Favorite FontStructions from 3moDuDe (Sorted by Sharing Date)

“RM Jazz Age” by p2pnut

Sat, 03 Nov 2012 11:56:25 +0000

Work in progress.

“Thorin Stencil” by Frodo7

Sun, 14 Oct 2012 01:09:54 +0000

“Saund” by Roli

Fri, 15 Jun 2012 17:49:44 +0000

A lot of letters. (503!) And Hebrew, Cyryllic, Greek, Latin, More Latin and Latin Ext.-A letters. HAVE FUN

“dm New Humanist” by demonics

Tue, 10 Apr 2012 14:47:19 +0000

dm 04 This is the 20000th FontStruction! meek, you must be proud. Your website, up to 20000 fonts! I have been working on this for months and I believe it to be my most advanced work yet. Yes, my avatar was made with this a. Also, it's clonable. I originally made this work under adl, but I left the account. So I got to do the very exciting task of having two fontstructor windows open at once and transferring the font from adl to demonics glyph by glyph. Oh, and I forgot to paste djnippa's tool in there first, so now I have hundreds of composites lying around in no order whatsoever. Silly me. Wow, S v y are ugly. I'll need to fix that. Well, that's that. Spacing is also a bit off and the font looks horrible in Word, for some unknown reason. I'll work on that issue. I'm proud of myself because this is my fourth attempt at a large-scale faux bezier font and it might just work. Lastly, the font's name progressed like this over the 6+ months I've been working on New Humanist: New Humanist Rounded New Humanist Bold +new humanist bold dm New Humanist Just a fun fact. Anyway, serif and non-rounded versions coming soon! Cheers! dm

“Jet Set Groove” by V. Sarela (Yautja)

Sat, 31 Mar 2012 21:34:33 +0000

“db Backjumps” by beate

Mon, 03 Oct 2011 08:45:24 +0000

Black, Stencil, db, Beate

“fs Rondeux” by William Leverette (will.i.ૐ)

Sat, 20 Aug 2011 22:09:34 +0000

Version 2.0

A winning, small-matrix rendition of this super-elliptical monoline sans. If you’d like, please enjoy a private clone to tour the brand-spankin’ new interiors.

I embraced innovation at the expense of imperfection with faux-curve composite stacks. These custom bricks are used to resolve the most glaring proportion issues besetting version 1 (and 2’s) capitals. I risk intermittent aliasing as well as potential inconsistencies in both curvature and stroke contrast. Yet these composite-stack discontinuities (A,C,D,G,J,O,Q,S,U,V) marry unexpectedly well with the extensively used macaroni bricks and remain themselves smooth up to an impressive 72pt.

Manual kerning leaves a lot of room for improvement. The alternates are included mostly for curiosity’s sake. Another work in progress with samples to follow. Feedback is always very appreciated; thanks in advance for it! :)

“Ohm Run Slab” by William Leverette (will.i.ૐ)

Sat, 09 Apr 2011 06:18:09 +0000

Here, the innovative approach I took to stroke contrast in iSlab takes a radical leap forward. The result: a technical, friendly, modern slab serif design demonstrating further potential of the stackable composite function.

Please enjoy a private clone to see how I dealt with contrast, curves, bracketing, variable letter width and the difficult-to-achieve emboldening of the capitals’ vertical strokes within a minimal fontstruct matrix (and If you like what you see, please download for personal usage and vote kindly! :)

Intaglio’s amazing recent work makes similar strides (see the excellent rounds, for example), offering a solution before me to several of these long-standing impasses of the medium.

More characters to come... :)

“Tutorial - 45 degree angles” by Goatmeal

Sun, 20 Mar 2011 04:40:52 +0000

A Tutorial for Maintaining the Proper Thickness of 45º Angles. Cloning is HIGHLY recommended.

“rangitoto” by intaglio

Wed, 09 Feb 2011 09:16:49 +0000

“blackblock” by pheinlein

Mon, 07 Feb 2011 12:04:59 +0000

punzlos glücklich

“Contagious Basterds” by jorisdockx

Thu, 06 Jan 2011 15:35:54 +0000

Cripple crow valley gave birth to this hunchback orphan.

“Fat Lass” by Rossgodfrey

Thu, 04 Nov 2010 18:01:06 +0000

My first shot at using font struct, based on the theme of curves, inspiration came from the look of graffiti and old 60s posters. A first year project at UWE Bristol,

“Mobivus” by Michel Troy ~UrbanPixel~ (Upixel)

Sat, 16 Oct 2010 04:01:53 +0000

a 2x2 brick size font.///////////////// I had fun playing around with this font, espacialy small details which are hardly noticeable: diatrics, odd lenght angles, compromise the design itself of a glyph with kerning and aspect ration with the rest of the alphabet. well fell free to spot me anything non-harmonized. ////////////////////////////////////// 2x2 brick size VS 67.5° angles... I create bricks which can overlape the regular one on half of it... so it offer the possibilities to make odd size angle glyphs like v y, etc. Dont' know if somebody else did it before there is so many fonts now in FS, so it's hard top follow everything.

“Calligraphique” by geneus1

Fri, 08 Oct 2010 15:50:43 +0000

“Never lose an opportunity of seeing anything beautiful, for beauty is God's handwriting.” ~Ralph Waldo Emerson

“Aegis” by Kummaeno

Sat, 25 Sep 2010 16:29:57 +0000

UDATED 10-09-29. A machine head with bulk. In the same spirit as ITC Bolt Bold. Think dumpsters, caterpillars and tanks.

“stolenmind” by Yodya

Fri, 27 Aug 2010 01:16:05 +0000

stolenmind version 1.1

“allegorica 2.0b” by William Leverette (will.i.ૐ)

Mon, 23 Aug 2010 18:12:51 +0000

Re-fontstructed with composite bricks, finally an uppercase that works with this strange mash-up of a design. Latin-A is a mess of alternates and swashy ideas (for now). I may update them with proper diacritics, a suite of swash caps, and the rest of the characters from the original. Numerals need revising to fit the cap height. Enjoy this beta!

“ztarsky rnd eYe/FS” by elmoyenique

Thu, 05 Aug 2010 15:06:26 +0000

I think this font is a bit fresher than the first original one, preserving the style of the 70s. It is very smiling, or at least it seems to me when I see it.

“Shark Week” by devburg

Tue, 03 Aug 2010 01:08:32 +0000

Happy Shark Week Everyone - Strike fear and awe into your reader with this vicious font from design student Devon Burgoyne (@ devonburgoyneart.carbonmade.com)