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Welcome to the Future...
Dramatics aside, QUANTUM is a visual display typeface designed to convey one cyberpunk future out of many.
It is intended to be built as a monospaced font (however, spacing errors occurred, and it is a faux-monospace as a result), made on a 9x10 pixel grid out of a personal fascination with the vision of the cyberpunk future according to the 90s and a desire to capture the "spirit" of the original Sony PlayStation. One of the leading sources of inspiration is the work by The Designers Republic (tDR).
This typeface not only features Latin characters, but also Cyrillic, Greek, and even a few Coptic characters for good measure (in hopes of easing in the old world into the future)
A decorative insular display font.
This is still a work in progress. I'm pushing the new bricks, stacking and nudging to the limit to create some nice flowing shapes. This is also a great opportunity to get working with some good kerning. Once I have the basic character set, this is going to be submitted to Google Fonts for approval.
"You'd have to be a magician to read Trafalmagus!" - Brer Bripes
A font made to evoke magical talismans, wizards' engravings, Celtic/Viking wirecrafts, and all that good stuff! It has a pseudo-segmented display that draws lines between segments. It also slightly reminds me of the folk art which appears on crockery, earthenware bowls, etc.
The spacing is set so that 2 spaces is 1 letter's width. Use this to simulate a monospaced look when desired.
The lowercase looks like lowercase, but it is really an alternate set. This was designed to be written in one case at a time.
Original size: 8.25pt (use multiples of this value for pixel perfection)
A funky idea that started with the A and expanded from there. Most letters are drawn by a single line winding around, although some are just not willing to follow this mantra. I found this half-finished while scrolling through my private FontStructions, looking for ideas for the CounterComp, and decided it was already an interesting entry :-)
There's an alternate, narrow set of numbers that can be reached with Shift+number (on a QWERTY, Dvorak, etc. layout); not sure which set fits the style better. Suggestions and critiques welcome for anything, and feel free to clone and poke around with it. Thanks and enjoy!
Finally, an All Stars that is truly "all" "stars" HAHAHA GEDDIT
This is a clone of All Stars BlackA star font which combines a pixelated look with halftone shading.
It needs some form of antialiasing to be legible at small sizes. (See sample below or try the Pixel views). At larger sizes, you can use it with or without antialiasing!
Original size: 12pt (use multiples of this value for pixel perfection)
From various games written in my ESOS engine.
When Malil Ehnetahine wishes to speak, she calls up the wind to bring her Temper Tree leaves, which form the shapes of these letters.
This font is accurate to the ingame font and is finished.
An original Art font that uses the tops, bottoms & sometimes middles of a font to communicate the character. This requires users to read texts as opposed to scanning them, but because visual cues are available it is still legible.
This font is Copyright 2018 & 2019 Doug Peters ( https://www.Doug-Peters.com/ or https://Dougs.Work/ ) and released as freeware under the SIL Open Font License. You are entitled to use this font however you want. Credit for my original work IS greatly appreciated.
Categories: Abstract, Art, Logotype, Poster/Display & Novelty
Type: Sans Serif Stencil
Weight: Heavy/Black
Web font: Yes
Commercial use: Any use, yes!
Derivatives: OK (please use a different reserved font name & update docs).
Redistribution: Encouraged
Fontstruct is this font's development home, though if development is occuring simultaneously, the available font may have a few errors as I work things out:
https://fontstruct.com/fonstructions/show/1509250
Short Link: https://w3n.us/blownoutdev
The official documented release font archive is on Font-Journal:
https://www.Font-Journal.com/fonts/13444/blown_out.php
Short Link: https://w3n.us/blownout
Submitted to Google Fonts April 10th, 2018:
https://github.com/google/fonts/issues/1528
Short Link: https://w3n.us/1528
P.S.:
Font-Journal:
https://www.Font-Journal.com
My best web hosting solution:
https://HDWebHosting.com
My branding & marketing Co.:
https://www.SymbioticDesign.com
PayPal donations (to encourage my continued freeware font design efforts):
https://paypal.me/sitedesigner
Bow Tie
A dapper little typeface.
Who says you need to be bulky to throw your weight around? Built with a boyish frame, this slender typeface can be handy when you need to "think skinny". A few dashing details dress up the average serif and is only for those who politely dare to be different.
This is a cloneULTRA-KERNED!
