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    <title>Favorite FontStructions from harriet040394 (Sorted by Sharing Date)</title>
    <description>Fontstructions from FontStruct.com</description>
    <link>http://fontstruct.com</link>
    <lastBuildDate>Sat, 25 Jul 2026 04:34:14 +0000</lastBuildDate>
    <item>
      <title><![CDATA[“Repertor” by jackwaghorn]]></title>
      <description><![CDATA[<img src="https://render.fontstruct.com/renderer/render?v=69916767&id=901108&w=1600&h=150&f=0&a=left&t=AaBbCc%2BHandgloves%2B123"/><br/>'Repertor' is a display typeface inspired by hand-rendered calligraphy and brush stroke textures. The typeface evolved from exploring physical properties of my starting theme 'motion' and combining this with nautical elements, mostly found close to Bristol Harbour - the name 'Repertor' has been taken from a Thames sailing barge.  ]]></description>
      <link>https://fontstruct.com/fontstructions/show/901108/repertor</link>
      <pubDate>Mon, 11 Nov 2013 10:02:30 +0000</pubDate>
    </item>
    <item>
      <title><![CDATA[“Not on the table, kids.” by tesssieling]]></title>
      <description><![CDATA[<img src="https://render.fontstruct.com/renderer/render?v=60e2721b&id=884483&w=1600&h=150&f=0&a=left&t=AaBbCc%2BHandgloves%2B123"/><br/>Starting from the word 'squishy', I thought about how children play with very tactile things. If something has a tactile nature it will appeal to children to play with it and 'squish' it. From this I explored how sponges are very squeezable and photographed them in different ways. Alongside this thought process I was also sketching water in letter forms and loved how it appears to have a squishy texture in itself because it is fluid. Combining these ideas, I experimented with cutting sponges into letter forms, applying paint, squishing them and creating a typeface based on the marks they leave behind on a laminate table surface.]]></description>
      <link>https://fontstruct.com/fontstructions/show/884483/not_on_the_table_kids</link>
      <pubDate>Wed, 30 Oct 2013 18:45:32 +0000</pubDate>
    </item>
    <item>
      <title><![CDATA[“Ribbon” by Tom CB]]></title>
      <description><![CDATA[<img src="https://render.fontstruct.com/renderer/render?v=6996a5cd&id=892242&w=1600&h=150&f=0&a=left&t=AaBbCc%2BHandgloves%2B123"/><br/>A font initially designed on isometric paper in response to my 'words' brief at UWE. 'Ornate' was the word selected from a list as a starting point. My interest in isometric designs was triggered by Jakob Runge's Fracmetrica typeface. And I know my typeface isn't truly isometric; it's damn hard to create isometric angles on Fontstruct, especially as this is my first font on here. Any constructive criticism, suggestions or advice will be greatly received.
(I've no idea why Fontstruct has displayed my characters in such a strange order)]]></description>
      <link>https://fontstruct.com/fontstructions/show/892242/ribbon_73</link>
      <pubDate>Fri, 25 Oct 2013 16:59:47 +0000</pubDate>
    </item>
    <item>
      <title><![CDATA[“Having a Cast” by nathanmwood]]></title>
      <description><![CDATA[<img src="https://render.fontstruct.com/renderer/render?v=69f91ffb&id=890211&w=1600&h=150&f=0&a=left&t=AaBbCc%2BHandgloves%2B123"/><br/>This san serif, textured, bold font is inspired by the old cast iron type on train carts. When I discovered the old train carts down at the 'Bristol Harbour Railway' I was fascinated by these incredible forms. 

