A monospaced font using only bricks from the connect category. It includes Basic Latin, along with variations of each letter.
Glyphs are with large stroke. Black and Bold ones are Filled. White and Double-Struck ones are with small stroke. Gray and Blackletter ones are with a combination of large and small stroke
Includes a large subset of Latin-1 as well along with a small subset of certain other unicode blocks
Supports Latin, Greek (Including the Seven Coptic Letters) and Lisu Scripts
See here for the proportional version
Proportional version of this font
This is a clone of EvelutionLolly MonoДвойная линия с закруглениями напоминает след на воде от гидроцикла.
See more:
https://fontstruct.com/fontstructions/show/1424096/tm-fest-iv
https://fontstruct.com/fontstructions/show/689431/detour_ahead
https://fontstruct.com/fontstructions/show/1788940/zizakurraf-eye-fs#comment-116555
This is a clone of BicycleWith this font I am late to the competition, but I still love Art Deco a lot.
This is a cloneRecap from one of the alphabets originally designed by Dutch graphical designer "Jurriaan Schrofer".
The Letters were Originally designed for the "Giro" office building floor plan!
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This is the high-res. outlined style variation in the "ETAGE AANDUIDING" typeface family.
Enjoy!
Another tribute to the great Dutch graphical designer/pioneer "Jurriaan Schrofer".
This time I didn't do a straight foreward recap of a specific work from the great man, but rather had myself inspired by a number of his sketches and combined those ideas all into this type! (Nonetheless ofcourse still heavily inspired by..)
Here are a few of the original works I drawn inspiration from:
"A.S.C. COMMUNICATIONS, SEMINOTICS, SIGNAGE SYSTEM PTT 1975 (Dutch Post Office) , BEURS VAN BERLAGE, UNREADABLE ALPHABET"
This is a clone of STF_JS-SANS SEVERE (MULTILINE)A little experiment with the "connect" bricks (and an healty dose of stacking). I wasn't referencing any specific example of the style (of which there are many), but I'm sure that, looking for solutions as I went, I ended up with something similar to already existing typefaces (and fontstructions).
Unfortunately, some connecting bricks don't align exactly, so I had to resort to approximate them, when possible, with more stacking, which didn't particularly help the already lacking consistency in construction.
But enough moaning, enjoy!
A doodle made with Brick Basket.
This has many uses! It works as a pixel font or a high-res one, and can generate a surprising range of visual effects.
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See also:Psycho Wave
Decorative, ArtDeco-ish all uppercase font for TwentiesComp. Got carried away and added Cyrillic too ;) Enjoy!
This was unnecessarily hard to make. Most of the glyphs are drawn with continuous line. Each letter might have other ways of achieving the same continuous effect. But the main purpose of this fonstruction is to request some bricks from staff, I'll mention them in the comments. Thanks.
A multiline pattern-fill design that looks like fish scales. It is a very functional multifont, especially at smaller sizes.
The spurs, stems, and line motion add subtle detail to help identify each letter. Additionally, some custom bricks are experimentally combined with the macaroni bricks to preserve the pattern while also forming the curves.
A "Connect bricks" font.
It's called linestrider because the outline strides across the inline on both sides. It also reminds me of the courses that are drawn for line-following robots.
The person I made this for requested lowercase. I'll add it as I can.
A multi-line design which is slightly reminescent of mazes/fingerprints. It's not designed to create functional mazes, but it is somewhat capable!
"Absinthelyric Print" is an anagram for "Labyrinthine Script".
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Original size: 11.25pt. Use multiples of this value for pixel perfection. (If you use antialiasing, it will look perfect at most any size.)
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Design rules:
1. Square bricks and 90-degree angles only.
2. Alphabetic glyphs must have open terminals; numerals and symbols must have closed terminals. Letters which do not terminate (D,O, etc.) must be broken so that they terminate.
3. Glyphs must fill the 15x15 grid.
4. Ligatures and combinatorial glyphs must fit into one letter's space.
5. Draw from the outside in.
"Mythical Bursts" is an anagram of "Bismuth Crystal". The design is inspired by said crystals as well as Mayan/Aztec carvings (or at least, the comparatively simple forms they have in popular media) and sgraffito art in which a surface is scratched off to reveal a contrasting material underneath.
12SEP2018: I've edited every glyph in order to disconnect the letterforms from their enclosing shapes. This makes the font much more readable and consistent.
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Original size: 42pt (use multiples of this value for pixel perfection)