THE ONLY DIFFERENCE BETWEEN CAPITAL AND LOWER-CASE IS THAT “K” AND “R” HAVE LONGER STROKES WHEN CAPITALISED.
This is a clone of ELECTRON-MAGNETO-INHIBITORULTRA-KERNED!
THE ONLY DIFFERENCE BETWEEN CAPITAL AND LOWER-CASE IS THAT “K” AND “R” HAVE LONGER STROKES WHEN CAPITALISED.
This is a clone of ELECTRON-MAGNETO-INHIBITORULTRA-KERNED!
THE ONLY DIFFERENCE BETWEEN CAPITAL AND LOWER-CASE IS THAT “K” AND “R” HAVE LONGER STROKES WHEN CAPITALISED.
CHANGELOG
• 2018:01:21 — FIRST RELEASE WITH 105 CHARACTERS.
• 2018:01:22 — UPDATED “[,” “]” AND “|” CHARACTERS.
• 2018:01:25 — UPDATED “&” CHARACTER.
CONTAINS THE MAIN CHARACTERS FOR THE LATIN, GREEK, AND CYRILLIC ALPHABETS.
CHANGELOG
• 2018:01:03 — FIRST RELEASE WITH TWO HUNDRED AND FOURTEEN LATIN, GREEK, AND CYRILLIC CHARACTERS.
• 2018:01:06 — UPDATED THE “K” CHARACTER.
• 2018:01:07 — UPDATED THE “Ж” CHARACTER.
• 2019:08:13 — UPDATED THE GREEK “Ε” AND “ε” CHARACTERS TO DIFFERENTIATE THEM FROM THE “Ξ” AND “ξ” CHARACTERS.
CAPITAL LETTERS HAVE A WHITE STRIKETHROUGH. LOWERCASE LETTERS ARE COMPLETE.
TO GET THE PARALLAX LOGO (MY WEBSITE), TYPE “%.”
ALSO SEE THE TWO-DIMENSIONAL VERSION OF THIS FONT, “PARADOXICAL-VORTEX-FLATTENED.”
CHANGELOG
• 2017:11:30 — PUT THE STRIKETHROUGH ON THE CAPITAL ACCENTED CHARACTERS. ALSO FIXED A SPACING ERROR WITH THE “$” SYMBOL.
• 2017:12:01 — DUE TO POPULAR DEMAND, I HAVE ADDED A HUNDRED AND FIFTY NEW AND ACCENTED CHARACTERS.
• 2017:12:02 — ADDED EIGHTY-SIX MORE CHARACTERS, BRINGING THE TOTAL AMOUNT OF CHARACTERS TO THREE HUNDRED AND FORTY-ONE. ALSO UPDATED THE “¥” SYMBOL AND THE SINGLE ACCENTS.
This font is based off the theme 'Wicked'. This is just a draft, but it is a complete set so I will leave it up to show my progress. This font uses spooky dead trees to make letter forms. This was not intended to have anything to do with Halloween, but the full set of characters was completed on this fateful 31st. Feedback is welcome!
A typeface inspired by American typefaces from the 1800s and the Art Deco-styled coffee shop I visit often in Des Moines, Iowa.
Combining a slab-serif, expanded typeface with ornate detailing brought challenging consideration to the legibility of the font. It’s used best for short, bold messages or an energetic initial cap.
A typeface inspired from Indonesian food called "gado-gado"(salad with peanut sauce). Its texture is soft because of peanut sauce. Rice cakes and potatoes add some blocks texture. So, i made this blocky and soft typeface.
I make this typeface for school assignment. Any kind of advise or critics would be appreciated. This typeface is based on Indonesian traditional food "TAHU TEK". A food that made from fermented soy bean called "TAHU" mixed with egg and peanut sauce.
This fontstruction is inspired by Indonesian traditional food called "Pecel". Pecel is a food witch is made from vegetables (such as long bean, sprout, spinach, basil, etc.) and peanut sauce. This fontstruction has a half of basil illustration and peanut sauce.
Inspired by the glass commonly used to drink coffee in "Warung Kopi". Warung Kopi are traditional coffee stands found in Indonesia. People (mostly men) often spend their time chatting, smoking, drinking coffee, or eating traditional snacks in these stands. These stands are often very simple, but provide a kind atmosphere to socialize with others..