High contrast font, with two dingbats of little seagulls placed at the "fi" and "fl" ligatures.

Had quite a bit of fun with this blueprint inspired font for the competition, numbers have been incorporated to best measure glyph length, angles and so forth. Please enjoy~

My note: db Monuck is NOT a color font. When creating the font, I had created different versions in different layers, which can no longer be deleted.  Now, despite everything, the note "Color Font" appears, although it is not.

Please can someone help me to solve the problem? 
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Many thanks for your help, the problem has been solved. ☼ 
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my very own lego-style font!

[Aa]: Argentina, Australia

[Bb]: Brazil, Bangladesh

[Cc]: China, Canada

[Dd]: Germany, Denmark

[Ee]: Spain, Ethiopia

[Ff]: France, Finland

[Gg]: Greece, Ghana

[Hh]: Hungary, India

[Ii]: Italy, Indonesia

[Jj]: Japan, Jamaica

[Kk]: South Korea, Kenya

[Ll]: Latvia, Lithuania

[Mm]: Mexico, Malaysia

[Nn]: Norway, Netherlands

[Oo]: Oman, Austria

[Pp]: Poland, Pakistan

[Qq]: Qatar, Guatemala

[Rr]: Russia, Romania

[Ss]: Sudan, Saudi Arabia

[Tt]: Turkey, Thailand

[Uu]: United States, Ukraine

[Vv]: Venezuela, Vietnam

[Ww]: Belarus, Sweden

[Xx]: United Kingdom, Israel

[Yy]: Yemen, Iceland

[Zz]: Zambia, Zimbabwe

[0]: South Africa, [1]: Estonia, [2]: Nigeria, [3]: Ireland, [4]: Czech Republic, [5]: United Arab Emirates, [6]: Democratic Republic of the Congo, [7]: Philipines, [8]: Iran, [9]: New-Zealand

[.]: Switzerland, [,]: Nepal

[?]: Cuba, [!]: Myanmar

[@]: Madagascar, [_]: Kazakhstan, [#]: Portugal, [*]: Colombia

[&]: Egypt, [%]: Peru, [$]: Somalia, [(]: Morocco, [)]: Croatia

[+]: Georgia, [-]: Serbia, [<]: Syria, [=]: Algeria, [>]: Chile

[/]: Guinea, [|]: Bulgaria, [\]: Mali, [:]: Belgium, [;]: Cameroon, [~]: Uzbekistan

[[]: Tunisia, []]: Slovakia, [^]: Afghanistan, [{]: Republic of the Congo, [}]: Uganda, [`]: North-Korea

A heavy font but with strange coloring. Kalyn means thick, bold in my language

It's called Choices because this basic idea lead to numerous minor iterations that completely changed the character of the...er...characters. All the unused possibilites are now sitting dormant in another font. Perhaps they will become a full font (or three)...someday.

The thing about a square of the things that are about a square is that they don't tile as well as squares do. 

A fractured art deco font, crumbling under its own weight

Please enjoy~

Partial greek support, Hopefully not for long

Hard to believe that 10 years have passed since joining Fontstruct. The years have truly flown by and typography went from an unknown, to a delightful hobby. Many many thanks to those who helped me learn and grow on this platform, it's been such a fun adventure with such a positive impact. To celebrate, may I present "magenta" an art deco font for any typing needs. Please enjoy

This also marks a little turning point. The name "time.peace" was chosen at random and was honestly something I’d never been thrilled with. After much thinking, a new moniker is being adopted: "tortoiseshell."

"tortoiseshell" pulls from the tortoiseshell butterfly. Butterflys are seen as both symbols of time and of peace, making it a simple homage to the old title. There is another connection to tortoiseshell glasses, a style popularized in the 1920's, an era that has been incredibly riveting with its Art Deco movement. Lastly, there is a genus of the tortoiseshell butterfly native to my home.

"tortoiseshell typography" looks build upon old ideas while also growing and evolving into the future.

Cheers to the next decade and the new chapter~

Ligatures "ff" and "tt" are at the "fi" and "fl" glyphs.

Ligatures "ff" and "tt" are at the "fi" and "fl" glyphs.

By popular demand, I'm very proud to present you this recreation/digitization of Maxim Zhukov's Meander (an experimental modular type design from 1972, which was used in cover artworks for Stereolab's Dots and Loops album and Miss Modular EP).

Now supports Cyrillic characters and includes other custom-made glyphs, like numerals and punctuation marks.

References: Type Journal: "Towards an open layout: A letter to Volodya Yefimov", "Искусство шрифта. Работы московских художников книги. 1959–1974" (The Lettering Art. Works by Moscow book designers 1959–1974), pg. 35

(FontStruct has some trouble previewing this font, so it'll look all black but it's not like this)

Work in progress! :)