Published: 18th September, 2013
Last edited: 7th October, 2014
Created: 5th August, 2013
Decorative font in 'basic' and 'more' Latin. It is crisp and spacious, allowing easy reading at smaller point sizes from 10 upwards. I have not checked how large it can get before the building bricks become disturbing in the flow of the edges.
It can be used in conjuction with my "Ritual Minutes" which has no descenders on the UC and LC.
Not sure if this is more of an 'Art Nouveau' design or points more towards 'Victorian'. It doesn't really matter, someone will find the perfect text to show its visual qualities ;)
NOTE: the space is reduced to something like 1/2 letter width. To get a 'good' space between words you need to hit the space key twice. Do you think this is acceptable? Or should I increase the space?
Published: 27th April, 2008
Last edited: 23rd June, 2009
Created: 27th April, 2008
Victrola is a florid Victorianesque display font that might look at home on a vaudeville poster or a bottle of liver tonic. Includes diacritics, small caps, and lining and small caps figures.
Published: 24th December, 2011
Last edited: 4th January, 2012
Created: 22nd December, 2011
Typeface based on the work of Victorian Designer and Architect E. W. Godwin (1833-1886) born in Stokes Croft, Bristol. He was influential in the Aesthetic movement that created "the look" of Victorian Britain. He began his career working in the strongly polychromatic "Ruskinian Gothic" style of mid-Victorian Britain, inspired by The Stones of Venice, then moved on to provide designs in the "Anglo-Japanese taste" of the Aesthetic Movement and Whistler's circle in the 1870s. A friend of Oscar Wilde, James Whistler and William Burges he was also the father of revered actress Dame Ellen Terrys illegitimate child. Godwin's influence can be detected in the Arts and Crafts Movement. To judge from his sketchbooks at the Victoria and Albert Museum, one might have expected an eclectic historicist, but Godwin, by no means a tame reproducer of antiquarian Gothic designs, was among the first to extend the European design repertory to include the arts of Japan, which had been opened to the Western world in 1853. His work is undergoing a revival since he was jokingly adopted as the patron saint of Stokes Croft by community action group the Peoples Republic of Stokes Croft. The group aim to to put some of his finest architectural achievements in the city back to good use as many of them despite being buildings of some historical significance lie empty and unused. His design work is being reincorporated into the urban landscape through the community organisation's programme of public art and his style has recently been adopted by a number of Street Artists including Dones and Felix Braun so his work is undergoing some kind of a revival.The glyphs are all based on the patterns from his sketchbooks.
Published: 30th October, 2008
Last edited: 4th December, 2008
Created: 30th October, 2008
This is a font based on the Numbers on my Victorian tube station clock. Caps and Lower case are the same. Edit if you want.