The binary version of each symbol turned vertically.
Not all symbols could be added because they have more than 8 bits of data.
Obviously not very readable, but good for decoration.
A cute pixel art font made to look like a banner. The parenthesis, square brackets, and curly brackets are all different banner ends. Looks best at 13pt!
This Road Track Font is inspired by the road stripes and it also has that kind of "rapid feeling" when we take a look at it, because of the pointed line in some letters.
An experimental take on Laconica with Celtic knotwork. I'm not sure how to balance it better than this... any ideas? I'll do all the glyphs once I have a complete set of solutions for them.This is a clone of Laconica
Fitzgerald Sans is a retro, art-deco inspired typeface to be used for large text and display purposes.
Welcome to the Future...
Dramatics aside, QUANTUM is a visual display typeface designed to convey one cyberpunk future out of many.
It is intended to be built as a monospaced font (however, spacing errors occurred, and it is a faux-monospace as a result), made on a 9x10 pixel grid out of a personal fascination with the vision of the cyberpunk future according to the 90s and a desire to capture the "spirit" of the original Sony PlayStation. One of the leading sources of inspiration is the work by The Designers Republic (tDR).
This typeface not only features Latin characters, but also Cyrillic, Greek, and even a few Coptic characters for good measure (in hopes of easing in the old world into the future)
My fontstruct is based on the theme of theatre. The designs were achieved from my observations of some theatres in Bristol, as well as further research online. The main inspiration came from the achitecture around the stage curtains, which then lead me to a more art-deco style appoach.
"You'd have to be a magician to read Trafalmagus!" - Brer Bripes
A font made to evoke magical talismans, wizards' engravings, Celtic/Viking wirecrafts, and all that good stuff! It has a pseudo-segmented display that draws lines between segments. It also slightly reminds me of the folk art which appears on crockery, earthenware bowls, etc.
The spacing is set so that 2 spaces is 1 letter's width. Use this to simulate a monospaced look when desired.
The lowercase looks like lowercase, but it is really an alternate set. This was designed to be written in one case at a time.
Original size: 8.25pt (use multiples of this value for pixel perfection)
I made a circuitry-esque look, then started embellishing it.
I'm not sure why but I now get a strong "medical" feeling from this one, as if this font were used for the display on some sort of futuristic surgeon robot.
From various games written in my ESOS engine.
When Malil Ehnetahine wishes to speak, she calls up the wind to bring her Temper Tree leaves, which form the shapes of these letters.
This font is accurate to the ingame font and is finished.
An original Art font that uses the tops, bottoms & sometimes middles of a font to communicate the character. This requires users to read texts as opposed to scanning them, but because visual cues are available it is still legible.
This font is Copyright 2018 & 2019 Doug Peters ( https://www.Doug-Peters.com/ or https://Dougs.Work/ ) and released as freeware under the SIL Open Font License. You are entitled to use this font however you want. Credit for my original work IS greatly appreciated.
Categories: Abstract, Art, Logotype, Poster/Display & Novelty
Type: Sans Serif Stencil
Web font: Yes
Commercial use: Any use, yes!
Derivatives: OK (please use a different reserved font name & update docs).
Fontstruct is this font's development home, though if development is occuring simultaneously, the available font may have a few errors as I work things out:
Short Link: https://w3n.us/blownoutdev
The official documented release font archive is on Font-Journal:
Short Link: https://w3n.us/blownout
Submitted to Google Fonts April 10th, 2018:
Short Link: https://w3n.us/1528
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An all-caps Slab Serif display type inspired by early 1900s themed font.
This font has a narrowed structure as well as a low X-Height throughout the entire typeface giving the typeface a more relaxed look.
I enjoy fantasy and such, so I thought i'd do a font inspired by maybe some sort of dark arts. I was thinking of dragons when I created this font
2050 La humanidad está al borde de la extincion. Unos exploradores encuentran unos antiquísimos manuscritos.
A Designer's font with decorative tiles instead of letters as we know them. I think they'd make nice borders. Lord Quadretto has a sample of a frame.
A whimsical pixel sans-serif font, inspired by the works of Susan Kare, especially Chicago. It supports up to Latin Supplements plus Katakana, Greek & Coptic.
This fontstruction is inspired by Indonesian traditional food called "Pecel". Pecel is a food witch is made from vegetables (such as long bean, sprout, spinach, basil, etc.) and peanut sauce. This fontstruction has a half of basil illustration and peanut sauce.
Inspired by the glass commonly used to drink coffee in "Warung Kopi". Warung Kopi are traditional coffee stands found in Indonesia. People (mostly men) often spend their time chatting, smoking, drinking coffee, or eating traditional snacks in these stands. These stands are often very simple, but provide a kind atmosphere to socialize with others..
I made this typeface with the image of a duck in mind. I used the charasteristic of a duck to make this more duck- like, however it is still far from my expectation and is still very unstable. I greatly encourage any kind of comments. I want to make this better in the future.