To create the structure of these characters I worked from one of the rubbings I took of a particularly nice iron plate and then scanned it into the computer to replicate the letters which where missing. I then printed this on to graph paper and transferred the bricks one by one to try and get the most accurate representation as possible.]]></description>
      <link>https://fontstruct.com/fontstructions/show/890211/having_a_cast</link>
      <pubDate>Wed, 23 Oct 2013 00:12:04 +0000</pubDate>
    </item>
    <item>
      <title><![CDATA[“Sounding Out” by chloehford]]></title>
      <description><![CDATA[<img src="https://render.fontstruct.com/renderer/render?v=67df7ffa&id=877959&w=1600&h=150&f=0&a=left&t=AaBbCc%2BHandgloves%2B123"/><br/>I created this font based on the word ‘vibration’. I looked at sound waves and visual interpretations of vibration which led to a glitchy image that didn’t have clear lines. For the font I tried to create the impression of movement and a sort of buzzing going on. ]]></description>
      <link>https://fontstruct.com/fontstructions/show/877959/sounding_out_1</link>
      <pubDate>Mon, 21 Oct 2013 20:13:20 +0000</pubDate>
    </item>
    <item>
      <title><![CDATA[“Shadowbox” by four]]></title>
      <description><![CDATA[<img src="https://render.fontstruct.com/renderer/render?v=65f59e5e&id=882715&w=1600&h=150&f=0&a=left&t=AaBbCc%2BHandgloves%2B123"/><br/>]]></description>
      <link>https://fontstruct.com/fontstructions/show/882715/shadowbox_4</link>
      <pubDate>Thu, 10 Oct 2013 17:12:39 +0000</pubDate>
    </item>
    <item>
      <title><![CDATA[“Templar” by bas jayel]]></title>
      <description><![CDATA[<img src="https://render.fontstruct.com/renderer/render?v=6a484c96&id=730504&w=1600&h=150&f=0&a=left&t=AaBbCc%2BHandgloves%2B123"/><br/>This font was based on the word ornate. It draws inspiration from neo-classical architecture, tattoos the base outline takes elements from church windows holding the inner detailing which was somewhat inspired by a combination of knit-work and the forms within the glass holding together stain glass windows. The flourishes and filigree forms are a more simplistic take on tattoo lettering. With all this combined I created this typeface to represent my chosen theme of ornate ]]></description>
      <link>https://fontstruct.com/fontstructions/show/730504/templar_8</link>
      <pubDate>Sun, 09 Dec 2012 11:39:06 +0000</pubDate>
    </item>
    <item>
      <title><![CDATA[“Hello Petal” by SophieHiggins]]></title>
      <description><![CDATA[<img src="https://render.fontstruct.com/renderer/render?v=5b6f371a&id=724993&w=1600&h=150&f=0&a=left&t=AaBbCc%2BHandgloves%2B123"/><br/>]]></description>
      <link>https://fontstruct.com/fontstructions/show/724993/hello_petal</link>
      <pubDate>Wed, 28 Nov 2012 21:53:30 +0000</pubDate>
    </item>
    <item>
      <title><![CDATA[“melt ” by libbyparfitt]]></title>
      <description><![CDATA[<img src="https://render.fontstruct.com/renderer/render?v=6991782f&id=739822&w=1600&h=150&f=0&a=left&t=AaBbCc%2BHandgloves%2B123"/><br/>]]></description>
      <link>https://fontstruct.com/fontstructions/show/739822/melt_16</link>
      <pubDate>Mon, 26 Nov 2012 22:21:53 +0000</pubDate>
    </item>
    <item>
      <title><![CDATA[“geometrefection” by miloh]]></title>
      <description><![CDATA[<img src="https://render.fontstruct.com/renderer/render?v=640d73ea&id=731920&w=1600&h=150&f=0&a=left&t=AaBbCc%2BHandgloves%2B123"/><br/>i am currently studying graphic design at the university of the west of england (UWE). i chose to design a typeface derived from the word reflection. i looked at symmetry and geometric shapes when designing my font, i wanted to make it look simple, clean and effective so by using a large grid i created a bold text thats easily legible. personally i think the lowercase typeface works better when used in large body texts but the uppercase looks powerful when used for titles, logo's and informative text headings as its eye catching and different. fontstruct is full of complicated typefaces so i wanted to show the opposite; geometrefection is a great example of simple typefaces that can be created on fontstruct.]]></description>
      <link>https://fontstruct.com/fontstructions/show/731920/geometrefection</link>
      <pubDate>Wed, 07 Nov 2012 14:29:25 +0000</pubDate>
    </item>
    <item>
      <title><![CDATA[“Conduit” by JimThePea]]></title>
      <description><![CDATA[<img src="https://render.fontstruct.com/renderer/render?v=5b6f3726&id=727573&w=1600&h=150&f=0&a=left&t=AaBbCc%2BHandgloves%2B123"/><br/>Conduit is a display font inspired by electricity pylon designs from around the world. Each letter has a sturdy, structured look, featuring latticed crossbeams and a thick angular outline.

Conduit is great for making an impact if used sparingly, but not so good for large bodies of text. It’s also well suited to larger sizes, showing off it’s detailed structure and utilising it’s bold design to the fullest.]]></description>
      <link>https://fontstruct.com/fontstructions/show/727573/conduit_4</link>
      <pubDate>Tue, 30 Oct 2012 18:51:45 +0000</pubDate>
    </item>
    <item>
      <title><![CDATA[“Rundown” by NickJCook]]></title>
      <description><![CDATA[<img src="https://render.fontstruct.com/renderer/render?v=683d99cd&id=722819&w=1600&h=150&f=0&a=left&t=AaBbCc%2BHandgloves%2B123"/><br/>Monospaced typeface designed for my first year project at UWE. The main theme of the font was developed by looking at decaying buildings and structures as well as graffiti artwork. ]]></description>
      <link>https://fontstruct.com/fontstructions/show/722819/rundown_1</link>
      <pubDate>Tue, 30 Oct 2012 11:03:21 +0000</pubDate>
    </item>
    <item>
      <title><![CDATA[“Atom Dynamics” by Hali ]]></title>
      <description><![CDATA[<img src="https://render.fontstruct.com/renderer/render?v=6007b7b8&id=724466&w=1600&h=150&f=0&a=left&t=AaBbCc%2BHandgloves%2B123"/><br/>Originally based on the word 'dynamic', which later led to the development of atoms and everyday structures. My idea is specifically based on 'The Generation of x-rays and Moseley's Law' atom, which led me to branch out and try and interpret everyday structures.]]></description>
      <link>https://fontstruct.com/fontstructions/show/724466/atom_dynamics</link>
      <pubDate>Tue, 30 Oct 2012 11:00:39 +0000</pubDate>
    </item>
    <item>
      <title><![CDATA[“Bosh” by gabfacekillah]]></title>
      <description><![CDATA[<img src="https://render.fontstruct.com/renderer/render?v=5b6f371a&id=717854&w=1600&h=150&f=0&a=left&t=AaBbCc%2BHandgloves%2B123"/><br/>]]></description>
      <link>https://fontstruct.com/fontstructions/show/717854/bosh_3</link>
      <pubDate>Tue, 30 Oct 2012 00:37:49 +0000</pubDate>
    </item>
    <item>
      <title><![CDATA[“architext” by JLPettitt]]></title>
      <description><![CDATA[<img src="https://render.fontstruct.com/renderer/render?v=651780c0&id=725415&w=1600&h=150&f=0&a=left&t=AaBbCc%2BHandgloves%2B123"/><br/>A typeface reflecting the relationship between architecture and letter forms. Tones are used as opposed to outlines as not to detract away from the 3D form.]]></description>
      <link>https://fontstruct.com/fontstructions/show/725415/architext_1</link>
      <pubDate>Mon, 29 Oct 2012 23:57:44 +0000</pubDate>
    </item>
    <item>
      <title><![CDATA[“Balloon Face” by alexprice1992]]></title>
      <description><![CDATA[<img src="https://render.fontstruct.com/renderer/render?v=6996a2f9&id=723799&w=1600&h=150&f=0&a=left&t=AaBbCc%2BHandgloves%2B123"/><br/>Balloon Face

