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Black Duck is a typeface that is inspired from modern-blackletter typeface and duck characteristics combined. Duck meat's crispiness and strong taste, and the duck figure itself are the main characters inserted in the making of this typeface. The slanted figure shows its timeless and versatile characteristics.
The original name of this Typeface is "Sambal Bebek"
My typeface is inspired from the most famous Indonesian eating companion, Sambal. Sambal is an authentic Indonesian spicy dipping. Sambal contains chili, garlic, tomato, etc. Because of its spiciness, chili is the most famous ingridient of Sambal . Sambal mostly used as a companion for eating fried duck (Bebek Goreng), penyetan, etc. As chili is the most famous ingridient, it impacts my typeface form which looks like chilis (a little bit curly).
This font was made for street food vendor which we call PKL. My team got tahu campur which means mixed tofu. Inspired by the tofu, I made the font literally square like a tofu (lol). Tahu campur has bold taste which result in also a bold font. Shadow made by request. Hope you like the font! Please leave some comments for a better changes so we all can improve. Thanks~
This is a clone of Like a TofuA typeface inspired from Indonesian food called "gado-gado"(salad with peanut sauce). Its texture is soft because of peanut sauce. Rice cakes and potatoes add some blocks texture. So, i made this blocky and soft typeface.
An original Art font that uses the tops, bottoms & sometimes middles of a font to communicate the character. This requires users to read texts as opposed to scanning them, but because visual cues are available it is still legible.
This font is Copyright 2018 & 2019 Doug Peters ( https://www.Doug-Peters.com/ or https://Dougs.Work/ ) and released as freeware under the SIL Open Font License. You are entitled to use this font however you want. Credit for my original work IS greatly appreciated.
Categories: Abstract, Art, Logotype, Poster/Display & Novelty
Type: Sans Serif Stencil
Weight: Heavy/Black
Web font: Yes
Commercial use: Any use, yes!
Derivatives: OK (please use a different reserved font name & update docs).
Redistribution: Encouraged
Fontstruct is this font's development home, though if development is occuring simultaneously, the available font may have a few errors as I work things out:
https://fontstruct.com/fonstructions/show/1509250
Short Link: https://w3n.us/blownoutdev
The official documented release font archive is on Font-Journal:
https://www.Font-Journal.com/fonts/13444/blown_out.php
Short Link: https://w3n.us/blownout
Submitted to Google Fonts April 10th, 2018:
https://github.com/google/fonts/issues/1528
Short Link: https://w3n.us/1528
P.S.:
Font-Journal:
https://www.Font-Journal.com
My best web hosting solution:
https://HDWebHosting.com
My branding & marketing Co.:
https://www.SymbioticDesign.com
PayPal donations (to encourage my continued freeware font design efforts):
https://paypal.me/sitedesigner
A sans-serif typeface that made as black as your strongest coffee. This typeface is not completed yet because I just made this up for discussion first. Therefore I will be really appreciate it if you willing to give advice to my first coffestall typeface. Will complete it sooner rather than later!! :)
Kacangado
Kacangado is a wordplay of 'Kacang' that means 'Peanut' in English and 'Gado', taken from an Indonesian traditional food 'Gado-gado' that is served with peanut sauce, potatoes, eggs, lettuces, and other vegetables. Thus the peanut-inspired letters.
Inspired by the glass commonly used to drink coffee in "Warung Kopi". Warung Kopi are traditional coffee stands found in Indonesia. People (mostly men) often spend their time chatting, smoking, drinking coffee, or eating traditional snacks in these stands. These stands are often very simple, but provide a kind atmosphere to socialize with others..
This fontstruction is inspired by Indonesian traditional food called "Pecel". Pecel is a food witch is made from vegetables (such as long bean, sprout, spinach, basil, etc.) and peanut sauce. This fontstruction has a half of basil illustration and peanut sauce.
The current month seems to hold a meaning of threads: of fog, dew covered spiders' webs, barely-there things, feint perceptions defying scientific understanding and fine links with ancestors, to keep us in the present and enable open minds and caring souls to better the future. This abstract interpretation of Halloween has been designed to echo the traditionally mysterious mood to show the past (known glyphs, earlier FS bricks) linked in the present (on paper, in the FS previews, and using some of Meek's newest bricks I experiment with in this design) to create future (text will carry meaning to the reader, diversity of thought not experienced until after every glyph is finished, and beauty of text flow is visible only after it has been written). Totally within my personal plan for Night Pegasus' work: adventurous, alternative, divergent, different, exploring, experimental, unusual -- after all, the flying horse is free to visit any time any item or existence in this universe and any place in Fontstruct, to discover and weigh possibilities, to create its future from the past in it's present body and mind, and it does this cloaked in black as deepest night, undiscovered unless someone has their feelers tuned into mystery and taps into experiences of presence.
:.:.:.: Information to help you when using this font :.:.:.:
If a LC glyph follows a UC glyph: you need to use the space bar 6X to get the correct letter space (it will then match the natural spacing between LC); using only LC glyphs (or only UC glyphs) will give satisfactory text results as letter space is set by the programming. But you'll need to manually add the word space you want: between UC (or LC) words a minimum of 3 space taps for a just visible gap, use the space bar 6x for good spacing. Experiment!
Note: the full stop and comma have a line on the baseline to link with UC. There might be no need for a 'space' after those two marks even on LC? The apostrophy has a short line to link it to previous/following UC glyphs (note those link lines retain the meaning of the glyph when used with LC glyphs or an LC following an UC glyph).
SPACE BAR = a 1px space; tap 3x to get a small word space that's obvious
% key = a set of reasonably wide lines to match upper case verticals
_underscore = a space consisting of a long single line on base line only
I'm trying to figure out some diacritics before the 31st so this remains WIP
I made this typeface with the image of a duck in mind. I used the charasteristic of a duck to make this more duck- like, however it is still far from my expectation and is still very unstable. I greatly encourage any kind of comments. I want to make this better in the future.
Inspired by the Metallica logo
How to use the font
First letter- Upper case letters
Last letter- Lower Case letters
Middle letters:-
1=A 2=B 3=C 4=D 5=E 6=F 7=G 8=H 9=I 0=J !=K @=L #=M $=N %=O ^=P &=Q *=R (=S )=T -=U _=V ==W +=X /=Y ?=Z
Open to comments and suggerstions!
I make this typeface for school assignment. Any kind of advise or critics would be appreciated. This typeface is based on Indonesian traditional food "TAHU TEK". A food that made from fermented soy bean called "TAHU" mixed with egg and peanut sauce.