I love these kinds of fonts that have geometric puzzle-solving quality in the design. I was quite happy with how the lowercase found a way to be connected. Then I thought let me not mess with anything else. But a Z is so much like a 2, so I created the 2 out of the Z. Then when 2 was done, I was aprehensive of tackling the 1 because the vertical stem would be off by one brick, and how would that be resolved. Reluctantly I tried it...and it worked. 3 can be created from the B, but the B hasn't been created yet. OK, I guess I have to do the uppercase. A was easy. B was surpringly easy. Which gave me motivation to go on. And surprisingly soon, the whole thing came together. The hardest letters to shape were X and S. Not all letters are very successful, but they are distinctive enough to be recognized as themselves. Not sure about the =, but it will do, I suppose. In any case, no kerning required.
The design process is typical in its atypicality (yes, it is a word, or, at least, should be!).
The atypicality necessitates the telling of the story behind it.
Looking for something to do...something easy to do, I came across the font shown 5th from the top in this article on Dieline. "I can do this," thought I. I did a 2 that looked similar. Based on that, did the 3. 5 6 9. 0 8. 1 7. "Hmm." Add the horizontal stripes. 7. 4? "No." Re-4? "No. Another 4? Perhaps thinner sides?" "Even thinner." "Hmm." Redo 1 2 3 5 6 7 8 9. "Maybe this is better. OK, lets do the letters." Start with Z because it is almost a 2 with minor curve tweak. Do the S. B because 3 is done. A. V. C. E. F L. J. Etc.
The glyphs so far have a 3 horizontal band appearance. Do the lowercase. a is two bands. b is two bands...but how high should the ascender be? Also, the x-height seems wrong. Off somehow. "Can I do a 2 band uppercase with the letter slightly taller. Maybe 2 bricks taller?"
Redo A. Redo B. "No this B is not working." Redo B. Redo B. Redo B. "Hmm. Maybe." Redo C D. Redo E F L. "OK, this might work." Redo to all uppercase letters.
Do the lowercase. "Yes I like the new f." Redo other letters to include the flip. Most of the letters are the same width. "Maybe I can make this a mono-space font." Redo m. Redo M. W. V. "The A looks odd." Redo A. And so on.
The font may have started as a simple thing but it is very different now. "I'll just publish it." "No, I should at least do the basic punctuations." "No this hyphen is too thick." Redo. "Now it is too thin." Redo. "Now it is too wide. But this is mono-space font. The width cannot be altered." +. "That just looks weird." Redo +. Now the - looks off. Redo -. Now they both don't fit with the rest of the font. Redo + -. "No. I'll come back to them." Do [. "No that's too heavy top and bottom." Redo [. Do (. "This needs a different curve." Redo (. "Can I use this new curve somewhere else?" Redo @. "Hmm." Do ©. Do ®. Do ™. Do “. "I can't make this so wide." Do ‘. "Definately cannot make it mono-space." Redo all punctuation to be their natural width. "This is no longer a mono-space font. Should I redo M m W w to be more natural?" Redo do m. "No this is too much work. I can't be bothered anymore. Let the m's and w's be."
"The punctuation looks niiice. Should I do a font to match these?"
Create New FontStruction
What’s your favorite letter?
Inspired by Bastard by Barnbrook Fonts and Minotur by cablecomputer
G1 ThunderGawd. Opening day for Marvel's Thor Love and Thunder movie AND final day for the FS HeavyComp! Time to kill two birds with one stone, or maybe feed two birds with one scone.
HeavyComp entry #3. This font features...
• Microserifs
• 7 Color layers
• Chamfered Bevels
• Interconnected Celtic knot patterns with shaded underlayments
• Full weaving pattern on uppercase/numbers, vertical patterns on lowercase
• Thor's hammer Mjolinr on the +, broken hammer on the -
Can't wait to watch another film of Thor in the Taikaverse. Feels like I'm going to watch it about 50x, just like Thor Ragnarok.
Thanks to this competition, this font brought the challenge out of me. Believe it or not, this is the simplified version of what I wanted to make. Really nice set of submissions in quality and quantity from everyone for the Heavycomp.
See
This is a cloneTennessine: superheavy element of the periodic table named after the US state Tennessee. Symbol: Ts, atomic number: 117, atomic weight: 294. It is a radioactive element artificially produced by fusing berkelium and calcium atoms.
Gildor: A high elf from Tolkien's The Lord of the Rings. He met Frodo, Pippin, Merry, and Sam on their journey to Rivendell. Gildor Grotesk: I considered the alliteration.
VEROORDEELD - A geometric slab serif
This is a small type family with two style variations, see links bellow!
• Display Bold contrasted display version ◄- U are here!
• Text Light weight monostroke version
Accidental Fontstruct remake of Senator by Emigre. Initially reconstructing the lettering seen on this book cover, later found out about it being an existing comericial font. I decided to completed it anyway. But for this reason it will not be available for downloading. Sorry...
A spur-of-the-moment project. An exploration of geometric silhouette conformation and fun Futura-based alternates (specifically, using the circles as strokes).
Glyph alternates can be accessed under the Cyrillic characters.
Inspired by KD Experiments 02 by architaraz
Angas is a cool, bold and thick lettered display font. It will look stunning on any poster, flyer or print.
Use this font for your futuristic designs and explore its endless possibilities.
A rigid all-caps font, display/signage style. No curved shapes - I wanted something in the same spirit as "ITC Machine" (Designed by R Bonder and T Carnase in 1970). Thus with a little less compact approach, making it more versatile. Zoomed out, It’s like an edgy, bold and slightly condensed neo-grotesque.
(This fontstruction may be part of a client project, therefore it is fully licenced - at the moment. Hopefully I´ll make it downloadable under the fontstruct licence.)
WORK IN PROGRESS! SUGGESTIONS AND TOP PICK ARE WELCOME
See more:
https://fontstruct.com/fontstructions/show/44117/mad_decent
https://fontstruct.com/fontstructions/show/1739315/baldiozh
https://fontstruct.com/fontstructions/show/1725534/ermak-1
https://olohgram.gumroad.com/
https://fontstruct.com/fontstructions/show/1745326/beast-under-the-bed
https://fontstruct.com/fontstructions/show/1631323/robots-in-space
https://fontstruct.com/fontstructions/show/1243391/speed-shop
https://fontstruct.com/fontstructions/show/1292787/brambled-metric
This started off as something inspired by Michael Biggs' letter design for the B-series of Irish Pound banknotes (1976-1993).
Lughnasadh (1 August) is the Gaelic festival marking the beginning of the harvest season.