Xtructleim Display alternative inspired by the Wicca's Alphabet (Now with Rounded option)
Changelog: Apr/4 - Redesigned numerals, alphabets resized
This is a clone of Xtructleim WiccaAlternate version of: https://fontstruct.com/fontstructions/show/2430577/stub-nib-final
with a single-storey lowercase a.
This is a clone of Stub Nib (Final)Fantasy font created for glyphic alphabet, each letter (except for numbers) intended to be drawn with one stroke. Meant as means of communication for draconic creatures, but can be adapted to spice up any writing meant to be cryptic.
Alegreya Sans SFN is a Small Caps companion family to Alegreya Sans, a humanist sans serif family with a chinese, jpn feeling that conveys a dynamic and varied rhythm. This gives a pleasant feeling to readers of long texts.
The family follows humanist proportions and principles, just like the serif version of the family, Alegreya. It achieves a ludic and harmonious paragraph through elements carefully designed in an atmosphere of diversity.
The italics bring a strong emphasis to the roman styles, and each have seven weights to bring you a wide typographic palette.
Alegreya Sans provides for advanced typography with OpenType Features such as small caps, ligatures, fractions, four set of figures, super and subscript characters, ordinals, localized accent forms for Chinese, Japanese, Russian, Spanish, and others.
The Alegreya type system is a super family, originally intended for literature, and includes sans and serif sister families.
Designed by Xankfomatik170.
Oh Thy Sphinx Of Black Quartz, Doth Judge Mine Vow (Now comes with Rounded Option)
This is a clone of Xtructleim DisplayETC Vieux Canard is whimsical, geometric sans-serif font based on V. Sarela's "Res Cogitans" and Christian Munk's "Insular Typewriter".
Some letters are oddly kerned, but that is due to FontStruct's +/- 10 unit limit on kerning.
The script of the gods. Produced for the project Sephira Tale: Reclaiming the Light. Inspired by Anglo-Saxon Runes and the Ethiopian Ge'ez script.
Here are some notes on the orthography:
'C' is mapped to the /x/ or /ç/ sound, the voiceless velar fricative.
'Q' is mapped to /tʃ/, the voiceless postalveolar affricate.
'X' is mapped to /ʃ/, the voiceless postalveolar fricative.
The voiceless dental fricative /θ/, as in 'thorn' is mapped to the letter that appears when you enter 'þ'.
The voiced dental fricative /ð/, as in 'the' is mapped to the letter that appears when you type 'ð'.
Optionally the 'D' or 'Z' can also be mapped to this sound in some contexts.
The cluster 'tion' that appears at the end of words can be rewritten as 'xun'.
When writing for the 'qu' cluster, use 'kw', 'ku' or 'kv' instead.
Code Ancient Language for DnD Puzzles, The key is to imagine to put every letter of the alphabet in a tic tac toe grid and pick the shape of the box that contains the letter. For letters from J to R just use the same grid and put a dot in the middle of the boxes. For letters from S to V use a cross and put letters in the 4 corners and pick again just the part of the shape where the letter is. For the last 4 letters do the same thing and put again a dot in the middle of the shapes.
This is the alphabet for a worldbuilding project I'm working on. It needs the reference decoder (which has not been published anywhere) to be used properly/read. It is also unfinished, and I would like to improve some of the punctuation marks as I feel they don't match the rest of the letters (especially the quotation marks). Please give me feedback on this!
This font consists of three basic shapes: square, quarter circle and triangle. When I first tried to make this font, I was deeply attracted by the shape of the letter O. I found the counter to be a fascinating shape which led me to create the whole alphabet.
When I designed the letter A, I realised that it looked like a circus tent. But after more and more letters were designed, especially the letter G, I gradually found that the font was beginning to look like a toy made from interlocking triangles – a popular toy in Chinese middle schools. It can be bent into many different shapes.