer 40K modules.
See more: https://fontstruct.com/fontstructions/show/1251300/atomised
https://fontstruct.com/fontstructions/show/457818/ubangi
https://fontstruct.com/fontstructions/show/661381/easytosee
https://www.fontstruct.com/fontstructions/show/1660324/cyrano-backup-4-1
This is a clone of zoftly70 eYe/FSI went and mangled Spelunker by Zephram. I am messing with the shapes of the spaces between the letters. The name of the font indicates that most of the letters are wearing bell bottoms.
This is a clone of SpelunkerA dashed line design made with the new half-arc bricks. The emphasized spurs/stems and off-kilter geometry give it a quirky, almost handwritten quality. Its striped appearance makes me think of candy as well as the Cheshire Cat, thus the name. :D
I doubt the upper case would look as cute as the lower. So I've cloned all LC to UC to make this easier to use...
A vertical take on Morse code. These glyphs are read left-to-right from the bottom up and spaced so that 1 pixel = 1 unit of time, whether moving horizontally or vertically. Letters have 3 spaces between them and words have 7 spaces.
The result is a concise design that can easily be fed to tone-generation or image-to-audio software (e.g., AudioPaint) to produce accurately encoded & timed Morse code, no matter the frequency (speed) of the transmission. You can use this principle to create and place messages into music or games, make messages match a tempo or beat, arpeggiate words and turn them into music or sound effects, and much more.
The name is a pun. :P
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21NOV2018: I've recently learned that many radio stations use an expanded version of the International Morse Code, adding many symbols and punctuation to it. Though these new glyphs are not part of the standard, they are commonly used and agreed on, so I will keep adding them as I find them.
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Original size: 4pt (use multiples of this size for pixel perfection)
A seriously spurless sans-serif. It approaches minimalism, but doesn't quite get there. This gives it a look that lets it blend in with lots of things!
It reminds me of a font I saw years ago on some futuristic-looking tinned rations. I don't remember what the brand was, but I remember the label having a very rounded sans-serif font like this one.
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See also:2K4S
A rounded version of Pixelcruiser Flagship. I think rounding it off both made it better-looking and more readable! This now looks like something I'd use in pixel comics.
This is a clone of Pixelcruiser FlagshipA tiny font made for pixel art tutorials and streamer use. The inspiration comes from old art of video game controllers which I used to make, in particular the letters ABCLRXYZ which I drew many times on many controller buttons. The more complex letters (B,E,M,W) take on slightly abstract forms for neatness' sake.
Since these glyphs are all 4x4 unicase, compositing them for use in Fontstruct tutorials might save you a lot of work. Feel free to clone this for such a use.
Original size: 3pt (use multiples of this value for pixel perfection)
See also: Four on the Floor, Glyphstamp 1x1
A font made to reskin a particular roguelike game. This is made to look cold and slightly insidious. I accomplished this by using a 6x6 grid which, apart from being a slightly odd size, gives the forms asymmetry and makes their enclosed parts look as if they're squinting or sneering. Best seen on letters like ABKPRVY.
Monospacing helps give the whole thing regularity and reinforces the clinical/overly-serious feeling.
The game this is made for has very few ASCII glyphs. But, I will expand this to support all ASCII characters soon. I know many games (CDDA, DCSS, DF) support new tilesets so maybe I'll optimize this for those kinds of games...
See also: Nobody's Treasure
A fairly standard 5x5 design with a little added flair. The sort of text you might expect to see in fantasy maps and atlases.
Uppercase only!
Original size: 3.75pt (use multiples of this value for pixel perfection)
Latin caps from "fs ad".
See more: Pufff, Cless,
https://fontstruct.com/fontstructions/show/1431730/heavy-diacritics-2
https://fontstruct.com/fontstructions/show/851949/fairytale-1
https://fontstruct.com/fontstructions/show/920104/at_hoppy
Blicket
Blackfoot
Peach Squared
This is a clone of +220aSee more:
https://fontstruct.com/fontstructions/show/530824/fs_pink_oil
https://fontstruct.com/fontstructions/show/219626/fs_super_black
This is a clone of UndergroundLefty twin of zizaya eYe/FS. (Dedicated to four, thanks compañero!)
This is a clone of zizaya eYe/FS