Eclectic pixel/mosaic decorative font. WIP.
Basketcase is a bold, decorative font. My inspiration first came from walbaum decoritve font and then I shifted more towards taking a spin on DDC harware.
Crystal Clear is a decorative typeface that was inspired by crystals and precious stones.
I bought a couple of different crystals and based the typeface on them, some of the crystals used were rose quartz, fluorite, smokey quartz, clear quartz and a couple of other ones. Some of these stones were already cut and not in their natural form, unlike the rest which were rough looking and not cut to a certain shape.
Font "leaves" are built on the basis of a natural motif - a leaf. Strokes are formed from dark and light leaves
52 characters for the basic Latin set, 10 numerals, 36 punctuation characters, 66 characters for the Russian language set
Please let me know what do you think :)
My union font was inspired by my original Aztec font, where I was playing with simple geometrical shapes. It turned out to be too simple, so I changed the placement of the circles which are now the connection between the two parts of the letter. The circle plays an important role in this font, as it represened the imagery of Aztec God, and now reflects unity.
This is a font inspired by the word decorative. It uses letterforms that have been flipped and rotated multiple times to create a pattern. Each Letter is made up of 4 simplified letters. It is a display font as it is difficult to read, and should only be used for large scale posters or as a decorative type.This is a clone
My first fonstruction is based around the theme of malnutrition, but focuses on lesser acknowledged end of the spectrum, over-nutrition. I took inspiration from nature of skin and fat on overweight or obese bodies, putting emphasis on the folds and bulges you might typically see on the skin of a larger frame.
This typeface has been designed by taking inspiration from the theme ‘decorative’. I started to explore different aspects of this word which lead me to Moroccan/ Marrakesh tiles, not only are they a key feature of their country but they are also frequently used around the world and with their intricate geometric designs, they are distinctive in design. Keeping this in mind, I wanted to create a decorative font which portrayed this.
My font was created with the idea of mess and chaos in mind with each letter having a different 'contents'
It is supposed to represent something similar to pin and string art. The white dots representing the pins and the lines within representing the string. It might come across as a little complicated or hard to distinguish each letter however I think it gives it an authentic look.
Zakhrafa is a type of Islamic art which consists of embellished geometric designs. It is often used to complement Arabic calligraphy on architecture to bookcovers and various media. The inspiration of this font comes from the various Islamic patterns that can be seen on buildings all across Qatar. After living there for 8 years, I learned a lot about the Islamic culture which is what I want the font to reflect.This is a clone
Diamundi is a very simple but funny patterned decorative typeface design that mimics facets(flat faces on a geometric shape).
And for that everyone that is checking this, please make sure you zoom in max. to see whats really going on, Even beter, make sure you've seen the sample image bellow, because the Fontstruct preview is total garbage due to my use of composite bricks at this grid tiny size.
This font was designed around the theme word Elegant. I was inspired to create a typeface that was ornate and palatial; it is a ode to Baroque design.
I have tried to emulate columns for the body of the font and created a crowned frieze for some of the letters with decorative toppers for the remaining characters.
Recap of a dot matrix lettering taken from a colored sketch originally designed by Jurriaan Schrofer.
It been a while since I did one of Schrofer
Argh, I wish I never started this, It was terrible amounts of meticulous work and I wonder if ill ever add the lowercase letters to this type!!
172 x 74 units
0.5 x 0.5 grid scale (and still no full glyph fits on screen)
A project I've been working on for some time that combines a readable writing system with a means of creating decorative streams of symbols, allowing for practical or artistic use. It is designed to be writable in the same way as English, with a couple key differences:
end of sentence within a thought:
. = SPACEBARx2
? = ?SPACEBAR
! = !SPACEBAR
end of thought:
? = ?-
! = !-
end of paragraph:
. = .
? = ?-
! = !-
numbers at the beginning of a sentence = ###-SPACEBARtext
numbers at end of sentence = textSPACEBAR-###SPACEBAR-
Use as applicable to avoid numbers and letters bleeding into each other.
For purely artistic streams of writing, Start every sentence with a capital, skip spaces, and use '-' as a period. This allows for a smooth bar of symbols without any random bits jutting out that can be used for framing or backgrounds.
This version features both upper and lowercase characters plus some minor changes to it's appearance!This is a clone of STF_ORIGAMISH v1
ORIGAMISH v1 - Incised origami.
---This version only features small uppercase characters---
Inspired by the letters found throughout Betondorp, Amsterdam!
A piece of constructivism inspired by Dutch artistic movement "De Stijl".This is a clone of STF_FABRICON_(OUTLINE)
A piece of constructivism inspired by Dutch artistic movement "De Stijl".
Decorative or Cyrcus font? Just a simple font with Cyrillic. Track changes (short slider) for connecting letters. Bala is the first part of the word balalaika and Balagan, an early Russian cyrcus or an open-air theater (https://ru.wikipedia.org/wiki/%D0%91%D0%B0%D0%BB%D0%B0%D0% B3% D0% B0% D0% BD)
See more: zylone 0,6 EYE / FS
This Typeface is based around the idea of an Abstracted version of lace. This block letter is Transcribing the idea of lace normally being quite dainty and delicate, and this type is more obscured and bold.
The word 'Messy' led me to consider my personal habits, especially my hair. Through exploring my own photography of hair arranged to form basic letter structures, I considered texture, shape and tone. Further research and discussion introduced a resmblance with 'Black Letter' type ie. thickness in line. Therefore, I combine hair aspects with the traditional typeface. I believe my creation successfully modified the well known font by introducing more complex curves while still acknowledging the original theme.
Dehumanised is a typeface drawn forth from the deepest parts of a mind challenged by illness and intrusive thoughts. It hopes to create an avenue of expression through its bold, sans-serif design combined with a strong theme of slashing and debris. It was informed by the illustrative manifestation of anxious, angry thoughts cutting through simple day to day life and new ways to combine different versions of destruction into a dystopic yet coherent typeface.
I created this typeface around the theme of gregarious, focusing on gregarious plants. I started with drawing the letterforms in ink using a rolled up leaf. The results were twig-like marks which reminded me of the illustrations from 'A Monster Calls' so I developed the letters thinking how they could work alongside this or another story. The name 'This Wild Earth' is taken from the book and I think reflects the scratchy and bold feel of the typeface.