050415. lowercase reworked with nudges and fin bricks. Uppercase added based on new modifications. 091415. updated M N W and g. g is my favorite. 100315. Basic symbols added. Quick text dump of quotes from Malcolm Gladwell's Outliers book for a sample image shows different sizes. The font name had nothing to do with the book, which was an interesting read nonetheless.
Inspired a little bit by my previous font Nordkurve. As a result, I've named it after another German Formula One track curve. Nürburgring, this time.
Some things are refined, some things are simply different, because a (Slab) Serif needs so much affection : )
& I love to fontstruct.
The ultra-low resolution of this grid may be difficult to grasp without cloning. Fontstruct’s logo has a nominal x-height of 3 bricks, by comparison.
The level of detail, control, and finesse possible in a given fonstruction depended mostly on resolution prior to the recent advent of stackable composites. Did you want it better? Make it bigger!
Brute force, now meet Elegance.
Instead of building individual glyphs hundreds of bricks tall, stackable composites allow us to design rich modular schemata hundreds of bricks deep. Using curved bricks at their largest scale, linear and curvilinear elements dynamically harmonize and oppose. As well, screen fonts can be effectively hinted (aside from notable lack of kerning controls) without sacrificing the integrity of joins and intersections. And the trapping possibilities, Oh the sweet sweet trapping possibilities...
Please, vote kindly and stay tuned for more :)This is a clone
Please enjoy a private clone to see how I dealt with contrast, curves, bracketing, variable letter width and the difficult-to-achieve emboldening of the capitals’ vertical strokes within a minimal fontstruct matrix (and If you like what you see, please download for personal usage and vote kindly! :)
Intaglio’s amazing recent work makes similar strides (see the excellent rounds, for example), offering a solution before me to several of these long-standing impasses of the medium.
More characters to come... :)This is a clone
I've moved from Russia to Germany, here. We have a classic, 70s inspired design, which could still be a futuristic-looking one in the right lights.