A basic modern-looking font. Comes with ligatures (first time making those so sorry if they look bad), basic accent support (bare cedilla and acute are there), and some "more latin" characters.

This typeface is based on the hand-painted names seen on the side of canal boats. The inconsistent, grainy texture of each letter is meant to represent the irregularities in using paint, for example the general wear and tear from the elements like chipped or peeling edges. This was my approach to the idea of “analogue” and a brief set to explore what that means. To me, in the context of the brief, analogue could be defined as possessing a nostalgic or "old school" quality- something replicated in an unauthentic manner in order to create a look-alike imitation of a time gone by. I focused on the old method of transport in Bristol: boats. To further this idea of a 'time gone by', I created this font in the set to look like ink stamped letters.

 This typeface is based on the hand-painted names seen on the side of canal boats. The inconsistent, grainy texture of each letter is meant to represent the irregularities in using paint, for example the general wear and tear from the elements like chipped or peeling edges. This was my approach to the idea of “analogue” and a brief set to explore what that means. To me, in the context of the brief, analogue could be defined as possessing a nostalgic or "old school" quality- something replicated in an unauthentic manner in order to create a look-alike imitation of a time gone by. I focused on the old method of transport in Bristol: boats.

Legible and clean and curvy, oh my!

This is my first ever font using ideas to make an heavy sans-serif typeface. I was inspired by elmoyenique and Jamie Place (FontBlast). I'm not stealing ideas from anybody by the way, I've wanted to share something to explain a journey of making my own fonts in life.

I got some aspect of making the glyphs look heavier. I've tried to make the letter f, but it flawlessly has the same height as the other glyphs. If I make number four, than I've obviously make it like this because the slanted bricks are not enough to make up a four glyph. Some of the glyphs (for example: ð, ß, ™, ®) are hard to build it because it was considered to be rounded by its curve and too small if the text was heavier.

When I run out of name ideas, the only idea of this font name i've chose is Lourde (french word for heavy).

First of all let me start by saying this is the longest font name i’ve ever seen and it doesn’t even mean anything. This is because I name my fonts random made-up words that I think look good written in the font. Also no, the uppercase letters are not meant to be alternates, I just liked the idea of a lowercase font, but wanted to be able to use uppercase to make things look less like they were written by someone texting the whole time. Yes I know I made the actual uppercases for the tall letters (sorry I don’t know what it’s actually called), but that’s because I couldn’t just make them taller to show that they were uppercase. This font is compatible with English, Spanish, French, Portuguese, German, Russian, and maybe others I missed. Language compatibility requests are welcome.

Because sometimes you need a thick scribble font.

Avery Block is a typeface that is intended to be a serifless and futuristic-looking version of Cooper Black, and because of this, it provides a combination of fun and bold futurism. So, it can be a great choice for an impactful typeface.

Voltage is a thick, bold, and sharp typeface that makes you feel that electric spark through your body. This typeface was inspired by many of my interests such as gaming and rock/metal music. I wanted to create a typeface that really expresses who I am down to my hobbies in addition to art. Voltage can be used in headers or logo for music albums, video games, or even energy drinks. The sharp edges and slice through the side of the glyphs gives the viewer and user that thrilling and dynamic charge!

A 2000s-inspired rounded and thick font with sparkles that can be used as display text. 

thicc and blocky font I tried to fit in a 7x9 grid for each letter

supports Basic Latin and More Latin sets

11.dec.22 hotfix: removed the block in the fi ligature that made it resemble a 6 and removed j descender since it violated the 7x9 grid restriction

My ‘white bear’ font is based on my set brief: ‘protection.’ The font style proposes the idea of an atypical font, creating a distorted and experimental look, differing from the ‘norm’. The inspiration for my font is based on the black mirror episode ‘bandersnatch’ where the white bear logo is shown, which presents the idea of gaming, glitching and an overall digital ambience in visual text, leading to my outcome of the square pixel font.

G1 Densyle. HeavyComp Entry #1. Heavy Slab. The limited kerning I did works on the preview, not so much on the downloaded font.  

HeavyComp entry

HeavyComp entry

A nine-by-nine pixel font.

My first Readable and Ultra heavy font.

Mostly inteded to be used for bigger sizes.

Lowercase charecters are a variation of the Uppercase charecters.

Enjoy!

Open to comments and suggestions!

Ave Maria

A font where each letter is made out of making small edits to the Target Lock icon. 

Open to Comments and Suggestions!

A smooth font inspired by the shimmer and glare of a water droplet.

Punk One is Heavy Modern sans serif with a strongest slant curve touch. An older brother of the original Plusminus font made by V. Sarela.

Idk, it’s a font

A techy, sci-fi font with sharp angles and a unique design, perfect for all sorts of projects.

a font that was inspired from many failed attemps that took some hard work for this jewel of a font!

SPANCIL HILL

"it's like goth but also classy" - a friend