This version also optimizes legibility at text sizes on-screen, generating crisp and clean text, even as small as 10pts you still get crisp text. Making this the perfect candidate for a webfont.

@Rob: Thanks for the special mention boss!
 

@elmoyenique:   "Supereleganza" 

—  I might include that as a new style next update ? (and thanks ofc compañero)

@tortoiseshell: Thank you too for those kind words mate

I did a slight update to this font as well just now. Mainly restoring proper geometry for
some characters and symbols that got distorted beyond what is concidered acceptable.

The changes in Size > Weight distribution and De-stressed contrast were achieved by
adjusting the values for the grid scale filters. And some basic geometry got lost due to
the distortion of its original aspect ratio. Especially the more pure geometric forms such
as Circular and ４５° Slants tend to get heavily affected by this.

These unwanted results now have been corrected for the most part.

- [ Some internal tech stuff related to the last update ] -

I changed values in correlation to the mathematical properties of the FS Editor's grid
and the square grid unit's integer, which is ８.   Within this math function the number
８ represents the factorizing of （ｘ²）'s  （ｘ／ｙ）-function for １ square grid unit.   
So in other words,

１ grid unit, or  （ｘ²） ＝ （８⋅８） ＝ （８²） ＝ （８ｘ８ -ｉｎｔｅｒｖａｌｓ）  

These correspond to several of the FS-Editor functions. One that breaks down all of
this into more simple terminology is the 'Nudge'-function.   As we all know, the range
for FS's 'Nudge'-function is （４＋４） ｘ （＾２） for （ｘ／ｙ）,   
so in other words （８²）  total, equaling １ full square grid unit.

In simple non-math terms this means that the adjustments I made to the grid scale
filter values translate to the calculation of adjustments in exact fractions of the font
size and grid unit factor. The fonts Em-Square and therefor its Size （３．５ｘ３．５）
is based on its relative units for
—(Cap-Height, X-Height, Stroke, Stress, Width, Ascends & Descends)

Basically all the things that determin the glyphs positioning within the Em-Square box.

I made very sure that all of the different values for the fonts measures were exact
multiples of   １／８ｔｈ   or  （０．１２５）  grid units.
This strict mathematical approach is also the key reason for its strong optimization
for crisp on-screen digital text of all sizes, even down to the very smallest.

The original font style had a stress ratio that is equal to ２：１ (But instead this was
done with resized composite bricks and not by way of scaling filter adjustments)

Cheers

Very strange, I was unable to post these last two comments as one. Each time I tried and refreshed the page it dissapeared again. I wonder why that was, and why splitting it in two helped?! 

Weeeeiird...  ?

@elmoyenique: I think you meant:  'collect royalty fees'

'collecting copyrights' only means tons of extraordinary boring legal crap that literally no actual human being is preaching for.

'Buzzinga' ?

@BWM: I surely doubt that since I posted far bigger comments before.