Inspired by the Maze Set. A technical fontstruction showing the usage for thinner macaroni bricks. The logic for possible counter relation:
1) Every letter is filled with thinner version of itself (self-pattern fill).
2) Outline vs Inline, emphasizing the "opposite" meaning of counter.
A piece of constructivism inspired by Dutch artistic movement "De Stijl".
This is a clone of STF_FABRICON_(OUTLINE)Another experimental font for texturing work. This one uses only an 8x8 grid, but since it isn't pixel art, a much greater variety of patterns is possible. Every glyph in the font repeats as a seamless texture in both directions.
See also:Gremlin Skins (pixel version)
A font formed out of Truchet Tiles.
Truchet tiles are formed by taking a single tile composed of opposing quarter circles, then applying its inverse in a random fashion. Here, I've inverted the tiles to create outlines, then developed the negative aspects of the letters, thus creating a reversal of a reversal of a reversal! Boom! Now you're in the third dream level of Inception.
This is a cloneBased on the decorative identity squares that FontStruct members get when they join. My design is based on the elaborate squares of Lady Quadretti. I just had to replace the decorative bricks with the plain square which showed how much Quadretta relies on the variety of bricks to be interesting and different.
This is a clone of Lady QuadrettaInspired by military and the need for all participant parts to be regiment. My typeface incorporates the distinct 'V' shape of a collar, responding to the idea of uniform.
'Uniform'
1. Adjective: Remaining the same in all cases and at all times.
2. Noun: The distinctive clothing worn by members of the same organisation or body of people.
I initially responded to the level of regularity in military demonstrations, particularly from nations such as North Korea or Russia. Each character in my typeface is formed from the same starting shape to reflect this level of standardisation.
This font was created from experimentation with fur and inspired by how it can flow so freely. It took many different routes and ended up evoking an oriental theme based on spectacular treasures discovered in the Han royal tombs in China. These treasures are displayed in an exhibition named 'The Search for Immortality' and holds free flowing dragon forms that are made from solid jade stone. I chose to reflect the way thick hair flows into my design that creates distinguishable letterforms, both unique and complimentary of one another.
Home blends contemporary sans-serif characters, created using negative space, with ornate mosaic patterns to form a decorative display font in the style of kitchen tiles. Each character is unique - set against four identical patterned tiles. This typeface is very versatile and functional insofar as that it has the potential to be used in a variety of diverse settings such as magazine article headings, pottery and ceramic prints, wall-hangings and shop signage.