I went for more of a simple look with a slash through the characters to give it an edgy, modern feel. I also went for sharp but curved characters to give contrast amongst them.This is a clone
A narrow font combining (neo-)gothic inspirations with angular and simplistic influences. It features Latin and Cyrillic characters.
Trying to achieve maximum readability and symbol differentiation within a reasonable size.This is a clone of CatseyeCode7x15R
An Arial Narrow clone to make Arial Narrow a little bit narrower.
This is my attempt to make the smallest possible font. Each character fits inside a 3x3 pixel square (4x4 pixels if you include the space between characters). This font can be useful where pixel space is at a premium, like on an LED matrix or a mechanical display.
I don't consider this a truly complete font because there is no distinction between the capital letters and small letters. Also, some of the special characters can be difficult to descern without context. Nevertheless, this font can create readable text strings and convey information using a minimum of resources.
I am publishing this font under a Creative Commons license, so that anyone can use it for any purpose. Attribution is appreciated but not required.
Leave a comment if you make something cool with it!
James Robert Patrick IV
I needed a pixel font that was optimized in space but still comfortably readable, so I created Simpixel.
As three by five (3x5) seemed a reasonable size for capital letters and numbers (cf. A, B, E, S; 2, 3, 8 etc.), I tried my best. This didn't always work, as particular letters naturally need more horizontal space (cf. M, W; N, Q), such that some ended up four or five pixels wide (Though I have created a monospaced version - Simpixel Mono - where I managed to also condense those letters to 3x5).
I then worked on the small letters and eventually the rest of the Latin and even the Greek letters, just for fun. Of course, the less basic letters tend to be larger in size. Emoticons, pictograms and miscellaneous symbols fall into that category too (cf. ½, ⅓, ⅔, ¼, ⅛, ⅜, ⅝, ⅞, ⅟, etc).
With all that being said, thanks for checking this out!
60's - 70's intergallactic television shows were the inspiration for this font, while it originated as a simple Arial Bold font. Stretched and squeezed through space and time itself, this typeface is sure to have geeks and nerds alike on the edge of their seats and begging for more.
This font is majoritively made up of rounded edges, save for a few sharp edges to add definition to certain characters. Made with simplicity in mind.
A font designed for small sizes. Blockle is my most readable text font yet.
It's Monday, so I really didn't want to work too hard on this one.
A rounded simplistic monospace font with digital-looking numbers and some special characters made for use with English or German language.
This is a somewhat bold font that is free for use by anyone.
Continuing my experimentation with diagonals. My goal was to make a font without vertical stems. English has 13 capital letters with vertical stems (B,D,E,F,H,I,K,L,M,N,P,R&T). Diagonia has 4 (I,M,T&W).
Another attempt to make a usable narrow monospace programming font.