A fun typeface with a hand rendered feel, inspired by the art of balloon sculpturing. Also a take on the popular graffiti style of bubble writing, as seen and researched in bristol city centre. 

UWE Graphic Design - Communicating with Words 

]]></description>
      <link>https://fontstruct.com/fontstructions/show/723799/balloon_face</link>
      <pubDate>Mon, 29 Oct 2012 22:56:24 +0000</pubDate>
    </item>
    <item>
      <title><![CDATA[“Guide Ropes” by domokah]]></title>
      <description><![CDATA[<img src="https://render.fontstruct.com/renderer/render?v=5e181e95&id=725450&w=1600&h=150&f=0&a=left&t=AaBbCc%2BHandgloves%2B123"/><br/>]]></description>
      <link>https://fontstruct.com/fontstructions/show/725450/guide_ropes</link>
      <pubDate>Mon, 29 Oct 2012 18:19:15 +0000</pubDate>
    </item>
    <item>
      <title><![CDATA[“Cast A Shadow” by ashleykirby]]></title>
      <description><![CDATA[<img src="https://render.fontstruct.com/renderer/render?v=6971b9c0&id=721121&w=1600&h=150&f=0&a=left&t=AaBbCc%2BHandgloves%2B123"/><br/>This is for my first project at uwe bristol, it was my first time using the software fontstruction. Influenced by a book named 'elsewhere'. It isn't completely finished and some letters are in the process of being changed. Extra characters coming soon...]]></description>
      <link>https://fontstruct.com/fontstructions/show/721121/cast_a_shadow</link>
      <pubDate>Mon, 29 Oct 2012 18:00:03 +0000</pubDate>
    </item>
    <item>
      <title><![CDATA[“Winter Branches” by AmyMelissaSkelton]]></title>
      <description><![CDATA[<img src="https://render.fontstruct.com/renderer/render?v=69917843&id=721042&w=1600&h=150&f=0&a=left&t=AaBbCc%2BHandgloves%2B123"/><br/>This font was made as a response to a brief given to me for my Graphic Design course. we were invited to chose a theme for a list of words, I chose decay. My inspiration originally came from my everyday walk to Uni; past old factories, over a disused railway bridge and past an old cricket ground. I then started to broaden my view of decay and looked at the way it effects different things including the decay theory (a theory used my psychologists about memory) and then finally I narrowed it down to dead tress. The finally font has been inspired by the illustrations of Tim Burton. ]]></description>
      <link>https://fontstruct.com/fontstructions/show/721042/winter_branches</link>
      <pubDate>Mon, 29 Oct 2012 11:56:48 +0000</pubDate>
    </item>
    <item>
      <title><![CDATA[“Spaztec” by Samipring]]></title>
      <description><![CDATA[<img src="https://render.fontstruct.com/renderer/render?v=68ac1755&id=724923&w=1600&h=150&f=0&a=left&t=AaBbCc%2BHandgloves%2B123"/><br/>Spaztec was origanally inspired by the word "ornate".
I began by looking at jewelry and "flourishes" on other fonts. After playing around with shapes and curves I realised i hadn't been thinking outside of the box. 
Ornate could have different meanings and take many forms. I then took interest in Aztec and Native American prints. I particularly liked the "hand crafted"/"imperfect" shapes and chose to comunicate the rawness in my typeface.]]></description>
      <link>https://fontstruct.com/fontstructions/show/724923/spaztec</link>
      <pubDate>Mon, 29 Oct 2012 11:37:49 +0000</pubDate>
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