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Charted from historic French cross stitch book Maison Sajou Miniature Album no. 4. The samplers generally don't include I or W so I created the I from the centre of the T and the W from two Vs. The pattern was found on http://patternmakercharts.blogspot.com/2009/08/sajou-n-4.html
This design was inspired distantly by medieval manuscripts where the first letter of a paragraph (or a page) is much larger than the LC.
For names or first words in a sentence: type the UC then follow directly with the first of the desired LC; all following LC in that word, or indeed in any other usual LC word, will require 1x 'space' between each letter for legibility. Some combinations of UC-LC might look better if a 'space' is used after the UC, which of course eliminates the overlap I intended but will help visually.
Chunky decorative basic set of useful glyphs. It has the same width as the other Changle fonts so it can be used with them for more visual impact. Changle consists of UC letters only, on the LC position are the UC with the thick vertical on the right.
Inspired by a lace edged table cloth. Good for a word of greeting on a card for Easter (or Ostara, but you're a day late ;) so you best grab it for next year... ) It would be great to use on cards, labels, book bindings, for someone doing needlework, crochet, knitting, tatting, macramé, sewing, stencil work and similar paper or thread based crafts.
This is a clone of Kerbe2A star font which combines a pixelated look with halftone shading.
It needs some form of antialiasing to be legible at small sizes. (See sample below or try the Pixel views). At larger sizes, you can use it with or without antialiasing!
Original size: 12pt (use multiples of this value for pixel perfection)
My fontstruct is based on the theme of theatre. The designs were achieved from my observations of some theatres in Bristol, as well as further research online. The main inspiration came from the achitecture around the stage curtains, which then lead me to a more art-deco style appoach.