A collection of FontStruct fonts inspired by the Art Deco typography, design and architecture of the 1920s.
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Decoreus. I love this one, which usually means nobody is going to like it. Thanks beate for coming up with the 20's theme for the TwentiesComp. I don't think I would have come up with this otherwise.
TwentiesComp entry, inspired by art deco architecture. Not sure about the V, left some variations there for comparison. Also the uppercase/lowercase grave and acute are different, would like to hear which you prefer.
“double-struck” style pixel interpretation of Broadway.
This is a clone of Gilded TeatroDecorative, ArtDeco-ish all uppercase font for TwentiesComp. Got carried away and added Cyrillic too ;) Enjoy!
A twenties era font with the uppercase measuring twenty glyphs tall, the lowercase measuring five glyphs tall by four glyphs wide, to multiply out to twenty, and incorporating exactly twenty different glyphs to boot.
It was really quite fun seeing all of the ways to sneak the number twenty into this font for the competition. Please enjoy!
an art deco version of "folletto"...
This is a clone of Folletto FinoA semibold Gongclonker made to the same specs as the original - 5x5 with no wasted matrix.
This is a clone of GongclonkerGloria is inspired by 1930's architecture. The theme for this idea is ‘destructive'. I looked at the exterior of buildings and the disappearance and destruction of 1930's architecture and the art deco era and style. The font is a combinination of curves and straight edges which expresses the style of architecture from that time. The detail on the letters will look better at a larger scale so it would be best for display. Anyone wanting to convey a period time or the art deco movement this is the font for you.
I wanted to try some 'deformation' of the perspective used for italic glyphs. It was fun to try, the font looks amusing and the slants are irreverent enough. I know that a word processor could change Raysan into an italic style but a word processed Raysan would be too predictable and without creative spark.
Despite the purposeful changing of lines specially the curved sections which don't follow any "perspective rule" this font looks italic. It has a pleasant rythm in longer headlines etc, and gives eye catching 'splash' text when used with the parent font.
It took quite a while to finish, I constantly fought the wish to make composites and stacks to get the correct shape and directions into the curves.
This is a clone of RaysanI have many clones of the basic version of Caractère, with different line thickness and with different arragements of diacritics and decoration elements. This is a version with many elegant decorative lines-swirls.
This is a clone